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Artist: ALBERICH
Title: NATO-Uniformen
Format: Double LP
Label: Hospital Productions
Country: USA
Price: $29.00
"This gatefold double LP set is a redacted version of Alberichs indomitable, spirit-crushing opus, NATO-Uniformen, cut from 30 tracks in the original eight-cassette box (limited to 50 copies) to 19 tracks on this version, edited in 2014 for the Trans Industrial Assembly in NYC. Originally deployed in 2010, its bombed-out luster has become a firm favorite of everyone from Blackest Ever Blacks Kiran Sande to Endangered Species Vereker. Between the bludgeoned doom techno of "Skysweeper," the shell-strewn darkwave scenes of "Man Is Ready" and the Carpenter-esque adrenalizer, "Immortality Is No Consolation for Death," Alberich finds a very specific line through heavy electronics, synth zones, and dread techno, and holds it to the last with a shell-shocked, eviscerated aesthetic most unlike any other. Fully remastered and cut at Alchemy." - Hospital Productions.

Artist: AMBARCHI & ELI KESZLER, OREN
Title: Alps
Format: LP
Label: Dancing Wayang
Country: UK
Price: $24.00
"Dancing Wayang Records is thrilled to announce the imminent release of the labels ninth album -- Alps by Oren Ambarchi & Eli Keszler; a fresh yet seemingly inevitable collaboration of two musicians kicking against limits and genre definitions, recorded and presented with a similar disregard for anything but quality. Alps was recorded in June 2013 at Eastcote Studios in London. Thereafter mixed by frequent Ambarchi associate Joe Talia in Melbourne and mastered by Rashad Becker in Berlin, it comes pressed on 180 gram black virgin vinyl housed in the labels traditional hand-screenprinted wrap-around sleeves featuring cover art by Eli Keszler. Liner notes come courtesy of U.S. musician C. Spencer Yeh (Burning Star Core). Two vinyl-side-long pieces that mix improv, noise, rock, and drone, this is never an easy listen but always a compelling one. Both musicians are compulsive collaborators, with individual oeuvres that span all those genres and others yet to be labeled, and this album reflects and distills their hard-working heritage. They have a similar approach to questioning the fundamentals and exploring the sonic properties of their chosen instruments in a way that is informed by musical theory and learning but manifests itself in a defiantly non-academic, visceral and physical sound, both in intent and experience. Listening to Alps is a discomforting, uneasy and massively rewarding exercise, which denies the listener any steady ground on which to stand. This is evident from the moment that "Alps I" kicks off with piercing bowed cymbals. Percussive elements emerge from deep in the mix, drums without rhythm nor meter. Background and foreground shift tectonically and queasily. A chopping helicopter pulse hovers omnipresently over the battlefield of attacking drums and splintery bass beneath. It is a liquescent, rolling, never-still 20 minutes of multiple musical narratives. From the outset side B upholds the intensity. The conflagration of "Alps II" comes off like a tribute to classic Japanese psych; guitar proudly and consistently in the red, tsunamis of drum rolls. It has a defiant crudeness and rawness to its attack, which belies the intelligence needed to create such a rough-edged sound, the deftness needed to keep the truck-driving momentum on the road. 500 copies worldwide limited edition, pressed on 180 gram vinyl." - Dancing Wayang.

Artist: ASTOR
Title: Alcor
Format: LP
Label: Kye
Country: USA
Price: $17.00
"Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable as they are unforgettable. Alcor is the ideal LP for fans of fringe position electro-acoustic study, Delphic audio confusion, or anyone who pines for the days when Small Cruel Party still roamed the earth. Mastered by Graham Lambkin, Alcor arrives in a full color high gloss sleeve, in an edition of 350 copies." - Kye.
SOLD OUT

Artist: ASTRAL SOCIAL CLUB
Title: Metal Guru/Moonage Daydream
Format: 7"
Label: Must Die
Country: UK
Price: $7.00
Transparent blue vinyl.

Artist: BAIRD, MICHAEL
Title: Gongs & Bells
Format: CD
Label: SWP
Country: Netherlands
Price: $16.00
"A solo project by drummer/composer Michael Baird. Gongs and bells vibrate, tremble, quake, quiver, flutter, flicker, murmur, hum, throb, ding, dong, peal, ping, trill, tinkle, oscillate, ring and shake. Each one a microcosm, wonderfully recorded, capturing every overtone. The album enters the borderland between ethnic music, improvisation and soundscape without the pretension of being experimental, and where you seem to get liberated from all kinds of musical conventions. Includes an 8-page booklet." - SWP.

Artist: BANDON, DAO
Title: Kon Kee Lang Kwai (Man on a Water Buffalo): Essential Dao Bandon
Format: LP
Label: EM
Country: Japan
Price: $25.00
"This is the second release in the re-launch of EM Records Thai music series. Paradise Bangkok, Soi 48 and EM have teamed up to deliver a series showcasing the extraordinary performances of some of Thailands greatest musical legends. For reasons unknowable, certain places in certain eras become hotbeds of music, fertile in their growth and flowering of musical talent. Thailand in the 1970s was such a place, and Dao Bandon is one of the enduring greats of that era. Born in the farm country of the Isan region, Bandon came from a poor family and was a monk during his teens, two great influences which shaped him, with his farm roots grounding the earthy heart of his lyrics, and his years of monastic chanting lending a unique resonance to his singing. After an apprenticeship with some of the greats of Thai music, Dao Bandon began to enjoy success leading his own band. The songs here, released in the 1970s, showcase the infectiously joyful Bandon groove, his mellifluous voice, and his captivating melodic sense. His lyrics deal with sex, love, marijuana, and the struggles of the poor, but no matter what he sings about, a sense of good cheer is always evident. Featuring parallel translations of the lyrics, in-depth liner notes, rare photos, and of course, great music, Man on a Water Buffalo is yet another example of Thai excellence from EM Records. English & Japanese text with Thai, English, and Japanese lyrics." - EM.

Artist: BANDON, DAO
Title: Lae Pattana Baan Meuang/Noo Yaak Dang
Format: 7"
Label: Paradise Bangkok
Country: Thailand
Price: $17.00
"Limited 7" in stitched, silk screened sleeves from this Zudrangma Records offshoot label, run by Maft Sai and Chris Menist." - Paradise Bangkok.

Artist: BONE RATTLE
Title: Central Intelligence Agency Sex Slave #9 / Toxcatl Calling
Format: LP
Label: Anonymous Dog
Country: USA
Price: $10.00
Ryan Riehle and Travis McCoy (LA Drugs, Dreamhouse, Rotten Apples, etc.). "Edition of 300 on black vinyl with double sided folded sleeve that doubles as a poster. samples, saxophone, homemade synths, clacker, bats, clarinet, pandeiro, omnichord, VSC RR-830 cassette recorder, Dr. Rhythm DR-550MKII, KAPS Ragini II specialist, KAPS Riyaz Guru specialist. Recorded 2009/2010 180 degrees out of phase."

Artist: BORBETOMAGUS
Title: Snuff Jazz
Format: CD
Label: Agaric
Country: USA
Price: $16.00
"Reissue of Snuff Jazz, a vicious installment originally released on LP in 1990, with one previously unreleased track and an untitled track previously released on COS tapes in 1990. Jim Sauter and Don Dietrich on saxophones, Donald Miller on guitar. The first three selections were recorded at the art gallery and performance space ABC No Rio in New Yorks lower Lower East Side on November 24, 1988. The occasion for the concert was the opening night of an exhibition of paintings by Carl George andValerie Caris. The fourth selection was recorded at DC Space, in Washington, DC on August 25,1989. "It is hard to believe that it has been twenty years since my ass warmed a bench in the dungeon at ABC No Rio. Back in the day, it was dicey on the streets of the dank and decaying Lower East Side, streets riddled with drug dealers and abandoned buildings. A couple of drinks at the opening, and it was high time for a good aural irrigation. The boys gently ascended to their cruising altitude, and the sonic bursts pierced the damp masonry walls and every human eardrum in reach. The fans drooled, and the uninitiated, like the soccer players of Chernobyl, stared in awe of this enfolding, life-threatening disaster and grit-crunching ass-kick machine. The dogs were howling this night! Remove all other living critters from the house, pour yourself a double single-malt scotch, turn the volume of your stereo to twelve, and enjoy as your ears are acid-etched." - Michael Hanke.

Artist: BRUHIN, ANTON
Title: Vom Goldabfischer
Format: CD
Label: Alga Marghen
Country: Italy
Price: $20.00
"The new compact disc by Anton Bruhin issued by Alga Marghen is titled Vom Goldabfisher and presents for the first time on CD the classic experimental folk recordings with the same title first issued on LP in 1969. Anton Bruhin conceived some of the most original sonic art musiks, a double of his artistic work as an outsider painter and with the help of Stefan Wittwer on electric guitar and Cristian Koradi on bass and cello, recorded this masterpiece of far out sonorities well hidden in the Swiss mountains. Anton Bruhin sings and plays jews harp (his favorite instrument), ch-phon (an instrument he invented constructed with a PVC tube with saxophone reed), harmonica, flute, fiddle, percussion, water. This record, surely one of the most psychedelic, experimental and private to be issued in Europe in the 1960s, should be of great influence for the actual renaissance of experimental folk music. Surely it was an important source of magick for Steven Stapleton, so no surprise to see it mentioned in the mythical list of references that Nurse With Wound included in their first LP. This CD edition also includes 5 jews harp instrumental tracks. In the late 1970s, Anton Bruhin was asked to edit a record of folk and ethnic music, documenting the use of jews harp in Switzerland. Bruhin climbed up the mountains in order to record some of the most obscure, old jews harp players. Those mysterious sounds were issued in 1979 on a record titled Maultrommel, Mundhermonika, Kamm. This CD includes 3 solo jews harp tracks where Anton Bruhin plays themes from the Vom Goldabfischer LP, plus 2 massive, maximal and resonating duos with W. Gwerder, recorded in 1979 at Radio Schweiz International. Beautiful digipack sleeve with photos and liner notes, also including a folded insert reproducing lyrics, technical notes and a group of ink drawings originally created for the Vom Goldabfischer LP sleeve." -Alga Marghen

Artist: BURNS, BILL
Title: The Dogs and Boats and Airplanes Childrens Choir
Format: LP
Label: Big Pond Small Fish
Country: Canada
Price: $38.00
Edition of 100. "This is a document of Bill Burns 2013 piece which was originally commissioned as a quadraphonic suite for Torontos Nuit Blanche. The sounds within are exactly as suggested in its title - a 32 voice choir of children whose entire repertoire is the sounds of dogs, boats and airplanes. This is a sorely limited artist edition of 100. It comes in a numbered and debossed disco sleeve signed by the artist." - Big Pond Small Fish.

Artist: CARTER TUTTI
Title: Coolicon
Format: 10"
Label: CTI
Country: UK
Price: $18.00
"Carter Tutti (Chris Carter and Cosey Fanni Tutti) release their first single in over 20 years on their own CTI label. The double A-side 10" single featuring two versions of "Coolicon" was originally only available by mail order as a limited edition on green vinyl, but due to popular demand has been repressed as a regular black vinyl 10". "Coolicon" is the name of the manufacturer of an old metal lampshade electronic pioneer Delia Derbyshire used to "sample" while at the BBC Radiophonic Workshop in the 1960s." - CTI

Artist: CERAMIC HOBS, THE
Title: Spirit World Circle Jerk
Format: LP
Label: Must Die
Country: UK
Price: $25.00
"Juy 20, 2012 – James Holmes flips in Aurora during a showing of The Dark Knight Rises October 29, 2012 – Hurricane Sandy hits the East Coast
December 14, 2012 – Adam Lanza flips in Sandy Hook
May 20, 2013 – Liam Hemsworth bags lead role in movie “Aurora Rising”
“4th of July, Asbury Park (Sandy)” was released by Bruce Springsteen in 1973. Hook from chorus: OH SANDY, THE AURORA IS RISING BEHIND US August 1st 2013 (Lughnasadh) – The Ceramic Hobs release their sixth album proper”Spirit World Circle Jerk”

1. SAY NO TO – the Rev Gary Davis song suddenly switches into ‘Hellhound On My Trail as the music changes into discord – the Hobs first full length religious album begins at the crossroads
2. FALLING DOWN THE STAIRS – a kind of rock song with intense and unpleasant lyric – we are in the realm of the Satanic Panic, of fundamentalist witchhunts
3. THE HONG KONG GOOLAGONG – the alcoholic nightmare visions of David Bergs cult played out over a military beat and sinister chord changes – music for Junior End Time Teens
4. GLASGOW HOUSEWIFE – the ethanol poisoning continues as Bible John makes his unwholesome appearance
5. THE SPIRIT WORLD CIRCLE JERK – highly uncharacteristic guitar-mandolin bells melody over which dark premonitory visions received in Greece meet the text of a strange Portuguese 419 scam
6. T.A. DEATH – the Church of Scientology enters the fray and secretive power plays are dealt with over driving and loud rock music
7. VOODOO PARTY – twenty minute piece taking up all of side two dealing with the rise of superstition, the worship of celebrities and how they are anchored in the Spirit World – based around an initial recording of a band dérive on the streets of Glasgow this now includes many layers of sound including psychedelic guitar, a horn section and a genuine example of willed spirit world possession from band members. Remixed in Berlin by Kakawaka.
Cramp and paralyse them and those that worship Babylon and deal in iniquity.

Available from Must Die Records in a hand-numbered edition of 250 vinyl LPs with individually silkscreened cover prints of religious art created by Dr Adolf Steg. The Ceramic Hobs are a currently eight-piece band beyond description whose previous releases include The Stoat Rides Out (1988) and Straight Outta Rampton (2001) plus well over thirty other recordings for underground labels worldwide since 1985.” - Must Die.

Artist: CHANCE, BOB
Title: Its Broken
Format: LP
Label: Trunk
Country: UK
Price: $18.00
"Theres no one quite like Bob Chance. Hes a California man who makes his own music. And here he is, on fire. Its a privately-pressed album that has become a cult item in recent years. DJ Shadow calls it hairy forearm disco, I think it walks a fine line between the dancefloor and the asylum. Originally recorded and issued by himself in 1980, Its Broken represents Bob Chances creative juices flowing and then possibly overflowing all over the place. Hes a multi-talented multi-instrumentalist who writes his own songs. Trunk first came across the album in the USA, and decided to feature it as one of the strange slabs of vinyl I write about for my weird record column in Mojo. I described it as the musical equivalent of Curry House DIY, an unusual and unexpected flow of ideas that maybe shouldnt work together but actually do in a most unorthodox and functional way. And if I have to describe the album musically to people I explain it has a touch of Giorgio Moroder, a bit of the Beach Boys and a sprinkle of Glen Campbell as a serial killer. How can you not love a nine-minute post-disco oddity called Its Broken? Why would you not want to thrill at a five minute instrumental journey into Bobs jungle? And how about a short trip inside a stalkers van? Exactly, its all irresistible. And now, thanks to this reissue, more of us can enjoy the genius that is Bob Chance and his very unique music." -Jonny Trunk.



SOLD OUT

Artist: CHEMOTEX
Title: Snake Inside My Leg
Format: 12"
Label: Trilogy Tapes
Country: UK
Price: $24.00
"500 run,. with hand stamped inner bag." - Trilogy Tapes.

Artist: CHERRY, DON
Title: Eternal Rhythm
Format: LP
Label: MPS
Country: USA
Price: $13.00
"Gatefold exact repro reissue of Don Cherrys classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (tenor sax, oboe, clarinet, flute), Sonny Sharrock (guitar), Karl Berger (vibes, piano, gender), Joachim Kühn (piano, prepared piano), Arild Andersen (bass), & Jacques Thollot (drums, saron, gong, bells, voice). Two "side-long" pieces with gamelan underlining for the perfect gush of cosmic interlude." - MPS.

Artist: CHOGORI
Title: Chogori
Format: LP
Label: Modularfield Recorings
Country: Germany
Price: $25.00
"Modularfield Records presents the debut album from Chogorie. It was recorded on a 24-track Studer tape machine and is released on black vinyl. The album captures the ruff acoustic essence of the trio, representing the typical sound build upon the analog synthesizer and the bowed double-bass played by the formation around Ralf Stritt and Gregor Kerkmann. Their focus lies on the hypnotic rhythms and the emotional depth of the compositions, performed with implicit ease. Limited vinyl LP including a digital download card." - Modularfield.

Artist: CLEMENTI, ORA
Title: Cover You Will Softer Me
Format: LP
Label: Penultimate Press
Country: UK
Price: $25.00
"Ora Clementi is the pen name of Canadian sound artist and improvisor crys cole and Australian performer and composer James Rushford. crys has previously collaborated with Keith Rowe and Oren Ambarchi (Bocian records) whilst James worked alongside Joe Talia on the highly acclaimed Manhunter LP (Kye). Penultimate Press is proud to unveil this duos new hermetic world of sound, song and speech. Employing farfisa, contact mics, percussion, viola, recordings of James pet chickens, ocarinas, piano and miscellaneous junk Cover you will softer me slides from the sublime to the startling where individual elements delicately fold and fall amongst an unnerving tableaux of failed lip readings, haunted hiss, piano motifs and glistening debris. " - Penultimate Press.

Artist: COLTRANE, ALICE
Title: A Monastic Trio
Format: LP
Label: Superior Viaduct
Country: USA
Price: $26.00
"Born Alice McLeod into a musical Detroit family, Alice Coltrane began playing piano at age seven and later studied with Bud Powell in Paris. Upon returning to the States, she joined vibraphonist Terry Gibbs group and eventually shared a bill with the John Coltrane Quartet. In 1965 the two wed in Juárez, Mexico, and played alongside one another until her husbands last performance in May, 1967. A Monastic Trio, created in the year following her husbands passing, is Coltranes first recording as a band leader and features six original compositions. While Johns spirit can be felt throughout -- from the song titles (Ohnedaruth was his adopted Hindu name) to the personnel (Jimmy Garrison, Rashied Ali, and Pharaoh Sanders were frequent collaborators) -- the album showcases Alices immense talent for fusing spiritual free-jazz and new-age with classical, Eastern, post-bop and gospel. As the late Amiri Baraka writes, "I Want to See You" is a monastic piano concerto. With echoes of Europe... it has a solemnity and majesty to it.... Yes, monastic is the word. The piano broods in its earth imagination." - Superior Viaduct.

Artist: COMPLOT BRONSWICK
Title: LImage Oubliee
Format: LP
Label: Desire
Country: France
Price: $20.00
"For the first time ever the Complot Bronswick debut release is reissued on vinyl. Released by the band in 1982, it contains four powerful tracks inspired by cold wave, avant-rock and post-punk. This reissue is housed in a brand new sleeve designed by the bands long-time personal graphic designer, Maurice Chesneau. Arriving in 1981 on the Rennes scene, Complot Bronswick have never been short of good ideas: alternating music, video and performance, haunted by the shores of dreams and Russian imagery from the 20s, the group has created captivating atmospheres. Complot Bronswick changed with a deliberate desire to shatter an image. Even the notion of them being an elitist band is a misinterpretation for such an open group. In fact the role of Complot Bronswick was not to create a rigid world but to open up and accept the confrontation of different worlds, generating new emotions. The human structure of the group fluctuated and there could be anything from two to ten people onstage at any one time. The only real constant was the poetry and the emotion that was given out at each concert, a certain idea of freedom. Limited edition of 300 copies. Pressed on black vinyl. 350g sleeve printed on reversed cardboard. Includes a download card." - Desire.

Artist: CONRAD, TONY & GENESIS P-ORRIDGE
Title: Taking Issue
Format: LP
Label: Dais
Country: USA
Price: $22.00
"An exclusive vinyl release of the live violin collaboration between avant-garde legends Tony Conrad and Genesis Breyer P-Orridge featuring percussion by Morrison Edley. Presented by filmmaker Marie Losier and recording live in January, 2009 at Issue Project Room in Brooklyn, NY. LP limited to 500 hand-numbered copies." - Dais.
SOLD OUT

Artist: CREODE
Title: Slam Camp
Format: Cass
Label: All Gone
Country: USA
Price: $5.00
"Freaked out psychosis from beyond, this Detroit duo have been steady shredding the noise circuit with their basement style zoners. Reminds me of the good ol days, Do you remember em? refreshing to see some cats not just making mixer feedback. warped broken thrift gear, tapes and homespun d.i.y instruments all bled onto tascam for your entrance to hologram point unexistence." - All Gone.

Artist: CUT HANDS
Title: Festival of the Dead
Format: Double LP
Label: Blackest Ever Black
Country: UK
Price: $37.00
"2LP version housed in high gloss gatefold sleeve. Includes mp3/FLAC download. It is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. Now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of Santería and Voudou mix with raw electricity into burning diabolical polyrhythms. Festival of the Dead is without doubt the most potent distillation yet of Cut Hands malign percussive energy, with pieces like "The Claw" and "Vaudou Take Me High" leading the irresistible polyrhythmic assault in pursuit of one thing: a final rapturous celebration of oblivion. Written and produced by William Bennett." - Blackest Ever Black.

Artist: CUT HANDS
Title: Festival of the Dead
Format: CD
Label: Blackest Ever Black
Country: UK
Price: $18.00
"It is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. Now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of Santería and Voudou mix with raw electricity into burning diabolical polyrhythms. Festival of the Dead is without doubt the most potent distillation yet of Cut Hands malign percussive energy, with pieces like "The Claw" and "Vaudou Take Me High" leading the irresistible polyrhythmic assault in pursuit of one thing: a final rapturous celebration of oblivion. Written and produced by William Bennett." - Blackest Ever Black.

Artist: DEUTSCHE WERTARBEIT
Title: s/t
Format: CD
Label: Bureau B
Country: Germany
Price: $18.00
"There are times when the name of a musical project is in perfect harmony with the sounds emanating from it. And there are times when it is not. Take the 1981 album Deutsche Wertarbeit by keyboarder and composer Dorothea Raukes, which is rather an example of the latter. No stomping of military marches, as the title may imply, but six beautiful synthesizer treasures gathered together on the only solo album she would release, artfully unifying the so-called Düsseldorf School (Kraftwerk, etc.), the Berliner School (Tangerine Dream, etc.) and elements of Jean Michel Jarres music with the sounds of the inceptive 1980s. From the hypnotic to the cosmic, sometimes pulsating, sometimes evincing saccharine melancholy. The cool, almost technical artwork does not really fit the warm, sensitive music, either. Dorothea Raukes was not exactly an unknown quantity when the album appeared. She had been playing keyboards and writing for the Düsseldorf rock band Streetmark for years. The group -- as was typical of the period -- operated on democratic principles, which meant that she was never quite able to follow through on her own musical ideas one hundred percent. A solo album, however, would allow her to do just that. One of the reasons why it turned out to be a purely electronic album was Raukes sponsorship deal with Korg, giving her access to the full range of the companys gear. Listening to Deutsche Wertarbeit, those familiar with the history of Streetmark will find themselves reminded of Wolfgang Riechmanns solo LP Wunderbar (BB 027CD/LP), which appeared three years earlier and traced a similar musical pattern. Wolfgang Riechmann himself had been a member of Streetmark not all that long ago. Nonetheless, the two projects were entirely separate and had no immediate influence on each other." - Bureau B.

Artist: DEUTSCHE WERTARBEIT
Title: s/t
Format: LP
Label: Bureau B
Country: Germany
Price: $22.00
"180 gram vinyl. There are times when the name of a musical project is in perfect harmony with the sounds emanating from it. And there are times when it is not. Take the 1981 album Deutsche Wertarbeit by keyboarder and composer Dorothea Raukes, which is rather an example of the latter. No stomping of military marches, as the title may imply, but six beautiful synthesizer treasures gathered together on the only solo album she would release, artfully unifying the so-called Düsseldorf School (Kraftwerk, etc.), the Berliner School (Tangerine Dream, etc.) and elements of Jean Michel Jarres music with the sounds of the inceptive 1980s. From the hypnotic to the cosmic, sometimes pulsating, sometimes evincing saccharine melancholy. The cool, almost technical artwork does not really fit the warm, sensitive music, either. Dorothea Raukes was not exactly an unknown quantity when the album appeared. She had been playing keyboards and writing for the Düsseldorf rock band Streetmark for years. The group -- as was typical of the period -- operated on democratic principles, which meant that she was never quite able to follow through on her own musical ideas one hundred percent. A solo album, however, would allow her to do just that. One of the reasons why it turned out to be a purely electronic album was Raukes sponsorship deal with Korg, giving her access to the full range of the companys gear. Listening to Deutsche Wertarbeit, those familiar with the history of Streetmark will find themselves reminded of Wolfgang Riechmanns solo LP Wunderbar (BB 027CD/LP), which appeared three years earlier and traced a similar musical pattern. Wolfgang Riechmann himself had been a member of Streetmark not all that long ago. Nonetheless, the two projects were entirely separate and had no immediate influence on each other." - Bureau B.

Artist: DJ SPIDER AND MARSHALLITO
Title: Deadly Structures ep
Format: 12"
Label: Trilogy Tapes
Country: UK
Price: $21.00
"The NY duo land on TTT with four chapters of toxic, virus-ridden techno-house amalgamations for the bravest of heart. Taking the boundaries of the genre to their very limits and further - another installment of wacked-out electronics from the London institution." - Trilogy Tapes.

Artist: DOG LADY ISLAND
Title: Dolor Aria
Format: CD
Label: Alien Passengers
Country: USA
Price: $6.00
“A plateau in the desert of memory, a post in the monotony of time.” - Alien Passengers.

Artist: DOG LADY ISLAND
Title: Dolor Aria
Format: Cass
Label: Alien Passengers
Country: USA
Price: $6.00
“A plateau in the desert of memory, a post in the monotony of time.” - Alien Passengers.

Artist: DREEBS, THE
Title: The Dreebs The Dream
Format: Cass
Label: Anonymous Dog
Country: USA
Price: $5.00
"The Dreebs are a trio from Brooklyn of prepared guitar, violin, drums, and vocals. This is an experimental rock record, but it is in no way a “free rock” record. This band is incredibly tight and its compositions are very precise. The Dreebs songs seem to work by the prepared guitar setting up a metallic drone in front which the drums and violin lock in to patterns that gradually build into climaxes, but this band doesnt fall into the trap of only playing crescendos that a lot of improvised rock and post rock bands do. The dynamics are very important in this band and are used in a very refreshing ways. The vocals range from whispers and shrieks and come in at just the right times to heighten the tension. The prepared guitar sounds particularly great and adds a tangible, alien quality to the band. I’ve really never heard anything like it. An excellent record." - Chris Strunk.

Artist: DUNN, MATTHEW DOC
Title: All Is
Format: LP
Label: Cosmic Range
Country: Canada
Price: $22.00
“Doc Dunn flings open the shutters of perception on this vinyl-only expedition into the inner cosmos. Switched on to heliocentric frequencies, these home-recorded heatwaves were laid down Portastudio style as the blueprint for future flights in a group incarnation, yet stand alone as a soothing and spellbinding trip. Side A starts off with a series of soft-focus sketches varying in degrees of abstraction, but the pair of longer pieces on the flip is where it really lifts off. The 11-minute “All Is And Ever Will Be” hovers on a hazy organ drone with muted splatter-clatter skimming below the surface like a one-man Flower-Corsano Duo. Closer “Earth House” is the coolest pool of equanimity, layering echoed keys with electronic squelch and a headbobbing rhythm to bring the journey back to Satchidananda.” - Jesse Locke. In multi-colored, fold over silkscreened jackets.

Artist: DUNN, MATTHEW DOC
Title: Tecumseh
Format: LP
Label: Healing Power
Country: Canada
Price: $22.00
"Tecumseh is an adventure through the mind, body, & soul of Torontos most beloved psych ambassadors - - - taste the music - - -" - Healing Power. Previous releases on Bennifer Editions, Medusa Editions, and Inyrdisk plus a handful collabs with MATT VALENTINE, ERIKA ELDER, WILLIE LANE, TIM BARNES, etc.. on Heroine Celestial Agriculture. Recorded Autumn 2008 at The Manor and released in 2012. Limited edition of 250 LPs with individual reflective "foil & sticker magic" covers.

Artist: EMBRYO
Title: Message from Era Ora
Format: LP
Label: Black Sweat
Country: Italy
Price: $23.00
“One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space-rock style. Over their 40 year existence, during which Christian Burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over 20 records. This is a never-before-released jams recorded live in 1976 in various locations. This is the only recording of their collaboration with the Italian jazz legend Massimo Urbani during a wild live performance in a church in Udine, Italy. If you freaked out on Jimmy Jacksons organ-playing on Steig aus, then Message from Era Ora is right up your alley. Dieter Miekautsch is heavy on his Fender Rhodes and Urbanis alto sax fits like a glove on this exuberant but relaxed fusion Kraut session. Christian Burchards drumming is as agile as ever, while Uve Muellrichs bass gallops alongside Roman Bunkas funky, psychedelic guitar. Message from Era Ora is much more than just another unearthed archival recording, its a rare occasion to actually feel the enthusiasm and joy that fuelled their jams back in 1976.” - Black Sweat.

"Its amazing to me that a recording from 1976 can sound so pummeling during a tom-tom rape while a lot of the records I spin from NOW dont carry the same gut-sucking punch. Beyond that, if you get inside these compositions and stay with them from top to bottom it becomes apparent there are wicked forces at work here, and nothing short of a tractor-beam pull is required to put jammy jazz-prog, drenched in Fender Rhodes, like this across. They nail it, and have fun doing it." - Tiny Mix Tapes.
SOLD OUT

Artist: ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA
Title: Fiesta, Que Viva La
Format: CD
Label: Staubgold
Country: Germany
Price: $18.00
"The first-ever release of mythic Colombian groups Ensamble Polifonico Vallenato and Sexteto La Constelacion De Colombia. A full-length album of exclusive archive recordings featuring members of the Meridian Brothers, Frente Cumbiero, Ondatropica, Romperayo and Los Piranas. Bland rock and pop music took over Colombia in the 1980s. For a country with so much musical heritage, this was blasphemy. Ensamble Polifonico Vallenato and Sexteto La Constelacion de Colombia were two groups who, in the late 90s, fought to redress the balance. Ensamble Polifonico Vallenato started as a joke, a parody of the bad vallenato music a bunch of university students would hear on the bus into campus. Their idea was simple: "to play whatever and see what happens." The resultant music was as heavy as rock, as acidic as punk and as far-out as the most left-field free-jazz. At the heart of it all was fiery accordion and acerbic vocals, often playing in call-and-response, just like the classic vallenatos of yore. The lyrics formed a big part of the groups identity; they were deep, sarcastic and surrealistic, and revelled in toying with Colombian clichés. The music soon stopped being a parody. The students began to learn more and more about Colombian folklore and their sound evolved. Soon, they ditched the accordion, replacing it with flutes from Colombias Caribbean coast, and renamed the group Sexteto La Constelacion de Colombia. The musicians were now more mature, though no less experimental. Both groups were rebellious, counter-cultural and added to their reputations with anarchic live shows. At the time, the reaction was mixed. To quote the group, they were "approved by a few but disapproved by a lot." For many musicians who saw them play during their short lifespans, they offered an alternative, a new form of Colombian music that was rooted in their countrys heritage but could be as innovative and experimental as any jazz or rock. A seed was sown that started a new branch of Colombian tropical music. The band members now play in groups like Meridian Brothers, Frente Cumbiero, Ondatropica, Romperayo and Los Piranas -- bands that have released albums and toured internationally, as well as won critical and public approval while maintaining the revolutionary spirit that will ensure that the evolution of Colombian music is not ready to stop yet." - Staubgold.

Artist: ESPLENDOR GEOMETRICO
Title: 1980-1981 Prehistoric Sounds - Necrosis en la Poya & More
Format: CD/3x7
Label: Geometrik
Country: Spain
Price: $39.00


"Special deluxe edition, limited to 1,000 numbered copies in a hard cardboard box set which includes three 7" singles (each with its own sleeve), a CD in a slim cardboard sleeve, an 8-page booklet and a numbered card. It contains the first material recorded by Spanish cult legends Esplendor Geométrico between 1980 and 1981. One of the singles includes their first demo, recorded after their formation, with three tracks of industrial-minimal-techno-pop, among which is the well-known "Moscú Está Helado." This demo was sent in 1980 to the German label Ata Tak, run by Der Plan, who chose "Moscú..." for their legendary compilation Fix Planet!. The second single is a facsimile reissue of Necrosis en la Poya, originally released in 1981 and which already shows EGs shift towards harsher industrial rhythms. Finally, the third single includes four tracks recorded in 1981 soon after Necrosis... Three of them are previously-unreleased and were found recently on an old, lost reel tape. The CD includes the 10 tracks from the singles plus another five extra tracks from the same period, originally released on the cassette Esplendor Geométrico 1980-1981. The 8-page booklet features texts, designs and period photos. All tracks have been remastered and the artwork is by Juan Carlos Sastre, professional designer and founding member of EG." -Geometrik.
SOLD OUT

Artist: EXTENDED VERSIONS
Title: Same
Format: LP
Label: Cien Fuegos
Country: Austria
Price: $28.00
"The Extended Versions were one of THE bands in the early 90s in Austria, combining avant-garde, politics, electronics and rock. After two regular albums, they worked as The More Extended Versions with Robert Wyatt for two more albums. Christof Kurzmann later founded the label Charhizma, is active today in the groups Made To Break (with Ken Vandermark), El Infierno Musical, Magic I.D., and others. Christof Kurzmann (bass, vocals, saxophone, sampler); Helmut Heiland (guitar, bass, drum computer). Remastering 2014 by Martin Siewert." - Cien Fuegos.

Artist: FLAMING DRAGONS OF MIDDLE EARTH
Title: All Roads Lead to Dome
Format: LP
Label: Mabel Flav
Country: USA
Price: $12.00
"Flaming Dragons of Middle Earth (FDOME) is a band of misfit children and adults who have been holding weekly “practices” for the last eight years at a teen center in the mildly dilapidated town of Turners Falls, Massachusetts. I feel like Volcanic Tongues David Keenan has described the band better than I could so Im going to let him talk for a minute. This is from the Tip of the Tongue write-up for FDOMEs debut LP:
"Led by wheelchair-bound band shaman Danny Cruz and consisting of a rotating group of non-musicians, psychedelic drop-outs, teenage metalheads, kids with Down Syndrome etc, Flaming Dragons play a form of super crude/sophisticated free rock ala The Godz or even a punk-primitive Arkestra but with Cruzs stunning, oracular vocals giving them a mainline to the freak flag style of prime Captain Beefheart, Roky Erickson and Wasa Wasa-era Broughton. Cruzs instant lyric inventions are as mind-boggling as your favourite medium while the group lurch around on staggering brokedown rhythms somewhere between early-Sabbath, Robbie Yeats of The Dead C and The Shaggs. Their material ranges from stripped-down raps to lumbering psychedelic rock, as well as free-form freakouts w/lyrics that obsess over murder, bloodshed, astral creeps and, uh, Joni Mitchell... indeed Cruz makes most sound poets sound like childrens entertainers."
Ive worked closely with Danny and his crew for the last six years, so you can trust me when I say that this new FDOME disc is hands down the best thing the group has recorded and one of the most unusual, yet enjoyable, records Ive had the pleasure of holding in my hands. You can listen to a few songs from the album here.
Some of the bands previous releases have been on Feeding Tube Records, but now Danny is in complete control of his music with the aide of his personal care assistants/bandmates. Take a walk on the wild side, youll be glad you did.”- One Kind Favor. Edition of 300 w/ paste-on covers.

Artist: FLASHBACK
Title: #1 Spring 2012
Format: Mag
Label: Flashback
Country: UK
Price: $10.00
"Flashback is a new full-color quarterly music magazine, covering 60s and 70s music in detail. The first issue is scheduled for April 2012. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading music authorities, including Richie Unterberger, Patrick Lundborg and Aaron Milenski. A4 in size (with a gloss cover), 208 pages long and full-color throughout, its packed with extensive new research, exclusive interviews and rare photos. The first issue includes: Mad River: the full story behind San Franciscos great lost acid rock band, by David Biasotti; David Axelrod: the great man talks us through his classic albums, one by one; Linda Hoyle & Affinity: an in-depth interview with the legendary vocalist, by Richard Morton Jack; "The 100 Most Under-Rated Guitarists Of The 60s & 70s" chosen by critics and the guitarists themselves; Fanny: a reappraisal of the pioneering female rock band, by Aaron Milenski. Montage: the Left Banke-related mystery is finally cleared up, by Richie Unterberger and 1950s Proto-Psychedelia: the origins of psych in 1950s exotica, electronic and avant music, explored by Patrick Lundborg, plus detailed reviews of CDs, LPs, DVDs & books, from household names (George Harrison, The Kinks and The Beach Boys) to cult heroes (Phil Ochs, Mellow Candle and Handgjort)." -Flashback.
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Artist: FLESHTONE AURA
Title: Soliloquy for Lieven
Format: LP
Label: Pleasence
Country: Canada
Price: $34.00
Produced in association with Psychic Encumbrance. Hand painted labels/silk screened foil stamped covers. Numbered edition of 100. "Soliloquy For Lieven is a drastic turn for Toronto sound artist Fleshtone Aura. Instead of his signature sample heavy, tape loop collage psychedelia, Soliloquy For Lieven finds him swimming in an ambient ocean of minimalist synth and field recordings. These sounds, often associated with New Age music, are, when realized by Mr. Zukerman, altogether more ominous in tone; exploring a darker side of personal spirituality. Says the artist: "I recorded a bunch of it during a residency on Toronto Island. . . it was made as a sort of sonic impersonation of Dolphins into the Future, that woefully missed the mark." - Pleasence.

Artist: FONTAINE, BRIGITTE
Title: s/t
Format: LP
Label: Superior Viaduct
Country: USA
Price: $22.00
"Never one to settle on a single musical style, Brigitte Fontaine followed up her debut, Est?Folle, and her astonishing collaboration with The Art Ensemble of Chicago, Comme à la Radio, with the most eclectic release of her lengthy career, 1972s Brigitte Fontaine. It is telling that Fontaine chose an eponymous title for her third album, the sole release from her venerable 70s catalogue attributed to her alone. Here the actress-cum-singer has finally arrived. From the introspective opening track, simply named Brigitte, seductive melodies perfectly hang above slithery bass lines and acoustic strumming. On Moi Aussi, a sparse and trance-like duet with long-time collaborator Areski, Fontaine muses, They put me in a cage and after they told me You fly down. Brigitte Fontaine is an unmatched European art-pop masterpiece anchored by both vocal and lyrical dexterity?in many ways, Fontaines most compelling work and an excellent entry point for those unfamiliar with this unique French icon." - Superior Viaduct.

Artist: FORMA
Title: Cool Haptics EP
Format: 12"
Label: Bunker New York
Country: USA
Price: $13.00
"Formas combustible mixture of lush synth explorations and frenetic rhythm has captivated the margins of the international synth scene since their acclaimed 2011 debut on John Elliotts Spectrum Spools label. Following 2012s OFF/ON, the trio set a direct course toward the shadowy perimeter of the dancefloor, with John Also Bennett replacing original member Sophie Lam. They recently revealed that they had been working on music that didnt really fit into an album format, but would work as a 12" aimed more at dancefloor audiences -- and thats what you have here: two epic 15-minute tracks of blissed-out kosmische techno." - Bunker New York.

Artist: GATE, THE
Title: Stench
Format: LP
Label: Smeraldina Rima
Country: Belgium
Price: $27.00
"Since forming in 2008, The Gate, the trio made up of Dan Peck on tuba and amplifier, Tom Blancarte on electric upright bass, and Brian Osborne on percussion, have forged a unique and uncompromising aesthetic. The Gate seek to break down and confuse the conventional roles of a horn-bass-drums ensemble, revealing the most raw and elemental aspects of organized sound. Their music, dividing time between improvisation and Pecks compositions, ranges from bleak landscapes of near-silence to massive, horrifying sound sculptures. With three international tours and three albums under their belt, The Gate now present Stench, their fourth studio album. Recorded by engineering wizard Colin Marston at his Thousand Caves Studio in Queens, New York, it features new friends Nate Wooley on trumpet and amplifier and Tim Dahl on electric bass. The album is in many ways a continuation of the bands gloom-jazz stylings, but Wooleys impeccable sense of extemporaneous composition and Dahls psychedelic brand of bizarro-funk provide incomparable additions to the brooding nature of the music, making Stench the gnarliest and blackest experience yet from The Gate. High-quality heavy vinyl housed in an open screen printed sleeve on heavy stock. Edition of 300." - Smeraldina Rima.

Artist: GERHARD, ROBERTO
Title: Electronic Explorations from His Studio + The BBC Radiophonic Workshop 1958-1967
Format: LP
Label: Sub Rosa
Country: Belgium
Price: $16.00
"350 gram sleeve. Part of Sub Rosas Early Electronics series. During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, requiring a complete understanding of his compositional process and allowing the spirit and vitality of his electronic work to speak clearly to the listener. The versions of the pieces you will hear on this record represent an attempt to present Gerhards musical thoughts as free as possible from distracting technical deficiencies that obscure the musical content of the tapes. To this end a number of processes have been employed to reduce tape hiss and broadband noise, clicks, crackle, mains hum, tape splices and low frequency thuds, ranging from automated algorithms to a more painstaking manual clean-up of the audio spectrum. Every process of musical audio restoration must seek a compromise between the removal of elements that are problematic to the modern listener, and the preservation of the vital sonic and musical characteristics of the recordings. Roberto Gerhard (b. 1896; d. 1970) was born in Valls, Spain. Initially he studied piano with Granados and composition with Felipe Pedrell. When Pedrell died in 1922, Gerhard moved to Vienna as a pupil of Arnold Schoenberg. Returning to Barcelona in 1928, he became a central figure in the Catalonian avant-garde, befriending such figures as Pablo Casals and Joan Miró. Identified with the Republican cause throughout the Spanish Civil War, Gerhard was forced to flee to France in 1939 and later that year settled in Cambridge, England. Once in England, Gerhard produced a series of orchestra and stage works that would establish his international reputation. The Symphony (in memory of Pedrell), the ballet Don Quixote, First String Quartet, and the opera The Duenna followed in quick succession. In the 1950s Gerhard developed his musical style, synthesizing Schoenbergian serialism with Catalan folksong. These years also marked him out as the first composer in England to engage seriously with electronic music. Gerhard worked extensively at the newly-formed BBC Radiophonic Workshop producing a series of abstract electronic works as well as electronic music for stage -- most notably his score for the 1955 Royal Shakespeare Production of King Lear. The last decade of his life saw Gerhards musical language evolve still further and the composition of late masterpieces such as the Symphony No. 3 "Collages" which includes a significant tape part, Symphony No. 4 "New York," the chamber symphony Leo, and the masterly Concerto for Orchestra." - Sub Rosa.

Artist: GERHARD, ROBERTO
Title: Electronic Explorations from His Studio + The BBC Radiophonic Workshop 1958-1967
Format: CD
Label: Sub Rosa
Country: Belgium
Price: $16.00
"Part of Sub Rosas Early Electronics series. During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, requiring a complete understanding of his compositional process and allowing the spirit and vitality of his electronic work to speak clearly to the listener. The versions of the pieces you will hear on this record represent an attempt to present Gerhards musical thoughts as free as possible from distracting technical deficiencies that obscure the musical content of the tapes. To this end a number of processes have been employed to reduce tape hiss and broadband noise, clicks, crackle, mains hum, tape splices and low frequency thuds, ranging from automated algorithms to a more painstaking manual clean-up of the audio spectrum. Every process of musical audio restoration must seek a compromise between the removal of elements that are problematic to the modern listener, and the preservation of the vital sonic and musical characteristics of the recordings. Roberto Gerhard (b. 1896; d. 1970) was born in Valls, Spain. Initially he studied piano with Granados and composition with Felipe Pedrell. When Pedrell died in 1922, Gerhard moved to Vienna as a pupil of Arnold Schoenberg. Returning to Barcelona in 1928, he became a central figure in the Catalonian avant-garde, befriending such figures as Pablo Casals and Joan Miró. Identified with the Republican cause throughout the Spanish Civil War, Gerhard was forced to flee to France in 1939 and later that year settled in Cambridge, England. Once in England, Gerhard produced a series of orchestra and stage works that would establish his international reputation. The Symphony (in memory of Pedrell), the ballet Don Quixote, First String Quartet, and the opera The Duenna followed in quick succession. In the 1950s Gerhard developed his musical style, synthesizing Schoenbergian serialism with Catalan folksong. These years also marked him out as the first composer in England to engage seriously with electronic music. Gerhard worked extensively at the newly-formed BBC Radiophonic Workshop producing a series of abstract electronic works as well as electronic music for stage -- most notably his score for the 1955 Royal Shakespeare Production of King Lear. The last decade of his life saw Gerhards musical language evolve still further and the composition of late masterpieces such as the Symphony No. 3 "Collages" which includes a significant tape part, Symphony No. 4 "New York," the chamber symphony Leo, and the masterly Concerto for Orchestra. CD Digipak + 28-page booklet." - Sub Rosa.

Artist: GERNES, POUL
Title: s/t
Format: LP
Label: Penultimate Press
Country: UK
Price: $22.00
"Penultimate Press is proud to release a unique vinyl of the only known recordings by Danish artist Poul Gernes.

Poul Gernes only ever recorded just under 20 minutes of music. His entire musical production is therefore on this LP. The recording was done on a Tandberg Recorder at Poul Gernes house in the south of Sweden in 1969. He is playing an old harmonium salvaged from a local primary school. The result is an informal quasi­-drone work, which, along with the ambient sounds and domestic interference, comes across as a snapshot of the recording itself, a sonic Polaroid. Poul Gernes (1925­-1996) was one of the central figures in Danish art life during the latter half of the twentieth century. His experimental art holds a firm place on an international level and as one of the founders of the legendary Den Eksperimenterende Kunstskole (The Experimenting Art School) he has exerted considerable influence on a whole generation of artists who make up the Danish post war avant­ garde. His wide-ranging body of work is still a source of inspiration for younger generations of artists in Denmark and abroad. This recording was initiated by John Hunov who was the chairman of Ung Dansk Kunst (Young Danish Art) an association for the presentation and publication of many Danish artists of the period. A series of cassettes were commissioned as a supply on demand service prompting Poul Gernes to instigate a musical work. The recording was done during a prolific period of creativity and lingers in the current spirit of endless possibilities. The combination of an old harmonium and a tape recorder manifests a yet untried option: why not compose music as well? A childs voice, his daughter Ulrikka, is heard making small remarks and pointing out when the needle enters the red. This audial domestic background is too included as an incidental yet natural part of the work as Poul Gernes saw no limit between art and life. Poul Gernes major musical inspirations at the time were J.S. Bach, Terry Riley and Gregorian chant. An alleged encounter with John Cage and close collaborations with, for instance, composer and Fluxus artist Henning Christiansen are likely to have encouraged the musical endeavour. During the 1960s Poul Gernes also made a large number of happenings and performances, together with amongst others Per Kirkeby and Joseph Beuys. Originally issued in a miniscule edition on cassette in 1969 this was re-issued in 1998 as a very limited edition CDR via John Nixons Document Records, Australia. This is the first vinyl issue of these recordings.

Poul Gernes comes as limited edition one sided lp of 400 copies. A beautiful etching of a Gernes painting appears on the b-side and all is packaged in a full colour sleeve retaining the nature of the recording itself. Also includes an insert with a list of Pouls hypothetical track titles." - Penultimate Press. For more information on Poul Gernes: http://www.gernes.dk

Artist: GOOD AREA
Title: Daily Bread
Format: Cass
Label: Alien Passengers
Country: USA
Price: $6.00
Edition of 100 copies. “Our first ghost was a disaster of ghosts, our first words straining in the permanent work of fog.” - Alien Passengers.

Artist: GUNN, STEVE
Title: Human Condition
Format: Lathe Cut 7"
Label: Medusa
Country: Canada
Price: $25.00
Small repress of 20 copies, in silkscreened quad fold-out box.
SOLD OUT

Artist: GURU GURU
Title: Hinten
Format: LP
Label: Play Loud!
Country: Germany
Price: $25.00
"play loud!, the label for film and music, is proud to announce an entire Guru Guru package. The reissues of the original first two Guru Guru albums has been made possible through the fact that Guru Guru regained ownership to their masters. Ufo (1970) and Hinten (1971) will be released for the first time fully authorized by Guru Guru. All other seemingly legal or outright illegal downloads are not authorized by the band. Only with the play loud! releases the band is being paid. Also, play loud! sticks to their idea of chronicling and archiving special moments in history.
Within the package there is a full 106 min live show from 2010 filmed for the "play loud! (live) music series", an 84 min extensive conversation with drummer Mani Neumeier from 2011, in which he also comments on never-before-seen archive footage of "Kunstzone Munich 1971", both filmed for the "play loud! (live) word series" and three audio downloads of Guru Guru live shows from 1970, 1972 and 1973. 500 copy limited edition of the original album (250 black vinyl + 250 yellow vinyl)." - play loud! UFO coming "soon"

Artist: HASWELL, RUSSELL
Title: Double A
Format: 12"
Label: Diagonal
Country: UK
Price: $18.00
"Russell Haswell strikes bone on this 2-track, 20-minute 12", marking his return to the catalytic Diagonal imprint. Double A renders Russell at his slyest and most honest, presenting spasmodic, un-edited improvisations belying influence from the pivotal epoch of diamond-cut 80s freestyle, industrial and Detroit techno. Depending on your perspective, theyre either splintered, techy DJ tools or skeletal nO!se inversions. Either way, they bristle and spark with a compulsive nervous energy and disciplined impulse control thats Haswell to the core: challenging, uncompromising and bloody crucial." - Diagonal.

Artist: INVISIBLE HANDS, THE
Title: Teslam
Format: CD
Label: Abduction
Country: USA
Price: $16.00
"The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidanand Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early Alice Cooper almost as often as it recalls Sun City Girls and 20th-century icons like Ennio Morricone and Serge Gainsbourg. The bands exquisite sonic palette is deepened by Cairo-based guest musicians Mohamed Ibrahim, Mohamed Moe Asem, andSammy Sayed, as well as by longtime SCG compatriot Eyvind Kang. Recorded in Cairo between 2013 and 2014, Teslam represents a further evolution of Alvarius B.s peerlessly idiosyncratic pop sensibility, which is just as volatile and unclassifiable as his more experimental work. His songwriting -- both on his own, and in partnership with Cherif El Masri -- is marked by a unity of purpose that has compressed countless musical and emotional incongruities into a handful of sharp-edged, pitch-black jewels. A brooding track composed by keyboardist Adham Zidan (The Great Implosion) perfectly complements the records uneasy mood. As usual, Alvarius B.s lyrics comprise an apocalyptic pile-up of cruel metaphors at the intersection of culture, politics and international crime. But they take on new power and new implications as sung by El Masri and Hemeda, whose seductive voices are as inviting as a welcome mat at the gates of hell. Each song stands on its own while also fitting into a planet-sized jigsaw puzzle detailing dark associations and secret narratives that stretch back as far as the foundation of the world. Arguably Alvarius B.s most accessible work to date, Teslam is a generously baited steel-jaw trap for the unwary listener. Like The Invisible Hands 2013 debut,Teslam inevitably reflects the precarious political circumstances in which it was conceived and recorded. As such, its a vivid document not just of an unlikely musical collaboration, but also of a critical moment of hope, defiance, rage and sorrow in one of the worlds most venerable cities. [This limited-edition razor-edged stainless-steel CD comes in a beautiful die cut balsawood jacket that folds out to form a fully operational guillotine. Just kidding, but it does come as a digipak CD with lyrics booklet and lovely artwork]." - B. Kearney.

Artist: KURZMANN/JERNBERG/VANDERMARK/BRANDLMAYR
Title: Jukebox-Series 002
Format: 7"
Label: Trost
Country: Austria
Price: $14.00
"Trost starts a new 7" series called Jukebox Series, specially for one-time collaborations & projects. The paper-sleeve stays the same, labels are changing, and theres artwork by Lasse Marhaug. This time Christof Kurzmann teams up with Sofia Jernberg (Fire Orchestra) on one side, and with Ken Vandermark and Martin Brandlmayr (Radian) on the other for two versions of the beautiful song "Beggars." The lyrics are written by Joe McPhee." - Trost.

Artist: LACEY, BRUCE
Title: The Spacey Bruce Lacey: Film Music and Improvisations
Format: CD
Label: Trunk
Country: UK
Price: $18.00
"Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s hes made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made and recorded using household objects as well as a modified synthesizer (made by a schoolboy in the early 1970s), it ranges from abstract tribal concrète to droning electronic trance. Bruce Lacey has been a busy man. Since the 1950s hes been making film, making music, making art, sculpture, rituals, performances, and more besides. Many of his films have explored the basics of life and sex all with a sprinkle of irony, realism and ritualism. Many of his films have required music, music which Lacey made himself, improvising with bottles, rattles, typewriters and a tape machine. By the early 1970s, Lacey was exploring stone circles and ancient rights; hed also bought a home-made synthesizer from a schoolboy whod advertised it in Exchange & Mart. Hed made it as a home project. A week later Lacey bought a keyboard from another schoolboy in Exchange & Mart. Lacey set about slowly modifying this synth and improvising music influenced by his stone circle visits over the next few years. This music is made only when "The Muse" descends. It is impossible for Bruce to perform this improvised music live. The music he made was occasionally available on cassette at his exhibitions in the 1970s. The late Poly Styrene (who had a copy) compared Laceys music to Tangerine Dream. Lacey had not heard of Tangerine Dream. This is the first time this raw and extraordinary music by one of the UKs most extraordinary men has been made available. CD housed in a jewel case with a large 16-page booklet including full-color rare photos and an essay by BFI/Flipside archivist Will Fowler." - Trunk.

Artist: LACEY, BRUCE
Title: The Spacey Bruce Lacey: Film Music and Improvisations
Format: LP
Label: Trunk
Country: UK
Price: $21.00
"LP version; volume one of two volumes. Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s hes made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made and recorded using household objects as well as a modified synthesizer (made by a schoolboy in the early 1970s), it ranges from abstract tribal concrète to droning electronic trance. Bruce Lacey has been a busy man. Since the 1950s hes been making film, making music, making art, sculpture, rituals, performances, and more besides. Many of his films have explored the basics of life and sex all with a sprinkle of irony, realism and ritualism. Many of his films have required music, music which Lacey made himself, improvising with bottles, rattles, typewriters and a tape machine. By the early 1970s, Lacey was exploring stone circles and ancient rights; hed also bought a home-made synthesizer from a schoolboy whod advertised it in Exchange & Mart. Hed made it as a home project. A week later Lacey bought a keyboard from another schoolboy in Exchange & Mart. Lacey set about slowly modifying this synth and improvising music influenced by his stone circle visits over the next few years. This music is made only when "The Muse" descends. It is impossible for Bruce to perform this improvised music live. The music he made was occasionally available on cassette at his exhibitions in the 1970s. The late Poly Styrene (who had a copy) compared Laceys music to Tangerine Dream. Lacey had not heard of Tangerine Dream. This is the first time this raw and extraordinary music by one of the UKs most extraordinary men has been made available." - Trunk.

Artist: LOPEZ, RICK
Title: The William Parker Sessionography
Format: Book
Label: Centering
Country: USA
Price: $53.00
"Excerpt from the Introduction by Ed Hazell: Compiling a sessionography of the seemingly inexhaustible William Parker calls for a relentless and thorough researcher. Rarely has a musicians career been so conscientiously documented. Rick Lopez William Parker Sessionography can take its place among the great discographical classics such as Walter C. Allens bio-discography of Fletcher Henderson, Hendersonia and The Coltrane Reference by Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fujioka, and Wolf Schmaler. Like those other encyclopedic compilations of names, locations, dates, and commentary, this one tells a story of an artist and an era as compelling as any novel and more detailed than any biography could aspire to be. Much like the music itself, this book is an act of devotion, not just to facts but to shared ideals and a shared love of beauty. it was done because it needed to be done. This is a vast microcosm of one jazz musician that reveals the macrocosm of jazz during the period of time covered -- an extensive history of jazz through the work schedule of one profound jazz musician and his affiliations with elemental participants in the history of that time and as importantly ever more, this time. 15 years in the making. Astonishing, profound, worthy of high honors in the field of research and any all positive adjectives that can be bestowed on such a mighty creation. Just having this book in ones hands feels like holding a sacrament. And, its beautifully printed -- front & back covers in through each of the 480 pages within. An essential reference work for now and all futures. This is a fully annotated (and generously illustrated) record of practically every time that William Parker has ever played a gig / recording session, with all and every ensemble, as band member or leader, from 1972 clear through to Vision Festival June 2014. Did I use the word "astonishing" already? This is an 8.5"x11" format, 482-page book, with 370+ illustrations, weighing in at over 3 pounds, and was private-press published in an edition of 500 copies." - Centering.
SOLD OUT

Artist: MAD NANNA / THE BIBS
Title: Spit 2013
Format: Cass
Label: All Gone
Country: USA
Price: $6.00
"Late last summer, our pals departed from Melbourne Australia, to come State side, on a pilgrimage, mission you ask? to spread that special sound weve all come accustomed to but rarely see in this land of late. They met us halfway a little closer to the East coast i suppose, So we said hey buds, lets make a splitter for these dates we got together! heck why not.
So here it is.... Mad Nanna plays a long burner at their farewell gig, an extended version of Nectarine Tree that can be found on their stellar 7" released on Soft Abuse last year. Sounds like PiP Proud covering Sex is Confusion with that "Ocean" style single chord trance jamming.

The goon squad does a miserable cover of Mike Rep &Tommy Jays "pop another pill". As I recall it was another shitty day in Detroit, we were Drunk it seemed like a good idea. Also an alternate mix of a track to appear on our upcoming 12" and some weird Canadian am radio crime report, watch your ipods in windsor kiddies..." - All Gone.

Artist: MAX D
Title: Drizzling Glass
Format: 12"
Label: Trilogy Tapes
Country: UK
Price: $21.00
"Max D is Maximillion Dunbar (previous releases on RVNG International, Live at Robert Johnson)." - Trilogy Tapes.

Artist: MOBY GRAPE
Title: Live at Stony Brook University, NY, October 22nd 1968
Format: LP
Label: Keyhole
Country: UK
Price: $24.00
"Pressed on 180 gram vinyl. October 22nd, 1968 found Moby Grape supporting on a bill with Procol Harum and The Churls in the gym at Stony Brook University, New York. They had recently become a quartet following the departure of troubled singer/guitarist Skip Spence, and this superb set captures them in transition from their psychedelic ballroom days to a mellower, country-based sound. Its presented here with background notes and rare images." - Keyhole.

Artist: MONOTON
Title: Monotonprodukt 02
Format: LP
Label: Desire
Country: France
Price: $25.00
"Although Monoton dried up in 1992, its entire output consisting of a handful of mini-albums and limited-run EPs, its minimalist electronica appears increasingly ahead of its time. The sole work of Austrias Konrad Becker, it was a key influence on the brand of Eurotronica found on labels from Kompakt to Mego. Becker began hooking up analog rhythm boxes and tone generators in late 70s Vienna, churning out a terse music of bleeps, pings and subsonic pulses, all plunged in tape delay and reverb. Blau -- originally titled Monotonprodukt 02 -- was Monotons first release from 1980. The buzzing machines often sound strained to their limits, yet the overall mood is somber, a palette of grays and umbers punctuated by Beckers incoherent murmurs. Dubwise is a spooky premonition of Rhythm And Sounds Germanic reggae. Muffled steel drums resound around Wirklichkeit, while Teil 2 is seared with a violin drone. Even after 28 years, Monotons unearthly, steely beauty is preserved intact." --Rob Young; This classic album is now reissued on vinyl for the first time ever and original copies exchange for $200 nowadays. 1,000 copies on clear blue vinyl. 350 gram sleeve with holes. Printed inner. Includes a download code." - Desire.

Artist: N.E.W.
Title: Motion
Format: LP
Label: Dancing Wayang
Country: UK
Price: $24.00
"Motion is the new full-length studio album by London-based power-jazz trio of Steve Noble on drums, John Edwards on double bass and Alex Ward on electric guitar. This trio has played together for over a decade and have become one of Londons tightest units, locking in and breaking apart with uncanny telepathy and synchronicity. Operating at the junction of free improv and rock, they swing and shred in equal measure. Both modes, and the effortless, deft moves across the spaces between, are represented in fine style on this release. Live, N.E.W. seem to embody the classic power trio -- whether were talking jazz or rock, its the power that counts. Alex on guitar contorts wildly, both sonically and physically, thrashing in his chair to the death metal moves in his head, Steve sits rock-steady and immutable at his drum kit, other than his limbs, which form a chaotic blur, producing the most precise of sounds, and John has eyes tight shut and explores, brutalizes, and caresses every facet of his bass. This record is as close as you get to the incomparably exhilarating experience of seeing N.E.W. play live. Beautifully recorded with fine attention to detail, Motion puts you within a headbanging flick of Alexs bouffant hair, within the blast-zone of that power that has shaken the walls many times at all of Londons long-standing improv nights, within infectious distance of the evident joy that these three musicians bring to creating this sound, moment by unrepeatable moment. Recorded at Eastcote Studios, London and pressed on heavyweight 180 gram black vinyl in a limited edition of 300. It comes packaged in hand-screenprinted wrap-around sleeves, featuring ancient cave drawings chosen specifically by Steve Noble for this release. The insert features liner notes by Thurston Moore." - Dancing Wayang.

Artist: NEOTANTRIK
Title: Omnichrom
Format: LP
Label: Pre-Cert Home Entertainment
Country: UK
Price: $21.00
"Once again mining a rich source of archival material, tape works and improvised recordings, Andy Votels Neotantrik tap deep into the subconscious with a highly-visual trip into the furthest reaches of psychedelic ambience. Following on from Blue Amiga (VHSX 010LP) that came and went in a flash, Omnichrom is a more brooding, studied affair. Unfurling from a delicate modular opening sequence, the A-side flows into a hallucinogenic fever-dream fleshed out with barely-there analog malfunctions and strings that suddenly throw you into a cacophony of noise in a proper creeped-out, tense fashion. The flipside carries on from this point -- pushing you deeper into a Badalamenti-esque soundworld replete with unnerving found sounds and mechanical percussion swung in and out of one of the trippiest Kosmische sessions weve heard in a while. Cut at Dubplates & Mastering in an edition of 500 copies." - Pre-Cert Home Entertainment.

Artist: PANABRITE
Title: Pavilian
Format: LP
Label: Immune
Country: USA
Price: $20.00
"Over the last four years, Seattle synthesist Panabrite (aka Norm Chambers) has become one of Americas most prolific and proficient creators of transcendent electronic music. Chambers is an ardent explorer of great, underground music and its demonstrated on Pavilion as a love letter to some Italian albums from the classic 70s era of minimalism and prog, such as Lovisoni/ Messinas Prati Bagnati Del Monte Analogo, Franco Battiatos Clic, Claudio Rocchis Suoni Di Frontiera, and American-to-Rome transplant Alvin Currans Canti E Vedute Del Giardino Magnetico. Chambers praises their freewheeling studio experimentalism crossed with the most elegant, stunning (non)ambient music. He strove for a similar feeling in Pavilion by playing 90 percent of everything by hand and opting for minimal use of sequencers." Includes download code." - Immune.

Artist: PANICSVILLE
Title: A Dragonfly for Each Corpse
Format: LP + 7"
Label: Smeraldina Rima
Country: Belgium
Price: $34.00
"A Dragonfly for Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag -- ferocious cannibal jungle ambience seeping through -- til were cast down some stairs into a cellar made out of spit. A twirling folk-ballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking stuffed animals as eyewitnesses." - Smeraldina Rima.

Artist: QUILT BOY
Title: You And Your Baby Need Food
Format: Cass
Label: All Gone
Country: USA
Price: $5.00

Artist: RATS, THE
Title: Intermittent Signals
Format: LP
Label: Mississippi
Country: USA
Price: $16.00
"The second release by Portlands own Rats, Fred and Toodys pre-Dead Moon outfit. This record hails from 1981 and holds a place in Portland punk history. Considerably better sound quality compared to the first record. Poster included and tip-on jacket." -Mississippi

Artist: RATS, THE
Title: s/t
Format: LP
Label: Mississippi
Country: USA
Price: $16.00
"Formed in 1979 by Fred Cole from the 1960s garage rock band The Lollipop Shoppe. Cole played guitar and sang, his wife Toody played bass and sang, and initially Rod Rat played drums. Their sound was a raw mix of punk rock and garage rock with occasional country touches. Mississippi Records is the first to reissue this pre-Dead Moon classic." -Mississippi

Artist: ROACHCLIP
Title: Calmer in this Town
Format: 7"
Label: Quemada
Country: USA
Price: $6.00
"Quemada is happy to announce the release of a new single from Detroits Roachclip.-the long awaited follow up to their excellent first LP, Discovery Park of last year. On this seven inch the clip have retreated back into the murky garage from whence they were conceived and deliver two sides of primo paranoid psych rock. Imagine Kim Fowley and Bill Direen working out their bad vibes over an old Tascam in a mid-western basement. The flip pours on some sugar, albeit thick and syrupy-just like we like it." - Quemada.

Artist: ROZMANN, AKOS
Title: 12 Stationer VI
Format: Double LP
Label: Ideologic Organ
Country: France
Price: $31.00
"Ákos Rózmann (1939-2005) studied at the Bártók conservatory in Budapest and took diplomas in both composition and organ playing at the Liszt Academy. In 1971, he was given a scholarship to study electronic music in Stockholm. His encounter with the electronic tools was a revolutionary experience for him and was to give a whole new direction to his work. Soon he abandoned composition for acoustic instruments and was later to claim that instrumental music had no future. For several years, he earned his living as an organist at St. Erics Catholic Cathedral in Stockholm, often using recordings of organ sounds made in the dead of the night as a source for his electronic works. Rózmann often preferred monumental forms and several of his most prominent works, such as 12 Stationer (trans. 12 Stations) and Mässa (trans. Mass), grew side-by-side over a long period of time. With a few rare exceptions, the conflict between good and evil was the basic theme in his works. The fight went on continuously in arenas and within power relations that would suddenly change. In Rózmanns imagined world, no room was given to chance. Big powers, luminous or dark, would lie behind the most trivial everyday events. A large portion of Tibetan Buddhism gradually infiltrated his Catholic Weltanschauung, and 12 Stationer, composed between 1978 and 2001, is a musical interpretation of the Tibetan Wheel of Life. The last part of the 12 stations, old age and death, is called the celebrators in Rózmanns version (completed in 2001). When asked what sort of celebration he meant he replied: the merriment you hear is false, it is not genuine, it is empty. Dörr Med Tårar (trans. Door With Tears) from 1988-1989 is unmistakeably an homage to Pierre Henry and the title alludes to Variations For A Door And A Sigh. During one of my last encounters with Rózmann, he told me in depth about how Henrys influence was significant in leading him to choose electronic music. He regarded Le Voyage from the Tibetan Book of the Dead to be the most important pioneering piece in the history of electronic music. Ákos Rózmann showed particular devotion to his work during more than thirty active years. During his lifetime he never sought, nor did he win any mentionable recognition. As a true modernist, he didnt compose with an audience or the critics in mind. His mission was to compose for the future. It was his conviction that the mystical energy for compositional work should derive straight from God. It is a truly great thing to witness the publication of this album." -Mats Lindström, Stockholm, February 2012. "lona Maros (soprano), Miklós Maros, Viveca Servatius (voices), Ákos Rózmann (piano and voice). Composed at EMS elektronmusikstudion, Stockholm, by Ákos Rózmann. Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin May 2011. Ideologic Organ curation and art direction by Stephen OMalley." -Ideologic Organ
SOLD OUT

Artist: SECRET VALLEY
Title: The Glisten ep
Format: 12"
Label: Alberts Basement
Country: Australia
Price: $16.00
"Alberts Basement is damn excited to present ‘The Glisten e.p.’ 12-inch by Melbourne’s very own Secret Valley.
The follow up to Secret Valley’s self-titled debut, ‘The Glisten e.p.’ glows with pulsing keyboards, dirty guitar, close/dreamy lyrics and bangin’ beats constructed to party and transcend existence. The two singers Dan Cross and Phoebe Robertson begin articulating their feelings in a warm and bright manner, with abstract interjections that are juicy as hell and take us along a trail-ride of dreams, yearnings, bummers and bad vibes, all the while keeping it fun and humorous with self-awareness and inventive descriptions such as “sometimes friends of coincidence used to twist the day time vine”. The words are where lyricist Dan Cross lays it bear and toys with his song craft. Recorded over 2013/2014 and mastered by Mikey Young, ‘The Glisten e.p.’ is a home made masterpiece. From the hand painted eagle with a crow’s body on the album cover to the recording and music video for lead track ‘Angry Loners Unite’ (featuring comics star Simon Hanselmann) Dan has been in control. The whole e.p. was recorded by Dan in his home studio in Fitzroy, Melbourne. He made it how he likes it, and he made it for you!

Dan has been honing his craft for over 15 years as Rentboy and Secret Valley is a more pop progression. His songs are complex blueprints, a maze of articulate arrangements and blossoming interplay. The songs are anthemic.

Angry Loners Unite is a bitter sweet pop hit. Be Happy & Enjoy Yourself is an epic white trash rhapsody. Crow Bar is catchy and claustrophobic, and My Two Kids, a cover of a Mad Nanna tune, groans and shines.
New addition Phoebe Robertson from The Curse sings her lines strong and confidently, her bright voice beaming into the atmosphere and her trombone tearing away triumphantly.

Soul food for dark shadows.

Comes with lyric sheet and digital download code." - Alberts Basement.

Artist: SHEPP, ARCHIE
Title: A Touch of the Blues
Format: LP
Label: Fluid
Country: USA
Price: $12.00
"Archie Shepp with Joe Lee Wilson (vocal), Siegfried Kessler (piano), Cameron Brown (bass) and Clifford Jarvis (drums)." - Fluid.

Artist: SINGSIRI, ONUMA
Title: Lam Plearn Maeng Tub Tao
Format: 7"
Label: Paradise Bangkok
Country: Thailand
Price: $17.00
"Limited 7" in stitched, silk screened sleeves from this Zudrangma Records offshoot label, run by Maft Sai and Chris Menist." - Paradise Bangkok.

Artist: SOUND CEREMONY
Title: Guitar Star
Format: LP
Label: One Kind Favor
Country: USA
Price: $17.00
"First time vinyl reissue of the Outsider, Real People, proto-punk fuzz of Ron Warren Gandertons debut under the Sound Ceremony name, Guitar Star, replete with more mellow modes than later offerings. During the late 1970s multi-instrumentalist Ganderton (guitar, harmonica, keyboards and piano) along with a rotating cast of accompanists (including future members of the Pretenders, late period progressive rockers Quasar, and Subway Sect) created a hard to narrowly define, small catalog of sounds praised by private-press hunters, esoteric appreciators and out of time searchers. Gandertons output holds echoes of monotone mavens like proto-punks Jonathan Richman and Lou Reed, similarities to cult-raved acts such as Armand Schaubroeck and Kenneth Higney, and carries a loose influence of the talking blues tradition while maintaining a uniqueness and singularity laced with 60s fuzz, primitive and skittering rhythms, and alternately confrontational and heart-on-sleeve topicality -- thusly eking out its own sonic territory with a population of one. To put it down succinctly, just like a period advertisement did, Ron Warren Ganderton is, One of rocks individuals. Insert with detailed liner notes from Jeremy Cargill (Ugly Things / Got Kinda Lost), plus rare photos." - One Kind Favor.

Artist: SUN RA
Title: Nuits De La Fondation Maeght Vol. 2
Format: LP
Label: Universe
Country: Italy
Price: $22.00
"Part two of Sun Ras 1970 appearance at the Fondation Maeght. An important document for this innovator of jazz. Improvisation, percussion, Afro rhythms, mysticism, and the occult -- all this and more is what the Sun Ra universe is made of. One of the most mysterious and fascinating figures in the history of jazz." -Universe.

Artist: SUN RA & HIS ASTRO INFINITY ARKESTRA
Title: My Brother The Wind Vol. II
Format: LP
Label: Saturn
Country: USA
Price: $13.00
"180 gram vinyl version. Tracklisting: "Somewhere Else," "Contrast," "The Wind Speaks," "Sun Thoughts," "Journey to the Stars," "World of the Myth I," "The DesignQCosmos II," "Otherness Blue," "Somebody Elses Idea (Somebody Elses World)," "Pleasant Twilight," "Walking on the Moon." Recorded in New York or Philadelphia 1969.The session tapes also include a rejected version of an unidentified composition." - Saturn.
SOLD OUT

Artist: SUN RA & HIS MYTH SCIENCE ARKESTRA
Title: Interstellar Low Ways
Format: LP
Label: Saturn
Country: USA
Price: $13.00
"Originally titled Rocket Number Nine. Tracklisting: Onward, Somewhere in Space, Interplanetary Music, Interstellar Low Ways, Space Loneliness, Space Aura, Rocket Number Nine Take off for the Planet Venus. Recorded at various locations, Chicago, late 1960." - Saturn.
SOLD OUT

Artist: SUN RA AND HIS BAND FROM OUTER SPACE
Title: Space Aura
Format: 10"
Label: Art Yard
Country: UK
Price: $21.00
"Previously unknown and unreleased. Recorded May 1966 at the University of Buffalo. Engineered by David B. Jones. Sun Ra (piano, clavioline); John Gilmore (tenor saxophone, percussion); Marshall Allen (alto saxophone, oboe, flute, piccolo, percussion); Pat Patrick (baritone saxophone, flute, percussion); Robert Cummings (bass clarinet); Teddy Nance (trombone); Ali Hassan (trombone); Clifford Jarvis (drums); Ronnie Boykins (bass); James Jacson (log drums, flute, percussion;) Carl Nimrod Malone (sun horn, gong, percussion)." - Art Yard.

Artist: TAZARTES, GHEDALIA
Title: Les Danseurs de la Pluie
Format: 3" CD
Label: Alga Marghen
Country: Italy
Price: $16.00
"Les Danseurs de la Pluie", which gives title to the complete anthology, is a 12-minute mini-CD, presented on creative disc, including four previously unavailable tracks. Two 1977 killer recordings from the Eclipse Totale sessions of a very wild and residential nature; and two colossal new pieces recorded in 2005." - Alga Marghen. Repressed!

Artist: THING, THE
Title: Viking
Format: 7"
Label: Trost
Country: Austria
Price: $15.00
"The Thing presents another version of Monos (TTR 002LP) "Viking" and a traditional version of "Bruremarsj." Was recorded in the same album session as Mono in 2011." - Trost.

Artist: THROBBING GRISTLE
Title: D.O.A.: The Third And Final Report Of Throbbing Gristle
Format: Double CD
Label: Industrial
Country: UK
Price: $22.00
"Throbbing Gristles second full-length, originally released in 1978, captures alienation in its purest form. The line-up of Chris Carter, Peter Christopherson, Genesis P-Orridge and Cosey Fanni Tutti was a vehicle for everything bizarre, extreme and controversial. From the ravaged live track "Blood On The Floor" to the hostile phone recording on "Death Threats," TG lobotomized convention, whether musical or ideological. The lingering "Hamburger Lady" pulses with a story of a burn victim, and the bands restraint and careful composition makes it one of their best creations of all time, something absolutely terrifying. Full of tape-manipulation, computer noise and feedback, D.O.A epitomizes Throbbing Gristles unparalleled anti-music, cementing their status as "wreckers of civilization." Cover artwork has been painstakingly restored from the original source material. Part of the re-release of Throbbing Gristles first five albums on vinyl and CD. Each album has been restored and remastered specifically for each format by Chris Carter from 24bit "baked tape" digital transfers of the original first generation analogue master tapes. Each of the CD special-editions are presented in a gatefold sleeve featuring restored and remastered cover artwork and an integrated 8-page booklet (the booklets feature different artwork and content than the vinyl editions). Each CD special-edition also includes an exclusive bonus CD containing content from the year of the albums original release, including live tracks and remastered singles." -Industrial.

Artist: THROBBING GRISTLE
Title: Heathen Earth: The Live Sound Of Throbbing Gristle
Format: Double CD
Label: Industrial
Country: UK
Price: $22.00
"Originally released in 1980, Heathen Earth is a crucial live document of industrial pioneers Throbbing Gristle. In member Chris Carters own words: "You had to have been there. Which is what we always say about TG. TG on record and TG live are two completely different things." This album is probably the closest approximation of the two youll ever get: its a "live in-studio recording" made in front of a small audience and the event was filmed by Monte Cazzaza with the intention of also releasing it on video. The majority of the set is instrumental, fluctuating between the raw electronics of their early work and the bands more melodic material. Tracks include a rework of early classic "After Cease To Exist" and Brion Gysin fave "Dreammachine." The bonus CD includes live recordings, plus the 7" single versions of "Subhuman" and "Adrenalin." Part of the re-release of Throbbing Gristles first five albums on vinyl and CD. Each album has been restored and remastered specifically for each format by Chris Carter from 24bit "baked tape" digital transfers of the original first generation analogue master tapes. Each of the CD special-editions are presented in a gatefold sleeve featuring restored and remastered cover artwork and an integrated 8-page booklet (the booklets feature different artwork and content than the vinyl editions). Each CD special-edition also includes an exclusive bonus CD containing content from the year of the albums original release, including live tracks and remastered singles." -Industrial

Artist: THROBBING GRISTLE
Title: Throbbing Gristle Bring You... 20 Jazz Funk Greats
Format: Double CD
Label: Industrial
Country: UK
Price: $22.00
"Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristles pop-influenced masterwork. Its hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this albums front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Love" is far removed from the dissonant nihilism of the previous TG albums. Its a sleek, minimal synth-pop song that foreshadows Tuttis later work as Chris & Cosey. Still, 20 Jazz Funk Greats is underpinned by a profound distance from accessibility. The breezy luminosity of "Persuasion" and "Six Six Sixties" is still marked with casual bits of distortion and absurdism. Preceding dark synth-pop (and everything else), TGs third album is far ahead of its time and still sounds as relevant as ever. The CD version includes a bonus CD of live recordings, including two versions of the manic classic, "Discipline." The 8-page full-color book includes visual ephemera and previously-unpublished photographs. Cover artwork has been painstakingly restored from the original source material." -Industrial

Artist: TRUTH AND JANEY
Title: Erupts!
Format: Double LP
Label: Rockadrome
Country: USA
Price: $32.00
"Raw crushing live recordings from 1976 by one of the Midwests heaviest power trios of all time!!! The live recordings featured on Erupts! were originally released posthumously in the early 90s on a long out of print double album. It was also previously released by Rockadrome on compact disc minus a few tracks, now its back, re-mastered for vinyl by Tony Reed (Mos Generator, Saint Vitus, Stoneaxe) and in its entirety. Now you can once again drop the needle and hear Billylee Janey plug in his 64 Gibson Firebird, power up his Marshall stacks, flip on his Echoplex and Univibe and take you on a journey back to 70s heavy rock nirvana. Steve Bock is there too, pumping out wicked Bruce/Bogert styled bass thump, along with Denis Bunce, holding it all together with his heavy handed skin work. It all adds up to one sweet trip back in time to a hazy nightclub in 1976 with Truth and Janey lighting the place on fire! Re-designed for the Vintage label with colorized artwork; including an 11x17 poster." - Rockadrome.

Artist: VELVET UNDERGROUND, THE
Title: Live at the Boston Tea Party, December 12th 1968
Format: Double LP
Label: Keyhole
Country: UK
Price: $33.00
"Double LP edition, pressed on 180 gram vinyl. 1968 was a tumultuous year for The Velvet Underground, with the departure of John Cale, the addition of Doug Yule, a grueling touring schedule and considerable musical transition. Supported by the MC5, the quartet played their final shows of the year at the Boston Tea Party, which Lou Reed once described as his favorite place to play. This legendary live recording finds them playing reworked versions of early classics as well as several songs that would appear on their forthcoming third album, and two tracks that went unreleased in their lifetime. Its presented here together with background notes and photographs. Remastered sound." - Keyhole.
SOLD OUT

Artist: VELVET UNDERGROUND, THE
Title: The Boston Tea Party, March 13th 1969
Format: Double LP
Label: Keyhole
Country: UK
Price: $33.00
"Double LP version, pressed on 180 gram vinyl. Coinciding with the March 1969 release of their third album, The Velvet Underground played three nights at the Boston Tea Party, which Lou Reed once described as his favorite place to perform. By that time Doug Yule was well-established as an important contributor to the band, and their set confidently reworks some confrontational early classics as well as incorporating some glorious ballads. Their March 13th set is presented here together with background notes and photographs. Remastered sound." - Keyhole.
SOLD OUT

Artist: VULGAR, TIMMY
Title: Genetic Armageddon
Format: One-Sided LP
Label: American Tapes
Country: USA
Price: $16.00
"TIMMY VULAR: solo basement uber weirdness from this HUMAN EYE mad man -staple of michigan outsider realness. Seven trax from the atmospheres of a VULGAR brain: a journey to claustrophobic world of primitive GENETIC ARMAGEDDON. As the catalogue states: the FINAL AT #: Edition of 300, paste on covers, numbered, hand sprayed: the works :colored wax AMAZING" - American Tapes.

Artist: WESTHEIMER, PETER
Title: Laminex Lovers
Format: 7"
Label: Larrkin
Country: Australia
Price: $35.00
New, unplayed original copies of the highly in demand 1983 Australian minimal synth single. Heads up, the cheapest one listed in the popsike image below is pretty trashed.

Artist: WOORDEN
Title: Woorden
Format: LP
Label: Omega
Country: Netherlands
Price: $20.00
"Massively unlikely out-of-nowhere exact repro reissue of this insane underground LP, still the most amazing slice of OTT freak to come out of the Netherlands in the late 1960s: a project masterminded by four far-out poets -- Simon Vinkenoog, Bob Lens, Hans Wesseling and Nona -- Woordens closest companion might be Walter Wegmuller and the Cosmic Couriers majestic Tarot set, with diversions into concrete tape work, solo harmonica jams, heavy psych, freak jazz, acid folk and total musical non that touch on aspects of Patrick Conrad, Allan Kaprow, Toshi Ichiyanagi, Popol Vuh and an unholy Chie Mukai/Masayoshi Urabe junk/reeds/drone ritual. Long one of the rarest and whispered about underground Euro masterpieces, Woorden sees the poets chant, flip, sing in heavy F/X reverb heavens and work oracular magic ala Starmaiden herself while the music (courtesy of heads who also played on Group 1850s legendary Agemos Trip To Mother Earth) moves from radical free jazz through laminal voice constructs that confuse automating surrealism and screwed tape/sound works based around universal orgasms and the kind of percussion/vocal freak that is somewhere upwind of Junko and Yoko Ono. The harmonica and drums jams come over like a Cromagnon Kaoru Abe w/almost Sergius Golowin levels of eye-lolling universal worship. Hard to think of an album that is so completely Nurse With Wound list than this amazing long-lost classic and this handy, though ultra limited, reissue saves you selling your car to get a hold of a copy. Profoundly out, massively damaged, classic 60s-utopian art/theatre/noise/psych from a buncha heads with an umbilical to another galaxy altogether." -- David Keenan; on purple vinyl with insert.

Artist: YOUNGS, RICHARD
Title: Red Alphabet in the Snow
Format: LP
Label: Preserved Sound
Country: Poland
Price: $25.00
"richard youngs: acoustic guitar, banjo, cifteli, classical guitars, electric bass guitar, electric lead guitars, electric violin, epinette des vosges, shakers, sitar, swanee whistle, tambourine, triangle, 12 string guitar, ukulele, voice.
Limited edition 180g 12" vinyl LP, which comes in a handmade, recycled card sleeve and insert, hand stamped and numbered on the back, and limited to 250 copies. " - Preserved Sound.

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