CHEN, CHE - Pulaski Wave(Violin Halo)/Newtown Creek Mirror Lag
Violin, sine wave generators, feedback and tape delay (on Side B)Recorded November 2010 on the banks of Newtown Creek in Brooklyn, NY. Edition of 300. "The Pulaski Bridge and Newtown Creek (over which it spans) are regular fixtures in my daily life, geographical features that I move on or over with great frequency. As I developed this system--which i did over very long durations of listening, mostly very late at night or early in the morning--and gradually felt the need to be able to differentiate certain settings from others, it made sense to name them, somewhat arbitrarily, for things that were close at hand.-Ç These systems and intervals had become very familiar to me, and during my long listening sessions in the hours on the edges of sleep, I often had the sensation of them moving from the foreground of my attention to the background and then back again. They became more like a kind of geography or weather than "music"." - Che Chen.
"Che Chen = renaissance man. Producer of the massively beautiful/creative/perfect zine series, O Sirhan, O Sirhan, member of Jozef Van Wissems Heresy of the Free Spirit, half of "now wave" duo, True Primes, (Incidentally, True Primes We Have Won LP is one of my favorite albums EVER of all time. DEEPLY STRANGE sounds, but also MUSICAL in totally new and unexpected ways.No joke - get it.), and now archivist running the Black Pollen label (working with Pauline Oliveros, Eliane Radigue, Yoshi Wada, and Sun Circle thus far). On this 7" Che is working with violin and reel to reel tape machines. Think youve heard it before? No way. Che has cautiously created a tape "accompanist" that interacts with the violins harmonic series in subtle, but tangible ways, often resulting in difference tones and creating a hypnotic violin/electronics hybrid. Now violin wave." - N. Hoffman.
"New York improvisor who works extensively with violin drones, tape delay, feedback and electronics. The sawing is more cracked and fragmentary than Id expected, but it mixes beautifully with the generator drone." - Byron Coley The Wire.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.