‚ÄúThe Cleveland-based (and formerly Columbus) ELECTRIC EELS were unrivaled in terms of sonic mayhem for 1974/1975, especially for the Midwest, where extremities in music were very much unwelcome and were not given the opportunities that the art scenes of the coasts got to foster. This was an entirely new species emerging from the primordial ooze of the fertile crescent of a cesspool that birthed the 70s version of punk as we know it, this was true madness captured on tape, catchy and infectious insanity flowing through the air that never, EVER had a chance during its time, and this is one of the reasons the eels have such creedence. Its no surprise that it wasnt until worldwide punk was in full swing three years later that the debut electric eels single finally came out of the gates, oddly enough on the Rough Trade label, as its certain stillborn death in 1975 wasnt even conceivable, even to the Metal Mike and Lester Bangs-types lighting up the underground. The electric eels were the nexus of outsider noise at a time when there might have been several isolated antecedents in random basements in the early to mid 1970s, but none as stripped, bleeding, and almost too-cleverly-convulsing, and none more intimidating or more enigmatic considering how long it took their material to surface. This is the real deal, and there isnt anything more we can say, but there isnt much more than the electric eels when it comes to punk evolution, and the creatures much lower on the evolutionary scale than the currently accepted "godfathers of punk" music, wo will someday inherit this rotten corpse. And did we mention the B-side is the brutally beautiful comp-only track "Splitterty Splat" also recorded in 1975? Surely the planets have aligned, and this is our ticket into heaven, or madness, and yours as well, and we could not be more excited, proud, and genuinly scared to host these sacred recordings on our imprint, AMEN.‚Äù - Hozac.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.