"Canadas long lost doom/proto-punk legends finally unleashed! Distancing themselves from the bustling local psych scene, they formed in 1971 on the rural outskirts of Vancouver becoming a hard rock trio unlike any other local group. A newspaper article dated January 18, 1973 mentions "the ear-splitting Twitch" playing regularly to capacity audiences. \r\nBand leader Ian prompted the guys to wear bloody horror-fantasy make-up and bizarre outfits, becoming the first (and only) in Vancouver to do so (also believed to be first to use smoke & fog) packing full house night after night. \r\nLate March / early April they did two recording sessions documenting the entirety of original compositions - a mere four songs resulting in two 45 singles. The first 45 was issued in May and the second in August, both pressed in roughly 100 copies. \r\nNear to the end of 73, drummer Bernie decided that make-up was against his principles and left on amicable terms. The original power trio ended giving way to the legendary and shocking "Dark Years" of 1974-75 with all together new group, heavier sound, darker image (like black metal bands of today), and elaborate stage show. \r\nTwitchs legacy is the missing link for both early 70s proto-punk and proto-metal of the Pacific Northwest region; what was yet to come during 1974-78 only confirmed such to be true. Originally issed as two separate sleeveless 45s in very small editions, now compiled onto one EP with orange repro labels, deluxe picture sleeve (not fold-over), and 16 page booklet with detailed history & tons of photos. Fully authorized, limited edition of only 600 copies." -Supreme Echo, 2012.\r\n
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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