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Pedal

ASO, AI - Lavender Edition

"The resonance of the name Aso Ai will not immediately cause tidal waves of excitement to leap up and hit foreign shores with a vehement power of overall upheaval and long awaited anticipation. No instinctive prevision whatsoever could gear up music aficionados for what was to come, since Asos debut recordings on the tiny and illustrious Oz Disc label had slipped by unnoticed through the mazes of the net. Aso Ai first appeared on the so-called music circuit around the year 2000 with the release of her debut single Amaihibiki, closely followed the following year by her full length CD Umerumono. Both releases slowly fell into slumber, disappearing into the gasping wounds of total obscurity until the freshly ignited Pedal Records label, led by former White Heaven guitarist Nakamura Souichirou, decided not to let Aso Ais exceptional talent go to waste and set out to conflagrate her sonic isolationism. Upon listening and witnessing Asos music, I could not but be struck by the bare stark nakedness and an almost less is more aesthetic that resonated out of every slow motion-like action she sings into being through her desolate tunes. Desolate as in stripped down of all artificial distractions, intellectual constructivism and violent sonic pollution, Asos musical universe is one of limited notation and well balanced fragile bossa-novelistic psychedelics. She quietly sets out, throughout the entire album, to show a graceful, yet sharp moving floating stride. From the first, almost minimalist approach, the atmospheric angelical quality and utterly erotic na-ɬØveté that breaths through her delicate vocals, one can feel a premonition towards an unprecedented relationship she beholds for a lyrical and soft poetic shape that feels like an introverted and at times almost religious affair her music embraces. Like the fragrance of a freshly picked cherry blossom, Aso Ais sonic universe is as fleeting and as fragile but in the mean time strong enough to face the seasonal climate changes the buds gets confronted with. Her whispering trade mark vocalizations are throughout the album backed up with some sparse but accurate and straight-to-the-point instrumentation provided by some of Tokyos finest scenesters around such as ex-White Heaven and Stars front man Ishihara You (who was also responsible for producing this sonic gem), Nakamura Souichirou (engineer of Nagisa Nite, Yura Yura Teikoku, Guitar Wolf, The Stars, etc), and Yura Yura Teikoku and Stars bass player Kamekawa Chiyo. When performing live, Aso gets backed by Ishihara, Nakamura and Kurihara Michio. The overall effect the individual musicians together with Aso evoke is that of a transcendental and arresting listening experience that will make you question the validity of all music you have been exposed to until this present day, rendering most your record collection oblique and utterly useless. That is the power stripped down simplicity and utter beauty evokes. You are warned-جø¬-?-جø¬- And if this initial release, which will massage your frontal earlobes to a big extent, is not enough yet, Pedal Records announced that its second release will be The Stars new full length album, which will be due at the end of May 2004. Stay tuned-جø¬-?-جø¬-.. - Johan Wellens.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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