"Rose Hobart present a reissue of Thuja's 2002 album, Hills. The album emerged out of a particularly productive phase for the loose assemblage of musicians known as the Jewelled Antler Collective. Glenn Donaldson and Loren Chasse, who had recently formed Thuja alongside Steven R. Smith and Rob Reger, were dialing down the volume, moving away from the instrumental rock interludes of previous groups like Mirza, and exploring more rugged terrain -- laminal improvisation, wistful wide-eyed folk songs, field recordings, and home-recorded electro-acoustics. By 2002, Jewelled Antler had developed a certain notoriety for unstintingly releasing excellent, small-run CD-R releases. Thuja's albums had been picked up by Craig Stewart's visionary Emperor Jones imprint, but Hills was released on a small-scale American CD-R label, Last Visible Dog, run by Chris Moon. Of the four albums (and two more mini-CDs) Thuja released that year, Hills is a startling document, a collection of eviscerated dream tones and cavernous psychoacoustics. The unforced, luxuriant development of Thuja's music -- a misty fold of keyboard drones, tinkling piano, clusters of percussion, shuttling and scrabbling strings and other things -- often asks for metaphor from the natural world. But this is also distinctly city-based music, as Donaldson described it: "insular warehouse music from a still affordable city, before the internet dominated everything. No intention of getting noticed or 'streamed', just making sounds for the sake of it. A rejection of rock things: clubs, structure, volume." The music on Hills and other, loosely contemporaneous releases often played on broken instruments and non-instruments, with small, sensual details captured by contact mics, was "all improvised," Donaldson recalls, "but no 'jamming' or soloing [was] allowed, just a slow evolution towards a mood." In that respect, Thuja can lay claim to a heritage of all-in-one, group-mind improvisation that arcs back to AMM and Musica Elettronica Viva, but also connects with other, less immediately recognizable precursors -- there are shades here of groups like Biota, or composer Sofia Gubaidulina's improvisatory outfit Astreja. There's a relaxed yet questing folksiness too." - Rose Hobart .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.