TUSQUES, FRANCOIS - Alors Nosferatu Combina Un Plan Ingenieux
"François Tusques on Alors Nosferatu Combina Un Plan Ingenieux: "After Le Nouveau Jazz was released in early 1967 (CACK 014LP), I worked for two years with Bernard Vitet, Beb Guérin and a few other friends on a happening loosely based on Lewis Carroll's The Hunting Of The Snark. There was a strong element of theater to it and we presented it in playhouses, museums, public places, institutions... It never made it to wax and I gave up on the idea soon after when Sunny Murray and Alan Silva showed up in Paris in late 1968. I had meant to upend the conventions of performance with this happening: now I was fully part of a similar revolution, the 'New Music', with its very originators. Nevertheless, the 'Snark' adventure was never over, and the bands I co-directed still used the musical themes (and methods) we had developed for the project. The headlines for the performances and the name of the band itself were still lifted from 'fantastique fiction' works: for instance, we performed as the 'Boojum Consort' and used the title of the present LP was used several times at festivals. The music enclosed here is heavily indebted to free jazz but also retains various elements of the former happening (for instance, I also play saw, marimba and organ, and stray away from jazz references). My famous Shandar and 'Dazibao' albums are partially made up of the same material and were recorded at the same period/momentum which lasted roughly from the Spring of 1969 to late 1971 when I started to distance myself from free music. The final macabre incarnation of this work was the show 'Who Killed Albert Ayler?' whose political content stirred controversy. Gérard Terronès considered recording it, he even advertized it, but again nothing materialized. We found these recordings in my basement. The old reels and cassettes were unmarked or the cases (and sadly some of the music) damaged by time, water, and rats! To the best of my recollections, and from posters and advertising of the events, the artists who took part in the 1969-1971 concerts who make up this record are Ronnie Beer, Joseph Déjean, Claude Delcloo, Earl Freeman, Beckie Friend, Eddy Gaumont, Beb Guérin, Noel McGhie, Jouck Minor, Barre Phillips, Aldo Romano, Alan Silva, Kenneth Terroade, Jacques Thollot, and Bernard Vitet. Who, when, where (American Center quite often), exactly, I can't say..."" - Cacophonic .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.