Demdike Stare


"Demdike Stare prise another absolute gem from Japans Shinichi Atobe; presenting six tracks of original, previously unreleased material recorded some time in the last 20 years in Saitama, Japan, perfectly complementing the sublime ambient house zen of his Butterfly Effect album (DDS 010CD, 2014). The reclusive artist has seen a lot of justified, and somewhat overdue, praise surrounding the reissue of his sole early release, the Ship Scope 12 by Demdike Stare (DDS 014EP, 2015), originally issued by Berlins Chain Reaction label in 2001, whilst the dispatch of his distinguished and subtly diverse Butterfly Effect album arguably came as a surprise for many heads who had him pegged out solely as a dub house producer. His new World will expand those preconceptions again, coursing a beautifully louche and debonair vibe from the most minimal loops and motifs - the kind that one could play all day and would hardly ever tire of hearing them. The supple, floating DX7 bass contours and vaporous jazz chords of "Intro" start up like some Chicago or NYC deep house classic lost in its own reverie, and could go on for as long as it wants, before the rainy day piano house melancholy of "World 1" promptly inverts that supple aesthetic with a fizzing, hazy sort of depth perception and "World 2" switches again to a sort of trim dub momentum in stepping, swinging equilibrium, riding the groove like no other. Turn over and the lingering, slowed-down stroke of "World 3" sounds like it got waylaid from a session with Wolfgang Voigt, whilst "World 4" jettisons the bass altogether to whiz and skip away in the highest registers with an intoxicatingly heady, mesmerizing appeal which also makes the uniquely brittle but spacious breakbeat trip of "World 5" so narcotically seductive. This is highly idiosyncratic, exceptional material, with the highest recommendations to anyone with a taste for house and ambients refined, soulful and experimental echelons. Mastered and cut by Matt Colton. RIYL: DJ Sprinkles, Larry Heard, Kassem Mosse, SND." - Demdike Stare.

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  • Regular price $22.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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