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Drag City

SUARASAMA - Fajar Di Atas Awan

"Drag City is pleased to reintroduce the sound of Suarasama to the world. Fajar Di Atas Awan was first released by Radio France Internationale (RFI) in 1998, and the title track appeared on a Smithsonian Folkways compilation in 2000. This release is the first U.S. issue of the entire album and its first-ever release on LP anywhere. Suarasama is a group of many members, mostly ethnomusicological musicians. Founded in 1995 by Irwansyah Harahap and Rithaony Hutajulu, they are based in Medan City in North Sumatra, Indonesia. Suarasama plays contemporary music, exploring conceptually or instrumentally the sounds of African, Middle Eastern, Indian, Sufi Pakistani, Eastern European and Southeast Asian and particularly Sumatran traditions. Arranging this diversity of sounds and instrumentation, Suarasama come up with more than the sum of their parts; music that mitigates the absurd generalization in the name world music with an organic approach. This organic quality is deeply compelling; the quiet beauty and simple intensity of Fajar Di Atas Awan express the albums title (Dawn Over The Clouds) with a clarity that belies the complexity of the groups compositional methods. Faith is a theme of the lyrics, which even when not translated or understood, convey their essences with a meditative, prayerful approach, often using multi-part harmonies that indicate at (and create in the listener) higher ecstasies. Following a century of multi-cultural consolidation resulting in countries comprised of a multitude of different tribes, a group like Suarasama is inevitable; rather than isolating their Sumatran identity within the larger mosaic of Indonesia, they explore the meeting points of their music with the sounds of neighbor cultures, finding a harmony in the confusion. Theyre not the first -- were reminded of Sandy Bull, John Fahey, the Radha Krsna Temple, the collaborations of Ravi Shankar and Andr_ɬ© Previn, even our own Ghost and Six Organs of Admittance". -Drag City

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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