YUASA, JOJI - Obscure Tape Music of Japan Vol. 14: Background Sound...
...In Textile Pavillion Of EXPO 70. At the EXPO 70 in Osaka, many avant-garde artists contributed architectural, space, environmental design and sound works. In the Textile Pavillion (Sen-i Kan" in Japanese), Japanese composer Joji Yuasa and filmmaker Toshio Matsumoto presented a remarkable experimental event, "Space Projection Ako" for multi-channel tape music and image projection. Also included in the presentation at the Pavillion was background sound for several spaces and objects, composed by Joji Yuasa, mainly. This original master tape was provided by Yoshimasa Matsumoto, the sound operator at the Pavillion, who was also a sound engineer for 60s film and television which included "Ultra Q," "Ultraman" and others. For the first track, "Music For Pattern-Slide Monyoh," abstract textile images were projected on the walls of a corridor ("Monyoh" means graphical patterns). This concrete sound was composed specially for this space. "Music For Colourful World" (by unknown mixer) was played and recorded by three electric guitar players. "White World" involved the same interior space as "Colourful World," except it was painted white, in contrast to "Colourful World." Music for this room was made out of sound material from "Projection Esemplastic" and "Icon For White Noise," both important electronic works from Yuasas early years. "Voices Of Dolls" featured a group of tall, gentleman-like dolls set in a lobby space, accompanied by meaningless text in Japanese, English and Portuguese coming out of them. The Japanese version is a part of Yuasas concrete work, "Voices Coming." An English version (by Joseph Love) and a Portuguese version (by Joaquim M. Benoetez) were recorded for this project. For "Voice Of Raven Objects" (by unknown mixer) the artist Masunobu Yoshimura created ravens and arranged them here and there on the Pavillion. The accompanying sound was made from modulated Noh chant and lines from a story coming out of the mouths of the ravens. "Background Sound Of Central Dome" was taken from events such as "Space Projection Ako" that took place in the dome space of the Pavillion. This background sound was prepared from marimba modulated by a square wave. Premiere recordings on disc, housed in a cardboard paper gatefold sleeve in an original design. Includes newly-written liner notes in Japanese & English. Limited edition of 500 copies." - Edition Omega Point.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
