{"title":"april 13, 2022","description":"","products":[{"product_id":"vitamin-b12-heads-volume-1-blue-bag","title":"VITAMIN B12 - Heads - Volume 1 - Blue Bag","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price.\"sequenced samples filched from a wide array of sources. an ideal supplement to our 2 lp gatefold set.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863949895,"sku":"3171-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836403-1414754652-9918_jpeg.jpg?v=1571717386"},{"product_id":"vitamin-b12-heads-volume-2-punahou","title":"VITAMIN B12 - Heads - Volume 2 - Punahou","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price.\"systemized editing techniques are applied to pre-recorded film soundtracks, whilst hawaiian high school revellers are forced through some basic tools of sound manipulation.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863950663,"sku":"3172-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836345-1414754831-3667_jpeg.jpg?v=1571717386"},{"product_id":"vitamin-b12-heads-volume-3-okay-you-can-stop-thinking-now","title":"VITAMIN B12 - Heads - Volume 3 - Okay, You Can Stop Thinking Now","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"live small group improvisations based around percussive sounds, saxophone and cheap electronics. the a-side trio of myself, kulo murugaiyan and hassni malik, is extended into a quartet for the b-side by stephen drennan.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863950855,"sku":"3173-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836332-1414754877-5872_jpeg.jpg?v=1571717386"},{"product_id":"vitamin-b12-heads-volume-4-stay-outta-the-tool-shed","title":"VITAMIN B12 - Heads - Volume 4 - Stay Outta The Tool Shed","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"a dress rehearsal for an ATP performance that took place a week or so later. jason williams, kulo murugaiyan, hassni malik, stephen drennan, andrew clare and myself clatter our way round a spiralling path of confrontations and misgivings.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863955271,"sku":"3174-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-966884-1414754415-2799_jpeg.jpg?v=1571717387"},{"product_id":"vitamin-b12-heads-volume-5-tangled-ears-and-eye-knots","title":"VITAMIN B12 - Heads - Volume 5 - Tangled Ears And Eye Knots","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"thirty-one little tunes and incidental melodies, similar in nature to the third side of the 2 ten inch gatefold set released by elica. founder member tim wells guests on mucus.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863957447,"sku":"3175-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836317-1414754989-4528_jpeg.jpg?v=1571717387"},{"product_id":"vitamin-b12-heads-volume-6-pickpockets","title":"VITAMIN B12 - Heads - Volume 6 - Pickpockets","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"found sounds from varying sources, including a pile of abandoned reel to reel tapes, suffer a series of rigorous sorting and editing processes. initially i had in mind making a spoken word record without the need for me to actually say anything.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863957511,"sku":"3176-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/cGVn_870c0940-e940-4291-be2b-1296e9aa3ddb.jpg?v=1645303913"},{"product_id":"vitamin-b12-heads-volume-7-tiki-tomi","title":"VITAMIN B12 - Heads - Volume 7 - Tiki Tomi","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"two live improvisations from the ongoing series of sessions held twice weekly at my home in brighton. iain paxon, david papapostolou, kulo murugaiyan, paul morgan, hassni malik, stephen drennan and d j ordeal are all lurking in there somewhere.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863961991,"sku":"3177-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836362-1414754702-4578_jpeg.jpg?v=1571717387"},{"product_id":"vitamin-b12-heads-volume-8-wrong-notes","title":"VITAMIN B12 - Heads - Volume 8 - Wrong Notes","description":"\u003cp\u003eAfter a double 10\", three single LPs, two double LPs and a triple LP over the last few years (and a rare live appearance at the Vincent Gallo curated ATP), we now have an 8 LP Series (in a handnumbered, silk screened edition of 99 copies no less!) from Mr Alasdair Willis and friends! If you pick up all 8 LPs youll get 10% off the listed price. \"multi-tracked semi-improvisations. i provide each participant with only a computer visualization of the sounds the other players have made. fortunately frantisek sic, kulo murugaiyan and stephen drennan all contrive to bend these restrictions to their own advantage.\" - Vitamin B12.\u003c\/p\u003e\n\n\u003ciframe width=\"800\" height=\"400\" src=\"https:\/\/daily.bandcamp.com\/lists\/the-vitamin-b12-feature\" title=\"Article\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Vitamin B12","offers":[{"title":"LP","offer_id":51863964551,"sku":"3178-VITAMIN B12","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-836328-1414754923-4229_jpeg.jpg?v=1571717387"},{"product_id":"murrays-untouchable-factor-sunny-applecores","title":"MURRAYS UNTOUCHABLE FACTOR, SUNNY - Applecores","description":"\u003cp\u003e\"Featuring Frank Foster (soprano sax), Oliver Lake (alto sax), Jimmy Vass (alto sax), Youseff Yancy (trumpet, flugelhorn, theremin, various electro-acoustical sound manipulating devices), Don Pullen (piano), Monnette Sudler (guitar), Cecil McBee (bass), Hamiet Bluiett (baritone sax), Arthur Blythe (alto sax), Fred Hopkins (bass), Abdul Zahir Batin (flutes, whistles, percussion) and Sonny Brown (drums). Exact repro, originally released in 1978.\" -Philly Jazz.\u003c\/p\u003e","brand":"Philly Jazz","offers":[{"title":"LP","offer_id":51944249671,"sku":"14605-PHILLY JAZZ","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PJ1004LP_CU.jpg?v=1617715964"},{"product_id":"idea-fire-company-lost-at-sea","title":"IDEA FIRE COMPANY - Lost at Sea","description":"\u003cp\u003e\"Recital is joyed to bring to you the new Idea Fire Company album, Lost at Sea. Lost At Sea imagines the Idea Fire Company as the bar band on a small cruise ship. There are approximately 40 passengers aboard. Around 2\/3 of them are in the lounge for the nightly IFCO performance. Most of them seem more interested in drink than in music. The ship has become lost and seems to be endlessly circling. Well stocked with booze and food, etc., the ship continues on. IFCO, armed with only a piano and trumpet\/radio\/synth, provide the nightly entertainment.\u003cbr\u003eLost At Sea is certainly the sister of the also piano-heavy The Music From The Impossible Salon, but Lost At Sea has an air of weary optimism replacing the bleak sadness of Impossible Salon. For almost 30 years IFCO has carved their own path, or dug their own hole, depending on your view, through the ever-changing world of underground music. Still violently committed to the Avant-Garde and to new forms of beauty. Still Romantic. Still idealistic. Despite the odds. In the old days, this sort of commitment was better appreciated. IFCO remains IFCO. As a number of people have said over the years, every IFCO record sounds different, but they all sound like IFCO.\" - Recital.\u003c\/p\u003e\n\u003cp\u003eEdition of 400. Includes a 4x6 Postcard and a download coupon.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iz05qEpND78\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Recital","offers":[{"title":"LP","offer_id":52004692295,"sku":"17455-RECITAL","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-7656212-1446066005-3936_png.jpg?v=1571718275"},{"product_id":"bailey-james-dimensions","title":"BAILEY, JAMES - Dimensions","description":"\u003cp\u003eA few sealed, OG copies left of this 1986 private Canadian electronic\/experimental release.\u003c\/p\u003e\n\u003cp\u003e\"James Bailey is an improviser and electroacoustic musician, who has been working within the shadows of the Canadian underground for decades. Dimensions, privately released on his own Applied Science imprint in 1986, while sonically stunning, equally opens a schism with many of the standing narratives of history. It is an emblem and indication of a neglected context - the self-reliance, ambition, and DIY ethos, which electronics activated within the avant-garde. Where Punk has largely dominated our vision of the pathways away from the corporate hold on recorded music, there is another history, beginning far earlier, lasting far longer, and operating with more diversity, which begins with experimental and avant-garde musics engagement with magnetic tape and electronic process, following the Second World War. Bailey among the inheritors of this long arc - its movement away from larger studios, activated by advancing technology, which instigated a creative freedom, which our contemporary context still benefits.\u003cbr\u003eDimensions was recorded in Baileys home between 1978 and 1984. It features three remarkable improvised works for magnetic tape, utilizing a number of processes and sources. The clues to its depth begin with The Train To The Eighth Dimension, a work which, while drawing its sounds source from a Mini Moog synthesizer, is in fact is a deceptive work of nearly twenty-four minutes of tape delay. For Bailey, process is equal to, if not greater than, the nature of source. To create it, Bailey placed a set of open reel tape recorders side by side - the tape passing through the first to record and the second to play back, which then returned to the first. Built from white noise, modulated and filtered at a progressive rate, until it becomes a sine wave, after which the rate of modulation slowly decreases. The totality creates phasing of both the signal and beat, at variable rates - a marvel of Minimalism, as it has rarely been thought of, or heard. The second side features two equally remarkable, shorter works. 4HC is a discrete work for electric guitar made in 1982, employing a similar technique of tape delay and found on the previous side, complimented and offset by the longer and more ambitious From A Window· 1 a.m. Created in 1978, this work features two overdubbed sound sources - a field recording of several hundred crickets outside the artists bedroom, which prompted Bailey to improvise, and attempt to mimic them, by bowing a prepared electric guitar with a spring. The result is stunning world of shimmering rhythmic and tonal ambience, filled with an organic touch and warmth, the depth of which is rarely known in the world of electronics. \u003cbr\u003eApproaching his lost debut, its wonder that James Bailey is not more well know. Dimensions is clearly a work of humble, but profound, importance. An album that everyone should have know and heard, but few in fact did - most copies remaining in its artists hands. We are thrilled to be able to off a limited number of this brilliant LP in its original pressing - an opportunity not to be missed. One of the great works of electronic DIY, brimming with warmth and creative brilliance. Stunning on every count. May its return amend the sins of time, offering Bailey all the attention he rightly deserves.\" \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLP liner notes from James Bailey:\u003c\/p\u003e\n\u003cp\u003e\"I suppose there are myriad ways of starting liner notes, but in the absence of imagination, this will have to do. I hope they do not come off as too pretentious or formal, but I feel the sounds deserve some credit for what and why they are. Two of the pieces were created using a tape delay technique in which two open reel tape recorders are placed side by side and the tape passed through the heads on the first to record and on the second to play back. The signal played back from the second deck is returned to the first for re-recording, resulting in an extended delay the duration of which is determined by the distance between heads. The signal will continue to loop like this until noise and signal loss cause it to decay beyond recognition. New signals may he added at any time, and will behave in the same manner. In this way, anything from a simple pattern to dense clusters may be built up. These two pieces provide good examples of this.\u003cbr\u003eThe other piece uses overdubbing whereby sounds are combined with others already existing on tape. This is how virtually all pop music is recorded today. These are not multi-million dollar high quality studio recordings. They were made at home using simple Tandberg tape decks and good, although not professional-type tape. There are many flaws which the discerning listener will distinguish. I feel, however, that the sounds possess their own merit and deserve to be heard. I can only present them to you. Your own opinions will be determined by personal taste. All of the pieces are improvised, with little or no preconceived idea of their final form.\"\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. The Train to the Eighth Dimension (April, 1984) \"This was created using a Mini-Moog synthesizer and tape delay. The right channel playback was returned to the left input and the left into the right. This results in the sound hopping or sweeping from side to side. It was built from white noise which was modulated and filtered. Both the modulation and filtering were slowly increased until the white noise became a sine wave signal after which the modulation was slowly decreased. As a result of the looping, phasing of both the signal and beat occurs at several points. Yes, the title was inspired by \"The Adventures of Buckaroo Banzai\"\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0Ohrk9liP48\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e2. From A Window· 1 a.m. (June, 1978)\u003cbr\u003e\"One of my earliest attempts at a serious tape music composition. Many of the playing techniques were the result of experiments carried out shortly before recording. There are two basic sound sources for this piece. The first, and the one which inspired the overall structure, was a chorus of what must have been several hundred crickets outside my bedroom window one warm summer night. The rhythmic pattern they created prompted me to improvise, and attempt to mimic, along with them by bowing an electric guitar string with the spring from a ball point pen. Other sounds were created by \"preparing\" the guitar. That is, objects were placed under, between, and over the strings to alter the sound. The strings were then tapped with whatever mallett-like implement was at hand. The title should be obvious.\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vHqB4l5pWsE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e3. 4HC (July 11, 1982)\u003cbr\u003e\"Recorded in the back garden the day Italy won the World Cup. I had attempted to make a tape delay recording of the many car horns which I was expecting to hear, but when this was less than successful due to my remoteness from the \"scene of the action\", I decided to plug in the electric guitar instead and doodle. This quaint and occasionally charming piece was one result. The title I would prefer to remain a mystery.\" \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Applied Science","offers":[{"title":"LP","offer_id":893337501703,"sku":"20258-APPLIED SCIENCE","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-650888-1273243034_jpeg.jpg?v=1571718480"},{"product_id":"kudo-reiko-rice-field-silently-riping-in-the-night-1","title":"KUDO, REIKO - Rice Field Silently Riping In The Night","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2024 repress. \u003c\/span\u003eReissue of an album originally co-released by Majikick and Fusetron sub-label Periodic Document in 2000 (original copies still available!). \"Reiko Kudo first debuted on the Tokyo underground music scene in 1980 with Noise, a duo which apart from herself under her then maiden name Reiko Omura on voice, guitar, and trumpet featured Tori Kudo (Maher Shalal Hash Baz) on organ. Like other pioneering female producers from Japan such as Non (of Non Band), Phew, and Haco, Reiko Kudo has an incredibly unique, uncategorizable, and daring voice. \u003ci\u003eRice Field Slowly Riping In The Night\u003c\/i\u003e was Reiko Kudo's second album under her own name. It features Tori Kudo as well as Saya and Takashi Ueno (Tenniscoats) on various instruments. The recordings took place in 2000 at Reiko and Tori's house in the rural surroundings of Shikoku Island. All recorded music on this album sounds like it originates in a parallel dimension where time and key signatures simply don't exist. There is nothing accidental or forced here, this is simply music created in a very different way. Restoration and mastering by Detlef Funder at Paraschall Mastering, Düsseldorf; Cut at Calyx, Berlin Translation by Miki Yui and Claus Laufenburg.\" - Tal.\n\u003cdiv id=\"description\"\u003e\n\u003cbr\u003e\"After producing the album Souvenir De Mauve with Maher Shalal Hash Baz which we released on our label Majikick, the idea came to us, to release Reiko Kudo's work. For Reiko's work, we brought our recording equipment from Tokyo to Shikoku and recorded the entire album at her house . . . Reiko plays only at certain times of the day, so that we were able to complete only two or three recordings a day. Therefore, we had plenty of free time. We went to a hot spring, to a cafe, or we tried pottery on a spinning wheel at Tori's workshop. It was a very rewarding time. When this album was finished, we brought it to her to listen to. She said happily 'I think this is the best work I have ever done.'\" - Saya and Ueno (Tenniscoats), Tokyo, 2018\u003c\/div\u003e","brand":"Tal","offers":[{"title":"LP","offer_id":14986372612159,"sku":"","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/TAL011LP_CU.jpg?v=1571718607"},{"product_id":"hendricks-with-philip-corner-geoffrey-stones-dreams-recital-lp","title":"HENDRICKS WITH PHILIP CORNER, GEOFFREY - Stones : Dreams","description":"\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/662348642\u0026amp;color=00aabb\"\u003e\u003c\/iframe\u003e\"Recital label head Sean McCann on Stones : Dreams: \"The first audio document ever published by Fluxus artist Geoffrey Hendricks (1931-2018). There is a romanticism found in Geoffrey, that, in my mind, sets his work aside from his Fluxfriends. Known for his timeless sky paintings, applied to canvas, cars, clothes, and so on, the conceptual married the majestic. He was a master painter, whose work could have filled cathedral ceilings. Instead, he chartered his bow alongside George Maciunas, John Cage, Dick Higgins, etc. in the 1950s. Hendricks became a prominent member of Fluxus, shown in exhibitions around the world for over 60 years. In the 1970s, composer Charlie Morrow approached Hendricks about recording an album for the New Wilderness Audiographics cassette series. This became a 40-year dance of orbiting schedules and slipping dates. The sky aligned in 2014, and a recording session at Ear Up Studios in New York manifested. Geoffrey's connection to nature not only focused upwards at the sky, but always downwards to stones. 'Rock Music' consists of a box of rocks being cast across a room. Pounded on wood, soft and hard, the sonar-like snapping echo mapping the dimensions of the room. Small bells hover over the rubbing of stones humming to each other. You can tell that this was a therapeutic ritual he practiced for years, not merely an improvised recording concept. With the LP is a booklet that includes diaries of his stone collecting on Cape Breton island in 1973, beautifully infused with dream recollection. The cassette of 'Music for Sky Slate Wall' was discovered by chance earlier this year in the vast archive Hendricks left behind. It holds Geoff's close friend Philip Corner performing at an Emily Harvey Foundation exhibition in 1999. Corner responds to the Hendricks installation, interpreting the wall adorned with watercolors of day and night skies, grey slate, and a ladder hanging more paintings and golden ornaments. Philip Corner performs with prongs, Korean shaman cymbals, his voice, and a shoe. Their charming friendship can be heard in the interplay. This project was made possible by Geoff's widow, Sur Rodney (Sur), his children, Tyche and Bracken Hendricks, Philip Corner, and Charlie Morrow.\" Includes 16-page pamphlet with essays by Tyche Hendricks and Charlie Morrow, diaries and artworks by Geoffrey Hendricks. Edition of 220.\" - Recital.","brand":"Recital","offers":[{"title":"LP","offer_id":30222559182911,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R068LP_CU.jpg?v=1571718666"},{"product_id":"cherry-friends-don-baden-baden-free-jazz-meeting-december-1967-swr-broadcast-alternative-fox-uk-lp","title":"CHERRY \u0026 FRIENDS, DON - Baden Baden Free Jazz Meeting, December 1967 - SWR Broadcast","description":"\"Broadcast from SWR and recorded at the legendary 1967 Free Jazz Meeting in Baden-Baden, Germany this is a collection of four different performances by different line-ups, featuring big names in the European free jazz '60s scene of the time along such top players as Don Cherry, Marion Brown, Evan Parker, and John Stevens.\" - Alternative Fox .","brand":"Alternative Fox","offers":[{"title":"LP","offer_id":32676068556863,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FOX037LP_CU.jpg?v=1593696546"},{"product_id":"part-arvo-works-for-choir-cugate-classics-germany-lp","title":"PART, ARVO - Works For Choir","description":"\"180 gram vinyl; includes download. Cugate Classics presents a reissue of the 2001 release Works For Choir by Arvo Pärt, one of the most important and influential composers of our time. Arvo Pärt (born 1935 in Paide, Estonia) doesn't need to be introduced to anyone who has the slightest interest in classical music, and his audience reaches far beyond the regular attendants of symphony halls. After first serial compositions, \"Credo\" (1968) was a turning point in Pärt's life and work, being the first piece carrying a religious title and expressing a creative crisis that Pärt answered by lesser compositions and studying medieval and Renaissance music in search for a new musical language. In 1976, Pärt returned with \"Für Alina\" and introduced his new (and self-developed) style that should become his trademark sound which made him the famous and honored composer he is now: the so-called tintinnabuli. In 1984, after the Estonian composer and his family emigrated from the USSR and settled in Germany, the album Tabula Rasa opened the next important chapter in PÄRT's career: the ever continuing close relation to Manfred Eicher and his ECM label where many of the composer's works have been released since. Works For Choir presents several compositions for choir from the period from 1989 to 1991, recorded in Vilnius with the award winning Vilnius Municipal Choir Jauna Muzika under the artistic direction of Vaclovas Augustinas. The Vilnius Municipal Choir Jauna Muzika choir was founded in 1989 by the conductor and composer Remigijus Merkelys and long-time director Algimantas Gurevičius and has since won several prizes, among others six Grand Prix in 16 international choral competitions around the world, and in 1993 it was awarded with the highest prize, the Grand Prix Europeo, in a competition organized by the International Federation of Choral Music. Remastered by Helmut Erler at Dubplates \u0026amp; Mastering, Berlin.\" - Cugate Classics .","brand":"Cugate Classics","offers":[{"title":"LP","offer_id":32892138815551,"sku":"0","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CGC051LP_CU.jpg?v=1597410346"},{"product_id":"kmru-peel-editions-mego-austria","title":"KMRU - Peel","description":"\u003cp\u003e\"KMRU is the moniker of Joseph Kamaru, a sound artist and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond, he was listed by Resident Advisor as one of \"15 East African Artists You Need To Hear\" in 2018 and is a regular performer at the fabled Nyege Nyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is KMRU's first release for Editions Mego. An exquisite mix of field recordings and electronics unravelling at a repetitive and leisurely pace to expose a rich tapestry of sound, revered for its ability to cross borders with the sheer undertow of emotional content. The subtle calming atmosphere within Peel belies the compositional prowess as layers of delicate sounds wrap around each other creating a hybrid new form ambient music both captivating through its textural depth and kaleidoscopic patterns. The track titles lend themselves to the themes and mood set within: \"Why Are You Here\", \"Well\", \"Solace\", \"Klang\", \"Insubstantial\", and the title track. This is a deep heartfelt journey with a new strong voice being expressed through the means of organically presented electronic ambient sounds, one which reveals further layers on repeat listens. All tracks written and produced by KMRU. Recorded and produced in Rimpa, (Nairobi, KE). Mastered by Stephan Mathieu at Schwebung Mastering, June 2020. Photography: Claudia Mock; Layout\/Design: Nik Void.\" - Editions Mego\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1478120105\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Editions Mego","offers":[{"title":"Double LP","offer_id":33158140493887,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EMEGO289LP_CU.jpg?v=1603137894"},{"product_id":"lapointe-gatien-corps-de-linstant-anthologie-1956-1982","title":"LAPOINTE, GATIEN - Corps De L'Instant \/ Anthologie 1956-1982","description":"\u003ch6 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cb\u003e\u003ci\u003e\u003cmeta charset=\"utf-8\"\u003e++ $25 IF PURCHASED ON ITS OWN - $20\u003cspan\u003e \u003c\/span\u003eWITH THE PURCHASE OF AT LEAST $20 IN OTHER ITEMS (DISCOUNT APPLIED AUTOMATICALLY AT CHECKOUT) ++\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSealed, original copies of this 1983 release.\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\"\u003cspan\u003eQC Avant-Electronic oddity (something like a Montreal version of \"Love Life of the Octopus\" getting into Terminator\/Liquid Sky zones) for the curious! \" - Keith Whitman\/Alpha State Music.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Very interesting \u0026amp; scarce French spoken word LP by noted Quebec poet, Gatien Lapointe, accompanied throughout by a fascinatingly subtle \u0026amp; shifting sound design. An extremely intimate reading of works written between 1956-1982, Lapointe’s soft yet deep speaking voice seemingly rests near your ear as a background of electronic sound effects, synths, and field recordings reminiscent of the work then coming out of IRCAM map the landscape of the poems. Every element in the production of this LP is in perfect balance. Comes with large, oversized booklet.\" - Michael Klausman (check his instagram \u003ca href=\"https:\/\/www.instagram.com\/driftinglament\/\"\u003ehere\u003c\/a\u003e  - one of the best sound\/art\/text scroungers out there).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Gatien Lapointe, poet, professor, publisher (b. 18 Dec. 1931, d. 15 Sept 1983). He studied at the Petit Séminaire de Québec, the École des arts graphiques in Montréal, Université de Montréal (MA), the Collège de France and the Sorbonne. He published \u003cem\u003eJour malaisé\u003c\/em\u003e in 1953 and \u003cem\u003eOtages de la joie\u003c\/em\u003e 2 years later. In 1962 he won the award of the Club des poètes for \u003cem\u003eLe Temps premier\u003c\/em\u003e. He received the Prix du Maurier, the Prix du Québec and the Governor General's Award for \u003cem\u003eOde au Saint-Laurent\u003c\/em\u003e, which appeared in 1963. He again won the Prix du Québec in 1967 for \u003cem\u003eLe Premier Mot\u003c\/em\u003e.\u003cbr\u003eHe taught at the military college in Saint-Jean-sur-Richelieu and became a professor at U du Québec à Trois-Rivières in 1969. While teaching, he also started and ran Écrits des Forges, a publishing house almost exclusively devoted to poetry. In 1980, after 13 years of silence, he again began publishing his work, bringing out, in order, \u003cem\u003eArbre-radar\u003c\/em\u003e, \u003cem\u003eBarbare inouï\u003c\/em\u003e, \u003cem\u003eCorps et Graphies\u003c\/em\u003e, \u003cem\u003eCorps de l'instant\u003c\/em\u003e and \u003cem\u003eLe Premier Paysage\u003c\/em\u003e. In these later collections, he moved away from lyricism and themes of the land to an entirely modern focus on the body and the moment. But his writings always had the same intensity and sensitivity which provided the unity and value of his work, one of the richest of all Québec poetry.\" - The Canadian Encyclopedia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUn atelier c’est un alambic,\u003cbr\u003eon ajoute, on retranche, et puis\u003cbr\u003eon écoute cela germer et éclore\u003cbr\u003e— Gatien Lapointe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eSound Sample:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KHfK6Gpkrzk?si=uQbqDtm8_VfVubNs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Ecrits Des Forges","offers":[{"title":"LP","offer_id":39424188121277,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image_38da4484-70fd-4e14-a73f-40ce6efda599.jpg?v=1639764692"},{"product_id":"corsano-bill-orcutt-chris-made-out-of-sound-palilalia-lp","title":"CORSANO \u0026 BILL ORCUTT, CHRIS - Made Out of Sound","description":"SPARE SEALED COPY \"Sadly, many will hear Chris Corsano \u0026amp; Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time duo -- but if you've been able to listen past the overmodulated icepick fidelity of Harry Pussy, it should surprise you not an iota that Orcutt's style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for Corsano, well, it may seem daft to call this particular record 'jazz' (because duh, it has a drummer), but to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano's ferocity has elevated many 'mere' improv records to transcendence, but here he's crafted his polyrhythms within more narrative channels, bringing to mind his 'mannered' playing in the lamented Flower-Corsano duo. It's not 'groove' playing precisely, but it follows many grooves simultaneously, much like Orcutt's own melodic musings -- which is why they're so naturally lock-in-key here. Which maybe makes it all the more surprising that Made Out of Sound was in fact recorded in different rooms on different coasts at different times, and stitched together by Orcutt on his desktop. Corsano recorded the drums in Ithaca, NY, and (as Orcutt states), 'I didn't edit them at all. I overdubbed two guitar tracks, panned left\/right. I'd listen to the drums a couple times, pick a tuning, then improvise a part, thinking of the first track as backing and the second as the 'lead', though those are pretty fluid terms. I was watching the waveforms as I was recording, so I could see when a crescendo was coming or when to bring it down.' Fluidity ties the tracks together. With a little more groove and a little less around-the-beat maneuvering, one could almost hear the boiling harmonic layers as Miles-oid in 'Man Carrying Thing,' but with new-found Sharrockian modalities, Corsano accentuating the tumbling nature of the falling notes. The Sharrock vein continues with 'How to Cook a Wolf,' its Blind Willie-esque melodic simplicity and repetition extrapolated 360-style in a repetitive descending riff that falls into Cippolina-isms (by way of Verlaine) until the end crashes upon the shore. Much like Orcutt's last solo album, Odds Against Tomorrow (PAL 056CD\/LP, 2019), there's a gentler, almost pastoral flow to some tracks ('Some Tennessee Jar,' 'A Port in Air,' 'Thirteen Ways of Looking') that calls to mind the mixolydian swamplands of Lonnie Liston Smith -- but unlike Odds, other tracks ('The Thing Itself') smash that same lyricism into overdriven, multi-dimensional melodic clumps that push several vector envelopes at once in an Interstellar Space vein. With the help of Corsano, Orcutt has managed to slither even further out of the noise\/improv pigeonhole lazy listeners\/writers keep trying to shove him into. Looking at the back cover of Made Out of Sound, we should not see Orcutt hurling a guitar into the air with post-punk bravado, Corsano toiling behind him in the engine room -- we should witness an instrument levitating from his hands, rising on invisible major-key tendrils of melody, fired by percussion, spiraling into an invisible event horizon...\" --Tom Carter.","brand":"Palilalia","offers":[{"title":"LP","offer_id":39550998839485,"sku":"","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PAL063LP_CU_73cc4490-59b2-494a-86eb-4a7348c6331e.jpg?v=1621774146"},{"product_id":"eastman-julius-three-extended-pieces-for-four-pianos-sub-rosa-belgium-2cd","title":"EASTMAN, JULIUS - Three Extended Pieces For Four Pianos","description":"\"Four Pianos (1979-80): It is recognized today that these tutelary pieces for four pianos are among the most powerful in contemporary music, their impact is almost unparalleled. After the historical version recorded forty years ago, this one, featuring four of the greatest European performers, is now regaining its full power. High level recordings too. Includes 12-page booklet.\n\nJulius Eastman: There was some for John Cage, then came Christian Wolff, and finally Morton Feldman, from this school in New York. Only Julius Eastman remained outside the game, the last figure, the most solitary and enigmatic -- undoubtedly also one of the most powerful, and it is this power that is revealed through these recordings. In the 1970s and 1980s, Eastman was one of the very few African-Americans to gain recognition in the New York avant-garde music scene. He was politically committed, a figure of queer culture and a solar and solitary poet whose melancholy influenced his genius as well as his tragic destiny: suffering from various addictions, declared missing, actually homeless. During Winter of 1981-82, he got deported from his apartment by the police, who destroyed most of what he owned - including scores and recordings. He was found dead in 1990, on the streets of Buffalo, after years of vagrancy. \n\nThe Performers: Nicolas Horvath, pianist and electroacoustic composer; Melaine Dalibert, a French composer and pianist; Stephane Ginsburgh, a tireless surveyor of the repertoire but also explorer of new music; Wilhem Latchoumia, embraces both new music and the classical repertoire with success and charisma.\" - Sub Rosa .","brand":"Sub Rosa","offers":[{"title":"Double CD","offer_id":40734984143037,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SR503CD_CU.jpg?v=1632272078"},{"product_id":"peoples-victory-orchestra-and-chorus-the-school","title":"PEOPLE'S VICTORY ORCHESTRA AND CHORUS - The School","description":"\u003cp\u003eSealed original copies of the self-released  1972 LP from the mysterious People's Victory Orchestra And Chorus. Most copies were released with photographic sleeve, this is the less common black sleeve version. Some may have storage wear. \u003c\/p\u003e\n\u003cp\u003e\"Nobody has been able to find all the members of this little-known band. Based in Queens Village, New York this completely enigmatic, underrated early '70s outfit, presents an eclectic bag that mixes stoner folk rock, soulful hippie boogie blues, \u0026amp; experimental freak acid. This LP is divided into a 'girls side' \u0026amp; 'boys side'. From ballsy blues rock to folk, to out \u0026amp; out psyche, this LP is legendary for it's semi-home-made cover art \u0026amp; inserts. Despite all that, little is known about the band itself. Some rumor that they were musicians who were under contract and used the P.V.O.C. guise to record their own stuff on the sly. Another rumor is that they were high school (and\/or grammar school) music teachers, which could partially account for the large number of musicians that appear on the record, or could be based on the fact that the record is called \"The School\". This is their obscure 2nd LP, considered the best of their three releases, featuring special guests Holly Woodlawn (from Andy Warhol Factory days and Lou Reed’s inspiration for \"Walk On The Wild Side\"); Erin Dickens (early Manhattan Transfer member); Melissa Manchester (released her first solo album a year afterwards); and Alan Gerber (ex-Rhinoceros singer \/ keyboard player)\" - Groovy Tunesday.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/zJD0mV6NY9U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"People's Music Works, The","offers":[{"title":"LP","offer_id":42440987410651,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-19088764-1623330419-8059_jpeg.jpg?v=1635449099"},{"product_id":"esplendor-geometrico-eg1-1","title":"ESPLENDOR GEOMETRICO - EG1","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Reissue, originally released in 1981. Celebrating the 40th anniversary of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEG-1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a seminal work by the influential industrial music pioneers. A classic and essential release of \u003c\/span\u003eEsplendor Geométrico\u003cspan data-mce-fragment=\"1\"\u003e. After their first single, \"Necrosis En La Poya\" (1981), Esplendor Geométrico released their first cassette that same year: \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEG-1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. These works were self-produced and distributed by the band themselves, before the appearance of the Spanish independent record labels in the early '80s. The first edition of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEG-1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (edition of 300 copies) quickly sold out in the international underground circuit of cassette labels that was emerging during those years. It was reissued on the same format by different labels such as Datenverarbeitung (Germany, 1982), Ortega y Cassette (Barcelona, 1985), EGK (Madrid, 1987) and Línea Alternativa (Madrid, 1989), and later on there would be two CD editions. Without a doubt, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEG-1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is one of the fundamental works by Esplendor Geométrico, and is also considered a classic of industrial music, where they started to develop their unique style of rhythmic-noisy-industrial which would be such a great influence on other artists afterwards. Tracks like \"Muerte A Escala Industrial\", \"Destrozaron Sus Ovaries\" and \"Neuridrina\" are regarded by their fans as some of the best recorded by the band. Remastered from the original tapes; includes an exclusive insert and each copy has been individually customized with stickers and hand-stamped; original designs from the first edition of EG-1 have been used; limited-numbered edition of 500 copies.\" - Geometrik.\u003c\/span\u003e","brand":"Geometrik","offers":[{"title":"LP","offer_id":42329225887963,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GR2153LP_CU.jpg?v=1642693547"},{"product_id":"heratius-gwendolyne-les-boniments","title":"HERATIUS - Gwendolyne \/ Les Boniments","description":"\"A hidden gem from the notorious Nurse With Wound list! This double-LP features Heratius' studio album Les Boniments (1979) -- never before released on vinyl -- and the first ever vinyl reissue of Gwendolyne (1978). Heratius could be described as like a mix of Etron Fou Leloublan and Faust (in acoustic mode that is), with hints of Albert Marcoeur, Red Noise, in a music that is full of invention with typically French eccentric touches. The Heratius album Gwendolyne was also much touted by Chris Cutler (of Henry Cow fame) at the time as the 'French Faust'. \" - Staubgold.","brand":"Staubgold","offers":[{"title":"Double LP","offer_id":42425516916955,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/STAUB164LP_CU.jpg?v=1643724986"},{"product_id":"higuchi-keiko-vertical-language","title":"HIGUCHI, KEIKO - Vertical Language","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeavy tip-on jacket with matte pigment stamping and insert. Based in Tokyo, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKeiko Higuchi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a vocalist and instrumentalist internationally renowned both for her solo performances and extensive collaborations in the world of underground improvisation, jazz, and the avant-garde. On \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVertical Language\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Higuchi has created an evocative and hauntingly beautiful album that unfurls in equal parts light and darkness, form, and emptiness. On solo voice and piano as well as in duets with bassist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLouis Inage\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Higuchi performs a collection of songs and improvisations that take unexpected paths; her voice and piano starkly, soulfully emerge. They gradually take form as sparse notes resonate and build into intense layers of sound. The music is unvarnished and deeply personal -- it embraces traditional Japanese and spiritual music as well as even jazz and bossa nova, but never completely turns itself over to their familiar forms. More than simply an album title, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVertical Language\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e refers to the distinctive musical approach that Higuchi has developed over the past twenty years. Her music is centered on the breath and pulse -- rather than set \"horizontal\" musical rhythms or structures. It illuminates the connection between the artist's body and sound. In her music, piano chords and voice sound out in an instant and expand, floating off in new directions. The music embraces silence and negative space or the Japanese concept of \"Ma\", as well as the small \"imperfections\" that any moment or sound might contain. Each moment in her music is as much imbued with what came before as what will come next -- each note expands in space and can never be seen from just one perspective. In her music, Higuchi is constantly taking us to a place that neither she or we can quite yet see.\" - Black Editions.\u003c\/span\u003e","brand":"Black Editions","offers":[{"title":"LP","offer_id":42483348406491,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BE1006LP_CU.jpg?v=1645056835"},{"product_id":"v-a-the-buntingford-long-playing-album","title":"V\/A - The Buntingford Long Playing Album","description":"\u003cp style=\"text-align: center;\"\u003eOriginally released in 1981\u003cbr\u003e2022 Reissue\u003cbr\u003eEdition of 250\u003c\/p\u003e\n\u003cp\u003e\"At the dawn of the 80's, The United Kingdom was awash with regional compilations documenting the burgeoning local punk, postpunk, DIY movements that were swelling across Blighty. Spurred on by Rough Trade's seminal, Wanna Buy A Bridge?, the idea soon became quicksilver. From Portsmouth ('South Specific'), to Richmond ('The Snoopies Album') to Cardiff ('8 from '80), no local scene was too insignificant. So it should come as no surprise that Buntingford, a small market town in East Hertfordshire, would tag in with one of the strongest, yet most obscure collections of the era. Comprised of about a dozen or so local youths under different monikers, The Buntingford Long Playing Record sidetracks the punk handle-which was surely a scarlet letter in this bucolic civil parish-but expertly nails a brace of shambling mod, powerpop \u0026amp; DIY tracks. And to a person, it would seem the works here were both their magnum opus \u0026amp; swan song. If this isn't a perfect example of the Protestant Work Ethic in action, I'll gladly eat a spotted dick. Possibly THE greatest collection of one \u0026amp; done pop\/punk masterpieces from that magical, bygone time.\" - Zaius Tapes.\u003c\/p\u003e","brand":"Zaius Tapes","offers":[{"title":"LP","offer_id":42494300618971,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BFord.png?v=1645298613"},{"product_id":"va-pra-quem-sabe-das-coisas","title":"V\/A- Pra Quem Sabe Das Coisas","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Reissue, originally released in 1973. One of the rarest and most enigmatic LPs in the Brazilian discography, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePrá Quem Sabe das Coisas\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a collective album that gathered a group of students from São Paulo Law School, supported by the organist\/pianist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRenato Mendes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, one of samba-jazz's most important names. Released in 1973 by the label EBRAU, finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971 but put in the market as LP only two years later. Reissue includes original insert replica with lyrics and an extra insert with unseen photos and an exclusive interview that the journalist and researcher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarcelo Pinheiro\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e did with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCau Pimentel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e adding even more to the richness of this workpiece, composed by many writers and performers in 1971. Features \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCau\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLiliana\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRenato Mendes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarcão\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEulalia\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVera\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccording to Disk Union\/Think Records (released CD reissue of this record): 'Mysterious acid bossa psychedelic folk masterpiece recorded in 1971 and released in 1973 on a small Brazilian label. Recorded by students of the law school in São Paulo, under the influence of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSgt. Pepper's\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e mixed with bossa nova. It's a chaotic yet delicate and sophisticated. I can't imagine it being composed or recorded by amateur musicians that they were, except by Renato Mendes, who has been active as a first-class musician since the jazz bossa period and was a Brazilian pioneer recording an album using a Moog synthesizer in 1974. It can be said that it greatly contributes to the miraculous perfection of this work. Known among record collectors as a record that attracts not only Brazilian music fans but also psychedelic and acid folk fans, the original version is a gem and sells for over USD1000.'\"- Discos Nada. \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2221980785\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e","brand":"Discos Nada","offers":[{"title":"LP","offer_id":42506537074907,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NADA1.jpg?v=1645559125"},{"product_id":"akt-3-frauen-feuer","title":"AKT 3- Frauen-Feuer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"This would have been the Brazilian post-punk supergroup. It would have, because bassist and singer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSandra Coutinho\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e moved to Germany, leaving these recordings behind -- only two songs were released, in an independent compilation (\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEnquanto Isso\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 1991). Sandra (bass, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAs Mercenárias\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) along with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDenise Camargo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (keyboards and voice, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruhahá Babélico\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDequinha e Zaba\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBiba Meira\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (drums, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDe Falla\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKarla Xavier\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (guitar, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eR. Mutt\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), expressive musicians in expressive bands, were \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAKT\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. And this powerful repertoire, composed and recorded in the short period of the group's existence, recorded and produced by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eR.H. Jackson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCaracol\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) the complete session remained unheard until now. For the first time ever on vinyl (or any other format) the complete AKT recording session. Remastered from the original tapes, this reissue also brings unseen photos by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRui Mendes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and the band story written by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlex Antunes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAkira S \u0026amp; As Garotas Que Erraram\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), based on statements by the girls, the engineer, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruno Verner\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (R. Mutt) and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThomas Pappon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFellini\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e).\" - Discos Nada. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2507394729\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Discos Nada","offers":[{"title":"LP","offer_id":42506535534811,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NADA3.jpg?v=1645559460"},{"product_id":"de-oliveira-jocy-raga-na-amazonia","title":"DE OLIVEIRA, JOCY - Raga na Amazonia","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"For the first time on vinyl, this compilation brings excerpts from electroacoustic pieces written by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJocy de Oliveira\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e from 1987 to 1993. It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment. Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist. In 1959 she recorded \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Música Século XX de Jocy\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1960), an \"Anti-Bossa Nova\" record that was not understood by anyone in the '50s, but 62 years latter it became a cult classic (and has just been reissued). Her talent and dedication brought her to work alongside 20th-century music masters such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIgor Stravinsky\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOliver Messaien\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLuciano Berio\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eClaudio Santoro\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohn Cage\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXenaxis\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKarlheinz Stockhausen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers. Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. This album is dedicated to a production that goes from the mid-80s to the early '90s. On side A, \"Oniric\" presents electronic music performed in real-time along with voice. The following pieces are two ragas: \"O Contar De Uma Raga\" (Telling Of A Raga), and \"Raga na Amazônia\" (Raga in the Amazon) and last is \"Solaris\" with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRicardo Rodrigues\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on reeds and oboe. In all these pieces Jocy plays the keyboards. Jocy plays synthesizers in all tracks and is accompanied by great musicians as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAyrton Pinto\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoseph Celli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSang Won Park\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Ricardo Rodrigues, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnna Maria Kieffer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The LP comes with an insert with unseen photos and two texts, one by Jocy de Oliveira and other by the musician and researcher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePaulo Beto\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" - Discos Nada. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1363031121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Discos Nada","offers":[{"title":"LP","offer_id":42506534781147,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NADA5.jpg?v=1645560043"},{"product_id":"tomutonttu-hoshi","title":"TOMUTONTTU- Hoshi","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Hoshi is the 7th album by the worldly Kaakinmaa based sound producer Tomutonttu. This compositional endeavour began with foggy intuitions about freed people in swings, house plants in hanging baskets and people being brought up by wild monkeys. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTomutonttu has been dealing with questions perhaps romantic by nature. Maybe my songs are farming music after all? What does my computer think about my music? Did electricity smell different in the 1980s compared to now? Other smells that could be related: the aroma of amok jog, the bottled scent of a pet shop. True players know the special perfume called studio sweat. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom a cycle to the next one, we are all ex-babies dreaming about autumnal mud puddles. Hoshi was made in a confused dialogue with machinery and code. It was born effortlessly and sometimes scary fast. Hoshi's dark is that of a troll's pocket filled with holes, or the inside of a flute. The album might be better suited for night time listening than any other Tomutonttu music. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoshi was recorded in 2021 and features sounds and voices from Kraus, Maria Stereo and Milo Linnovaara. Thank you Taike \/ Arts Promotion Centre Finland for\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esupport.\" - Joteskii Groteskii. Remaining cassettes from Jans NY visit a few months back, at a very nice price..\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1286117732\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Joteskii Groteskii","offers":[{"title":"Cass","offer_id":42506524393691,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/HOSHI.jpg?v=1645564181"},{"product_id":"fifty-foot-hose-cauldron-aguirre-records-belgium-lp","title":"FIFTY FOOT HOSE - Cauldron","description":"\u003cp\u003e\"2022 repress. Aguirre Records present the first official vinyl reissue of Fifty Foot Hose's Cauldron, originally released on Limelight in 1967. Cauldron is the legendary psychedelic jazzy rock and electronic album by Californian band Fifty Foot Hose. Fifty Foot Hose formed in San Francisco in 1967. Like few other acts of their time, they consciously tried to combine the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas. They were one of the most radical groups of the psychedelic era, and their experimentalism still has the power to shock and surprise even now. What set them apart were the pioneering experiments in electronic music, like the band they are often compared to, The United States of America. Incorporating Theremin, siren, audio generators, and other various electronic effects, as Cork Marcheschi, the band's original bass player, had developed an acute interest in the dadaist\/futurist experiments of composers like John Cage and Edgar Varese. David and Nancy Blossom brought both psychedelic and jazz influences to the band. Cauldron, their only album, was released in December 1967, including \"Fantasy\", \"Red The Sign Post\", and \"God Bless The Child\", a Billie Holiday cover. Their sound experiments differentiated them from their contemporaries and most audiences didn't quite know what to make of them. Fifty Foot Hose's music leans more towards White Noise, Silver Apples, and especially United States of America, rather than to flower power movement. After only one album, the proto-cyber psych outfit passed as quickly as they came. Their only mention would be a name-check in Ralph J. Gleason's 1969 book, The Jefferson Airplane And The San Francisco Sound, published over a year after their demise. Ralph J. Gleason wrote: \"I don't know if they're immature or premature.\" History has proven them to be the latter. Today, the original album is very collectable and considered a touchstone of avant-garde rock music. Cork Marcheschi on the record: \"The concept was to expand what contemporary popular music was. I thought the avant-garde could have had a home with this new group of listeners but they turned out to be pretty conservative -- intellectually. Drugs were fine -- sex was fine -- stop the wars was good but when challenged with abstract art., they reacted like conservative people look at a Jackson Pollock painting.\" Cover reconstruction by Jeroen Wille. Remastered by Equus. Includes replica of the original insert. 180 gram vinyl.\" - Aguirre Records .\u003c\/p\u003e","brand":"Aguirre","offers":[{"title":"LP","offer_id":42517010120923,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ZORN048LP_CU.jpg?v=1645815828"},{"product_id":"branca-glenn-symphony-no-13-hallucination-city-for-100-guitars-atavistic-cd","title":"BRANCA, GLENN - Symphony No. 13 (Hallucination City) For 100 Guitars","description":"\u003cp\u003e\"Recorded 2\/28\/2008 in Italy. \"Glenn Branca's work as a composer spans music for experimental rock bands, large ensemble instrumentals for electric guitars, 16 symphonies, chamber ensemble pieces, an opera, a ballet, choral works and music for film, dance, theater \u0026amp;installation art. Now considered by many to be one of the most influential living composers (both in the fields of alternative and experimental rock, as well as contemporary classical music), Branca's work has inspired and influenced two generations of composers and musicians, major rock stars, Academy Award winners, and Pulitzer prize composers. His animated style of conducting has recently begun to change perceptions about the role of the conductor in serious music performance. Branca is the inventor of The Harmonics Guitar and a theory of music based on the Harmonic Series as well as various tuning systems. He has designed and\/or built many of the instruments used in a number of his pieces. He is also a founder of The No Wave Movement that started in downtown NYC during the late 70's that has now become, after many decades, an international movement in the underground music scene.\" - Atavistic.\u003c\/p\u003e","brand":"Atavistic","offers":[{"title":"CD","offer_id":42517010186459,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ALP100CD_CU.jpg?v=1645815830"},{"product_id":"va-objetos-musicais-homage-to-walter-smetak-buh-records-peru-lp","title":"V\/A - Objetos Musicais: Homage To Walter Smetak","description":"\u003cp\u003e\"Objetos Musicais is a collection of 13 sound pieces created by artists from South America and Switzerland, who work in an intermediate zone among the craft of luthiers, visual arts and experimental music. Their works evoke the visionary ideas of Walter Smetak, a Swiss composer who lived in Salvador, Bahia (Brazil). Smetak was a pioneer of musical experimentation in that country and developed, in the '60s and '70s, a musical poetics that was captured in two seminal albums, Smetak (1974) and Interregno (1980), both of which, after being out-of-print for a long time, have been reissued today, hence the motivation for this tribute. On those two albums, Smetak combined Afro-Brazilian ritual traditions, theosophy, microtonality studies, collective improvisation and the use of unconventional musical instruments, which he called \"Plasticas Sonoras\". Smetak came to build around 150 acoustic instruments, many of which are true sound sculptures of great visual impact. This latter aspect is the most directly evoked one on this album -- and it so happens that the Smetakian spirit tunes in with a new community of contemporary artists, who relate to the work of the so-called \"experimental luthiers\", artists who build their own instruments (Marco Scarassatti, Phillipp Laeng, Maria Anália), lead them towards radical extended versions (Ruben Dhers, Claudio Merlet), develop hybrid projects involving instruments and sound sculpture (Javier Bustos, Álvaro Icaza and Verónica Luyo, Juan Pablo Egúsquiza, Edgardo Rudnitzky) or take the exploration towards the building of resonant machines (Nicole L'Huillier, O Grivo, Zimoun, Cod.Act), without these categories being mutually exclusive, but rather tending to mix, thereby opening up new sonic possibilities. This new community of artists has begun to create a whole new field of research and, in a way, a new discipline, understandable within the context of this new paradigm opened by the maker culture, which has pushed creators and developers from all over the world to conceive alternative -- anti-hegemonic and DIY -- forms of production. Therefore, this collection allows the artists to evoke Walter Smetak but also to connect his work to this new scene -- to which it precedes -- a link for this new art that makes its way at some point among the work of experimental luthiers, sound art, experimental music and the DIY ethics. Curated by Luis Alvarado and Chico Dub. Art by René Sánchez. Edition of 300.\" - Buh Records .\u003c\/p\u003e","brand":"Buh","offers":[{"title":"LP","offer_id":42517010251995,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BR146LP_CU.jpg?v=1645815831"},{"product_id":"sanso-xtro-fountain-fountain-joyous-mountain-digitalis-lp","title":"SANSO-XTRO - Fountain Fountain Joyous Mountain","description":"\u003cp\u003e\"Warehouse find, last copies on LP. 2005 was the last time anyone heard from Melissa Agate aka Sanso-Xtro on her record for Type, Sentimentalist. Since then, quite a bit has happened. Agate has relocated to her native Australia and the move has treated her well. Fountain Fountain Joyous Mountain takes a lot of the ideas from her first record and dials them in, pushing everything to the next level. This collection of songs is a quiet force, blissfully confident and expertly assembled. Sanso's soundworld is a fully immersive environment. On the opener, \"Fountain Fountain,\" we get a glimpse of everything to come. There's this carefully controlled chaos at work that is immediately hypnotizing. Agate sings simple passages toward the end, welcoming listeners into this new world as her voice floats above the fray. It becomes obvious as the album progresses that Agate is, at heart, a drummer. The staccato rhythms and percussive embellishments bring the album to life. These rapid-fire beats in conjunction with precise, half-speed instrumentation work in perfect harmony. Reminiscent of Blackdance-era Klaus Schulze at times, there's an intoxicating dizzyness that is effortlessly present in \"The Origin Of Birds\" and \"Wood Owl Wings A Rush Rush.\" Agate even throws a few nods to free jazz with \"Goodnight Thylacine.\" Her skill as a drummer is matched by her ability as a songwriter, knowing when to push it over the top and when to hold back. Album closer \"Exit: Joyous Mountain,\" sounds like a lost Alan Lomax gem with its melodica\/harmonica duet and delicate singing. \"Hello Night Crow\" is the literal and figurative center of the album, though. It starts with a ringing synth loop that gives nothing away until the chord changes emerge a minute in. Again, it's about the slow-build, raising the tension and anticipation before melting into the sky. \"You wouldn't recognize that it's not there anymore,\" Agate sings over the bubbling waves of synths. It is beautiful and crushing.\" - Digitalis.\u003c\/p\u003e","brand":"Digitalis","offers":[{"title":"LP","offer_id":42517010284763,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/DIGI058LP_CU.jpg?v=1645815833"},{"product_id":"just-measurers-the-flagellation-emotional-response-records-lp","title":"JUST MEASURERS, THE - Flagellation","description":"\u003cp\u003e2018 release. \"Originally released in 1983. \"Newly released from captivity, the acclaimed 1983 avant-punk masterpiece album featuring the dark and humorous genius of Narki Brillans, C.D.Greyt, and Yakko Banovic, with special guest Sara Fancy. The lone Just Measurers LP, originally an edition of 300 copies on the Its War Boys label, has rarely been seen in the wild during the past three and a half decades. The band consists of members from other essential under-the-radar 80s UK DIY luminaries, such as Milk From Cheltenham, The Homosexuals, The Murphy Federation, Die Trip Computer Die, L.Voag, Amos and Sara, The Work. Playful and unsettling, the 16 tracks contained within are as vibrant and challenging as the day they were conceived. Who knows where The Just Measurers may have dragged us to had they followed up with further records We never got to find out, as they had the good grace to split at the top of their game, leaving this essential document of their collective and vibrant minds. Emotional Response are thrilled to exhume this essential body of work. Don't miss out this second time around!\" - Emotional Response Records.\u003c\/p\u003e","brand":"Emotional Response","offers":[{"title":"LP","offer_id":42517010317531,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ER073LP_CU.jpg?v=1645815834"},{"product_id":"storey-robert-come-up-and-hear-my-etchings-selected-works-86-16-emotional-response-records-lp","title":"STOREY, ROBERT - Come Up And Hear My Etchings: Selected Works 86-16","description":"\u003cp\u003e2018 release. \"As the heralded 'dark heart of the Murphy Foundation in all its guises', Storey's playful ear for balancing melody and sonic experiments has led to a fascinating back catalogue chock full of quality works. His sprawling musical achievements include such under the radar classics as: Orchestre Murphy, The Murphy Federation, Up Murphy Street, The Miners Of Banal, The C-Siders and more recently, Murphy No Geisha, I Am Kamura, Croque Madame and Florence Raynaud (Emotional Response). Emotional Response are proud to release this career spanning compilation, encompassing engaging highlights from a remarkable man with a remarkable back catalog.\" - Emotional Response Records.\u003c\/p\u003e","brand":"Emotional Response","offers":[{"title":"LP","offer_id":42517010350299,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ER075LP_CU.jpg?v=1645815835"},{"product_id":"fear-merchants-the-mental-emotional-response-records-lp","title":"FEAR MERCHANTS, THE - Mental","description":"\u003cp\u003e2019 release. \"Originally released on cassette in 1983. \"Fascinating reissue of 1983 Homosexuals (band) related rarity. Previously released as a cassette on the It's War Boys label. During their brief existence, The Fear Merchants effortlessly unleashed a true DIY classic onto unsuspecting ears. At the time of conception, barely released outside of the London DIY-Squat scene, but now proudly unearthed for your listening pleasure by those lovely people at Emotional Response. Another remarkable piece from the rich back catalog of the mysterious Amos. AKA Xentos Jones, L.Voag, Jim Welton etc., (Milk From Cheltenham, L.Voag, The Work, The Homosexuals etc.)\" - Emotional Response Records.\u003c\/p\u003e","brand":"Emotional Response","offers":[{"title":"LP","offer_id":42517010481371,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ER084LP_CU.jpg?v=1645815837"},{"product_id":"eleventh-hour-adventists-eleventh-hour-adventists-emotional-response-records-lp","title":"ELEVENTH HOUR ADVENTISTS - Eleventh Hour Adventists","description":"\u003cp\u003e2019 release. \"Eleventh Hour Adventists: a collaboration between Jasmine Pender (aka solo artist Rotten Bliss) and highly regarded post-punk legend Jowe Head (ex-Swell Maps, Television Personalities). They met ten years ago at a concert by German avant-garde noise band Einsturzende Neubaten, which is a clue to the depraved tastes that they share, and the way that they get their kicks. Their collaboration is one of equal but balancing elemental forces, like hot engine oil poured into freezing water, or volcanic lava thrown high into the Arctic air; a weird kind of alchemy. Their debut album together is intoxicating, brewed from their diseased imaginations into a strange synthesis of psych-folk, punk sleaze and ambient drone. Their voices have a unique effect together, unearthly and chilling; with harmonies twisting together in strange ways. This is no ordinary cozy duet, people, no crooning turtle doves here. This is nasty stuff that your parents should have steered you away from! There are a couple of murder ballads, (both with a twist of gender reassignment to keep it all a bit more unsettling). Their original songs are also peculiar and twisted. Jowe contributes 'Osiris and Isis', which is about indecent carnal relations between siblings, and a creepy tune called 'Satellite' which appears to be about voyeurism, surveillance and technology. There is also 'Tempelhof', about an abandoned airfield in Berlin, and 'Scapegoat', dedicated to outsiders everywhere. Jasmine offers 'Wonder Blunts the Knife', a dawn prayer full of tense revelations, and 'Memento', a nihilistic groove celebrating the advantages of being dead. The tracks were recorded mainly live, to try to capture the uncanny thrill that they generate live on stage. No easy task, like trying to bottle thunder, or freeze-dry lava.\" - Emotional Response Records.\u003c\/p\u003e","brand":"Emotional Response","offers":[{"title":"LP","offer_id":42517010546907,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ER086LP_CU.jpg?v=1645815839"},{"product_id":"montgomery-roy-audiotherapy-grapefruit-cd","title":"MONTGOMERY, ROY - Audiotherapy","description":"\u003cp\u003e\"Roy Montgomery, a pioneer of the NZ underground, believes there is always new sonic terrain to investigate. His latest series of albums for Grapefruit marks forty years of rigorous exploration in which he has managed to navigate disparate genres, scenes, and atmospheres, always at the forefront of experimental independent music. To commemorate, Grapefruit will be releasing four new Montgomery albums in 2021, which can be purchased individually or via subscription. For his fourth album, appropriately named Audiotherapy, Montgomery builds his compositions from the subconscious, breaking down form and inviting in new techniques. 'Audioramble' features call-and-response singing between him, Emma Johnston and Arnie Van Bussel, both of whom act as a Greek chorus to Montgomery's reflections. 'Occlusione' sets a sturdy musical bed under Maria Eleanora C Mollard's whispered spoken word, like a voice in one's head that risks getting drowned out in the noise. For the sublime 'Audiotransport', guitars shimmer up the sides and weave through one another, reconciling the inner voices of doubt and worry into a meditation on the beauty of existence. The last track, 'Imperfect Intense', builds on disbalance as Johnston's vocals meet Montgomery's in broken harmony; both singers move at their own pace despite the other, embodying how uncertainty lies at the heart of how we live. Audiotherapy is the most intuitive and experimental entry of Roy Montgomery's 2021 (and--cough--2022) releases, closing out the series with introspection and transcendence.\" - Grapefruit.\u003c\/p\u003e","brand":"Grapefruit","offers":[{"title":"CD","offer_id":42517010645211,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GY11004CD_CU.jpg?v=1645815840"},{"product_id":"montgomery-roy-audiotherapy-grapefruit-lp","title":"MONTGOMERY, ROY - Audiotherapy","description":"\u003cp\u003e\"Roy Montgomery, a pioneer of the NZ underground, believes there is always new sonic terrain to investigate. His latest series of albums for Grapefruit marks forty years of rigorous exploration in which he has managed to navigate disparate genres, scenes, and atmospheres, always at the forefront of experimental independent music. To commemorate, Grapefruit will be releasing four new Montgomery albums in 2021, which can be purchased individually or via subscription. For his fourth album, appropriately named Audiotherapy, Montgomery builds his compositions from the subconscious, breaking down form and inviting in new techniques. 'Audioramble' features call-and-response singing between him, Emma Johnston and Arnie Van Bussel, both of whom act as a Greek chorus to Montgomery's reflections. 'Occlusione' sets a sturdy musical bed under Maria Eleanora C Mollard's whispered spoken word, like a voice in one's head that risks getting drowned out in the noise. For the sublime 'Audiotransport', guitars shimmer up the sides and weave through one another, reconciling the inner voices of doubt and worry into a meditation on the beauty of existence. The last track, 'Imperfect Intense', builds on disbalance as Johnston's vocals meet Montgomery's in broken harmony; both singers move at their own pace despite the other, embodying how uncertainty lies at the heart of how we live. Audiotherapy is the most intuitive and experimental entry of Roy Montgomery's 2021 (and--cough--2022) releases, closing out the series with introspection and transcendence.\" - Grapefruit.\u003c\/p\u003e","brand":"Grapefruit","offers":[{"title":"LP","offer_id":42517010710747,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GY11004LP_CU.jpg?v=1645815842"},{"product_id":"geography-of-hell-verdun-1916-hospital-productions-cd","title":"GEOGRAPHY OF HELL - Verdun, 1916","description":"\u003cp\u003e\"Verdun, 1916 is full of ghosts. The voices of survivors now departed and the vacuum of the dead. Members of Geography Of Hell are rumored to have relatives who fought in the hills, trenches, and bunkers where the longest battle in WWI was campaigned. The follow-up to the acclaimed and collectable Hiroshima\/Nagasaki double-LP, Verdun, 1916 expands heavily into the precise combination of martial sound collage and cold mechanical noise fog, supposedly created through archival interviews with veterans, members of GOH traveled to the old battlefields for field recordings, scraping war objects along the side of the old bullet holed pill boxes and collected fragments of shrapnel, helmets, belt buckles, rations, casings etc. Creating hand-made metal percussion and crude art brut electrical conductors. One of the few current industrial collectives (or the only?) that follows in the tradition of the early avant-garde while expanding further into chemical ambience delivered with the neutrality of a doomed soldier's field side doctor. CD version comes in deluxe gatefold tip-on wallet.\" - Hospital Productions.\u003c\/p\u003e","brand":"Hospital Productions","offers":[{"title":"CD","offer_id":42517010776283,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/HOS716CD_CU.jpg?v=1645815843"},{"product_id":"a-pride-of-lions-no-questions-no-answers-rogueart-france-cd","title":"A PRIDE OF LIONS - No Questions No Answers","description":"\u003cp\u003e\"There is history and legend in this 'Dream Team' which, for once, deserves this too often overused term. Joe McPhee (alto \u0026amp; soprano saxophones, pocket trumpet), Dauik Lazro (tenor \u0026amp; baritone saxophones), Joshua Abrams (double bass, guembri), Guillaume Séguron (double bass), Chad Taylor (drums, mbira).\" - Rogueart .\u003c\/p\u003e","brand":"Rogueart","offers":[{"title":"CD","offer_id":42517012709595,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ROG117CD_CU.jpg?v=1645815846"},{"product_id":"futterman-joel-hear-and-now-silkheart-sweden-cd","title":"FUTTERMAN, JOEL - Hear And Now","description":"\u003cp\u003e\"Futterman plays what he hears and hears what he plays. Joel Futterman (piano).\" - Silkheart .\u003c\/p\u003e","brand":"Silkheart","offers":[{"title":"CD","offer_id":42517012775131,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SHCD165CD_CU.jpg?v=1645815848"},{"product_id":"comelade-marc-hurtado-pascal-larme-secrete-sonoris-france-2lp","title":"COMELADE \u0026 MARC HURTADO, PASCAL - Larme Secrete","description":"\u003cp\u003e\"Larme Secrète is the result of an astonishing encounter between a minimal and discreet musician attracted as much by Erik Satie as he is by various pop classics, and a poet\/performer who has worked with Lydia Lunch, Genesis P-Orridge, Michael Gira as well as Alan Vega. Pascal Comelade and Marc Hurtado (Étant Donnés) are two important figures of a French underground and alternative music scene which has always attempted to interfere with other musical genres. They are both also producers, fans and cultured listeners who meld a vast array of elements and references into a dark synthesis, a hypnotic and cosmic electroshock. This project was born following the collaboration on stage by Pascal Comelade and Marc Hurtado during a tribute to Alan Vega that Marc Hurtado organized in Paris in 2018. Larme Secrète is the sound of an electric shock, the sound of two hearts beating at the same rhythm, united in the thrilling and hypnotic music of Pascal Comelade, melted in the fire of the celestial poems of Marc Hurtado. Synthesizers, guitars, drums, organ, piano, sound loops seem to collide high in the sky with whispered, yelled, possessed voices. Double-LP cut at 45rpm comes in gatefold cover; includes three bonus tracks exclusive for this vinyl edition.\u003c\/p\u003e\n\n\u003cp\u003ePascal Comelade was born in Montpellier. After living in Barcelona for several years, he produced his first album, under the name of Fluence, influenced by electronic music and by the group Heldon. Since 1980, Pascal Comelade has released music under his own name. Since then, his music has become more acoustic and is often characterized by the sounds of toy instruments, used as solo instruments or as part of the sound of his group, the Bel Canto Orchestra.\u003c\/p\u003e\n\n\u003cp\u003eMarc Hurtado is half of the French experimental duo Etant Donnés. Active since the late 1970s, the group has released several albums, also collaborating with people like Alan Vega, Lydia Lunch, Michael Gira or Genesis P-Orridge. Marc Hurtado has directed many films and has also released several solo albums under his own name.\" - Sonoris .\u003c\/p\u003e","brand":"Sonoris","offers":[{"title":"Double LP","offer_id":42517012840667,"sku":"","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SONORIS019LP_CU.jpg?v=1645815849"},{"product_id":"fernandez-jerome-noetinger-lionel-outer-blanc-sonoris-france-cd","title":"FERNANDEZ\/JEROME NOETINGER, LIONEL - Outer Blanc","description":"\u003cp\u003e\"Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez and Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic -- like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a soundtrack ripped from an unreleased Tobe Hooper film. Lionel Fernandez and Jérôme Noetinger: a musical encounter between two important and uncompromising figures in contemporary experimental music in France. This duo emerged during an evening of the label Premier Sang programmed at Instants Chavirés (Montreuil) in the 2010s. A few years and a few furious concerts later and it is now on the Sonoris label that they are releasing their first record.\u003c\/p\u003e\n\n\u003cp\u003eGuitarist of the pioneering French free noise\/no wave band Sister Iodine, Lionel Fernandez uses an out of norm practice of the electric guitar in a group or as solo playing, \"a guitar used as a flame thrower thrashed and fiercely held up as machete totem, he chops through darkness with unsane anti-riffs and carved blocs of dirty sounds, where gargle in slow combustion gangreened micro-textures\" (Le Non_Jazz) He also plays in other deviant combos such as Antilles, Cobra Matal, Ibiza Death, Haine, Porsche, Discom, Minitel, Mauser M, etc. and has collaborated either live or on records with Masaya Nakahara, Meyna'ch\/Mütiilation, Andy Bolus\/Evil Moisture, Stephen Bessac\/Kickback, Hendrik Hegray, Tujiko Noriko, etc.\u003c\/p\u003e\n\n\u003cp\u003eJérôme Noetinger is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analog synthesizers, mixing desks, speakers, microphones, various electronic household\/everyday objects and home-made electronica. From 1987 to 2018, he was the director of Metamkine, a non-profit organization dedicated to the distribution of improvised and electroacoustic music. Between 1987 and 2014 Jérôme was a member of the editorial committee of the quarterly journal of contemporary sound, poetry and performance, Revue \u0026amp; Corrigée. For ten years from 1989, he was a member and programming coordinator of exhibitions, gigs, and experimental cinema at le 102 rue d'Alembert, Grenoble.\" - Sonoris .\u003c\/p\u003e","brand":"Sonoris","offers":[{"title":"CD","offer_id":42517012938971,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SNS017CD_CU.jpg?v=1645815851"},{"product_id":"roden-steve-the-radio-airria-hanging-garden-vein-stem-is-calm-sonoris-france-cd","title":"RODEN, STEVE - The Radio\/Airria (Hanging Garden)\/Vein Stem Is Calm","description":"\u003cp\u003e\"Sonoris announce the release of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage's Cartridge music amplified objects, Steve Roden extracts a fine and delicate music through his manipulation of specific objects, with an apparent simplicity that hides a captivating magic. Whilst reinventing a form of ambient music which is discreet and atmospheric, Steve Roden delivers sound textures, gives shape to color swatches, traces vibrant frequencies and creates visual art objects. Roden, both a visual and a sound artist often tagged as minimal for want of a better description, builds the sound design of a life, a new construction for the future which encompasses architecture, visual arts, and painting in a single form. \"The Radio\" (1996): The sound sources are derived from the object itself -- the airwaves as well as the internal mechanics (aerial, springs, knobs). Originally released as a mini-CD by Sonoris, this work centered on Roden's voice and found sound loops is now unexpectedly considered a classic and was seen as \"a particularly modest form of genius\" in a review by The Wire at the time. \"Airria\" (Hanging Garden) (2003): Arnold Schönberg's work The Book Of Hanging Gardens haunts the piece, and is used as a backbone over which a ghostly and exhilarating vocal hovers. Both unsettling and relaxing, this track from the Speak No More About The Leaves CD has strangely become a mini phenomenon on YouTube with its number of views and comments. \"Vein\" (1996): A few seconds taken from a Ralf Wehowsky piece are shaped into a nocturnal raga imbued with substances of an indeterminate nature. Mastered by Giuseppe Ielasi. Cut by Fred Alstadt at Studio Angström.\u003c\/p\u003e\n\n\u003cp\u003eSteve Roden is a visual and sound artist from Los Angeles, living in Pasadena. His work includes painting, drawing, sculpture, film\/video, sound installation, text and performance. In the sound works, singular source materials such as objects, architectural spaces, and field recordings, are abstracted through humble electronic processes to create new audio spaces, or possible landscapes. The sound works present themselves with an aesthetic Roden has described as lower case -- sound concerned with subtlety and the quiet activity of listening.\" - Sonoris .\u003c\/p\u003e","brand":"Sonoris","offers":[{"title":"CD","offer_id":42517013102811,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SNS018CD_CU.jpg?v=1645815852"},{"product_id":"fernandez-jerome-noetinger-lionel-outer-blanc-sonoris-france-lp","title":"FERNANDEZ\/JEROME NOETINGER, LIONEL - Outer Blanc","description":"\u003cp\u003e\"Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez and Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic -- like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a soundtrack ripped from an unreleased Tobe Hooper film. Lionel Fernandez and Jérôme Noetinger: a musical encounter between two important and uncompromising figures in contemporary experimental music in France. This duo emerged during an evening of the label Premier Sang programmed at Instants Chavirés (Montreuil) in the 2010s. A few years and a few furious concerts later and it is now on the Sonoris label that they are releasing their first record.\u003c\/p\u003e\n\n\u003cp\u003eGuitarist of the pioneering French free noise\/no wave band Sister Iodine, Lionel Fernandez uses an out of norm practice of the electric guitar in a group or as solo playing, \"a guitar used as a flame thrower thrashed and fiercely held up as machete totem, he chops through darkness with unsane anti-riffs and carved blocs of dirty sounds, where gargle in slow combustion gangreened micro-textures\" (Le Non_Jazz) He also plays in other deviant combos such as Antilles, Cobra Matal, Ibiza Death, Haine, Porsche, Discom, Minitel, Mauser M, etc. and has collaborated either live or on records with Masaya Nakahara, Meyna'ch\/Mütiilation, Andy Bolus\/Evil Moisture, Stephen Bessac\/Kickback, Hendrik Hegray, Tujiko Noriko, etc.\u003c\/p\u003e\n\n\u003cp\u003eJérôme Noetinger is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analog synthesizers, mixing desks, speakers, microphones, various electronic household\/everyday objects and home-made electronica. From 1987 to 2018, he was the director of Metamkine, a non-profit organization dedicated to the distribution of improvised and electroacoustic music. Between 1987 and 2014 Jérôme was a member of the editorial committee of the quarterly journal of contemporary sound, poetry and performance, Revue \u0026amp; Corrigée. For ten years from 1989, he was a member and programming coordinator of exhibitions, gigs, and experimental cinema at le 102 rue d'Alembert, Grenoble.\" - Sonoris .\u003c\/p\u003e","brand":"Sonoris","offers":[{"title":"LP","offer_id":42517013135579,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SONORIS004LP_CU.jpg?v=1645815854"},{"product_id":"roden-steve-the-radio-airria-hanging-garden-vein-stem-is-calm-sonoris-france-lp","title":"RODEN, STEVE - The Radio\/Airria (Hanging Garden)\/Vein Stem Is Calm","description":"\u003cp\u003e\"Sonoris announce the release of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage's Cartridge music amplified objects, Steve Roden extracts a fine and delicate music through his manipulation of specific objects, with an apparent simplicity that hides a captivating magic. Whilst reinventing a form of ambient music which is discreet and atmospheric, Steve Roden delivers sound textures, gives shape to color swatches, traces vibrant frequencies and creates visual art objects. Roden, both a visual and a sound artist often tagged as minimal for want of a better description, builds the sound design of a life, a new construction for the future which encompasses architecture, visual arts, and painting in a single form. \"The Radio\" (1996): The sound sources are derived from the object itself -- the airwaves as well as the internal mechanics (aerial, springs, knobs). Originally released as a mini-CD by Sonoris, this work centered on Roden's voice and found sound loops is now unexpectedly considered a classic and was seen as \"a particularly modest form of genius\" in a review by The Wire at the time. \"Airria\" (Hanging Garden) (2003): Arnold Schönberg's work The Book Of Hanging Gardens haunts the piece, and is used as a backbone over which a ghostly and exhilarating vocal hovers. Both unsettling and relaxing, this track from the Speak No More About The Leaves CD has strangely become a mini phenomenon on YouTube with its number of views and comments. \"Vein\" (1996): A few seconds taken from a Ralf Wehowsky piece are shaped into a nocturnal raga imbued with substances of an indeterminate nature. Mastered by Giuseppe Ielasi. Cut by Fred Alstadt at Studio Angström.\u003c\/p\u003e\n\n\u003cp\u003eSteve Roden is a visual and sound artist from Los Angeles, living in Pasadena. His work includes painting, drawing, sculpture, film\/video, sound installation, text and performance. In the sound works, singular source materials such as objects, architectural spaces, and field recordings, are abstracted through humble electronic processes to create new audio spaces, or possible landscapes. The sound works present themselves with an aesthetic Roden has described as lower case -- sound concerned with subtlety and the quiet activity of listening.\" - Sonoris .\u003c\/p\u003e","brand":"Sonoris","offers":[{"title":"LP","offer_id":42517013201115,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SONORIS005LP_CU.jpg?v=1645815855"},{"product_id":"leer-thomas-contradictions-spittle-records-italy-2lp","title":"LEER, THOMAS - Contradictions","description":"\u003cp\u003e\"Spittle Records present a reissue of Thomas Leer's Contradictions, originally released in 1982. The Scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artists of the so-called minimal wave scene. Alongside German singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late '80s. Licensed by Cherry Red in 1982, the double album Contradictions is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental -- The Bridge (1979) -- Leer ventured on a solo career with the brave synth wave of Letter From America and his personal masterpiece Contradictions. The latter is such an enigmatic piece of work, with alien melodies as in the case of the \"Soul Gypsy\" infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment (Korg synth, Ult Sound drum computer, guitars) from his friend Morgan Fisher. Featuring Leer's haunting, uncertain vocal -- recorded quietly, so as not to wake his girlfriend in their bedsit! -- crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesizer, it retains its peculiar lo-fi magic four decades on.\" - Spittle Records .\u003c\/p\u003e","brand":"Spittle","offers":[{"title":"Double LP","offer_id":42517013266651,"sku":"","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SPITTLE113LP_CU.jpg?v=1645815857"},{"product_id":"49-americans-the-we-know-nonsense-staubgold-germany-cd","title":"49 AMERICANS, THE - We Know Nonsense","description":"\u003cp\u003e\"Long-awaited reissue of the second full-length album from 1982 by late 1970s\/early 1980s UK DIY super-group The 49 Americans. The main instigator behind The 49 Americans was Andrew \"Giblet\" Brenner, who assembled a loose, disparate group of musical\/non-musical practitioners as an experiment in equality and democracy. This democracy included David Toop, Steve Beresford, Max Eastley, Lol Coxhill and Peter Cusack (coming out of the anything goes improv scene), Nag And Bendle of The Door And The Window, Viv Albertine of the Slits, Vivien Goldman, Giblet's mum, and many more. The CD version comes as a lovingly-assembled career-spanning compilation. It features the complete original We Know Nonsense album as well as 23 (!) bonus tracks taken from The 49 Americans' first album E Pluribus Unum (1980) and their 7\" The 14-Track Single (1979). A 20-page booklet contains \"The Incompleteable Story of The 49 Americans.\" The Wire listed We Know Nonsense in their legendary list of \"100 Records That Set The World On Fire (While No One Was Listening) + Extra 30 Records\": \"Not many of those visiting the London Musicians' Collective venue in Camden Town during the late 1970s, and hearing the free improvisers active therein, would have conceived the idea of recording an album of happy-go-lucky pop songs with them. But that's exactly what American expat Giblet (alias Andrew Brenner) set out to do, and so here are 17 doo-wop, disco and samba ditties produced and co-written by David Toop and Steve Beresford. Musicians include Lol Coxhill, Peter Cusack, Max Eastley, Viv Albertine (of The Slits), and Etta and Eddy Saunders.\" - Staubgold .\u003c\/p\u003e","brand":"Staubgold","offers":[{"title":"CD","offer_id":42517013332187,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/STAUB123CD_CU.jpg?v=1645815858"},{"product_id":"49-americans-the-we-know-nonsense-staubgold-germany-lp","title":"49 AMERICANS, THE - We Know Nonsense","description":"\u003cp\u003e\"Long-awaited reissue of the second full-length album from 1982 by late 1970s\/early 1980s UK DIY super-group The 49 Americans. The main instigator behind The 49 Americans was Andrew \"Giblet\" Brenner, who assembled a loose, disparate group of musical\/non-musical practitioners as an experiment in equality and democracy. This democracy included David Toop, Steve Beresford, Max Eastley, Lol Coxhill and Peter Cusack (coming out of the anything goes improv scene), Nag And Bendle of The Door And The Window, Viv Albertine of the Slits, Vivien Goldman, Giblet's mum, and many more. The Wire listed We Know Nonsense in their legendary list of \"100 Records That Set The World On Fire (While No One Was Listening) + Extra 30 Records\": \"Not many of those visiting the London Musicians' Collective venue in Camden Town during the late 1970s, and hearing the free improvisers active therein, would have conceived the idea of recording an album of happy-go-lucky pop songs with them. But that's exactly what American expat Giblet (alias Andrew Brenner) set out to do, and so here are 17 doo-wop, disco and samba ditties produced and co-written by David Toop and Steve Beresford. Musicians include Lol Coxhill, Peter Cusack, Max Eastley, Viv Albertine (of The Slits), and Etta and Eddy Saunders.\" - Staubgold .\u003c\/p\u003e","brand":"Staubgold","offers":[{"title":"LP","offer_id":42517013397723,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/STAUB123LP_CU.jpg?v=1645815860"},{"product_id":"messina-francesco-reflex-superior-viaduct-12","title":"MESSINA, FRANCESCO - Reflex","description":"\u003cp\u003e\"Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty. In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, 'Due to the limited availability of key technical features, it would have been too complicated to perform Prati Bagnati, and therefore I opted for these three pieces instead. We had never actually tried them all together, so I thought about renting a recording studio the previous afternoon. In that way, we could rehearse in a suitable place and use the opportunity to record the music on tape.' Unreleased for over thirty years, the recordings on Reflex have an unadorned, almost improvisational feel. 'Untitled' (featuring Lovisoni's plaintive flute) and 'I Nuovi Pescheti' are full of meditative piano passages that lend an aura of new age, while the title track is more insistent with unfurling chords layered in real time via a reel-to-reel tape machine, resembling Steve Reich's mesmeric phase-shifting works of the '60s. A central figure within the Italian avant-garde, Francesco Messina gracefully expands his country's contribution to Minimalism. This first-time vinyl release is recommended for fans of Joanna Brouk, Luciano Cilio and Charlemagne Palestine.\" - Superior Viaduct.\u003c\/p\u003e","brand":"Superior Viaduct","offers":[{"title":"12\"","offer_id":42517013758171,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SV190EP_CU.jpg?v=1645815862"}],"url":"https:\/\/www.fusetronsound.com\/collections\/april-13-2022.oembed?page=6","provider":"fusetron","version":"1.0","type":"link"}