GRUBBS & TAKU UNAMI, DAVID - Failed Celestial Creatures
"Empty Editions present Failed Celestial Creatures, an unexpected collaboration between composer-guitarist David Grubbs (Gastr Del Sol, The Red Krayola) and Tokyo-based musician Taku Unami. Primarily recorded in Kyoto, the album takes inspiration from the duo's shared musical and literary influences, emerging just as much from their improvisatory explorations as from an eclectic reading list exchanged prior to the recording sessions. The album's narrative inclinations are rooted in both artists' previous experiments with the complex reciprocity between sound and text, including Grubbs' work with the poet Susan Howe and Unami's collaborations with writers such as Eugene Thacker and Evan Calder Williams. Failed Celestial Creatures draws in particular upon a group of short stories by the short-lived Japanese author Atsushi Nakajima (1909-42) -- perhaps best known for inflecting Classical Chinese folktales with a modernist vein of absurdist and existential foreboding -- as the imaginary backdrop for its set of guitar-based instrumental explorations. In Nakajima's The Moon Over The Mountain, a mad-poet metamorphosed into a hybrid-tiger recites poetry with an obscure defect, while The Rebirth of Wujing sees the titular river monster self-identifying as a "failed celestial being" [堕天使]. The cryptic collapse read in both of these episodes resonates with Unami's research into the etymology of the chinese character "堕," meaning "to fail" in modern usage, but historically understood as referencing "sacred meat from the altar fallen on the ground." Such a primordial scene evokes the violation of the sacred as a tacit aspect of ritual. This failure of ritual, always a condition (and perhaps even a technique) for musicians of Grubbs and Unami's ilk, can be broadly understood as the primary point of departure for Failed Celestial Creatures. Situated within this affective terrain, the album's title-track consists of a side-long progression of dirge-like riffs enveloped by clouds of vaporous electronics -- eventually erupting into unruly squalls of feedback as Unami joins Grubbs on electric guitar. The B-side features a cluster of luminous guitar duets which are beguiling in their seeming effortlessness and simplicity. Threadbare and fallen, Grubbs and Unami invoke the failed ritual, the spilling at the altar, always suggested at the precipice of sonic emergence. Recorded by Taku Unami at Soto, Kyoto, August 7th and 9th, 2017; Mastered by Rashad Becker at Dubplates & Mastering. 180 gram vinyl; Edition of 500." - Empty Editions .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.