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Room40

NOVAK, YANN - Lifeblood of Light and Rapture

"On Lifeblood of Light And Rapture, Los Angeles artist Yann Novak contours a phosphorescent listening experience that shimmers with a hazy glow; like neon in fog. Each piece bares his trademarked sense of patience and unerring harmony, but more so than any previous editions Novak opens up the presence of these elements to create a more absorbing sensibility. "A Biochemical Cascade" captures the experience in a snapshot, as gentle eruptions of harmony fold and melt over the top of one another, each eruption seemingly more luminous than the wave before it. The result is a wholly consuming sense of tidal ecstasy. From Yann Novak: "When I began working on Lifeblood of Light and Rapture I was thinking a lot about both my personal and society's tendencies towards nihilism. When I was in grade school, I was taught that 2020 would be the turning point in our collective fight against climate change -- that if we did not change by then, there would be no turning back. After learning this at a young age, I watched helplessly as little was done to save the planet. It made me certain that I would not live to see past 2020 . . . Now that 2020 has come and gone, I have the luxury of hindsight. I can look back and see that so many of my decisions were made not to destroy myself, but in order to self-medicate. In my teens and twenties, the world was a difficult place to inhabit, but I could use chemicals and other distractions to cope. Similarly, as it turns out, this is also the story of the industrial, technological, and digital revolutions. Even though the intention of these eras was to make the world an easier place to live in, most of the progress attributed to them over the last two centuries has directly contributed to the climate crisis. On Lifeblood of Light and Rapture, I wanted to explore this parallel -- that so many of the things we do to try and make this world livable also contribute to its destruction. Formally, this album follows the path I set out on with Slowly Dismantling (RM 4112LP, 2019). I sought to express myself in a more immediate and honest way through the use of digital and analog synthesis. With Lifeblood of Light and Rapture, I built upon this same path; but I also tried to imagine the listening experience over the process of making it, focusing solely on the pure pleasure of listening..." - Room40 .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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