Feeding Tube

MOON BROS. - The Wheel

"Moon Bros. is more or less the solo project of guitarist 'Fred' Schneider and was brought to our attention by the Queen of Colorado herself (aka Josephine Foster). Fred appears on Foster's No Harm Done album, and she returns the favor by singing on one of the tunes here. Many of Fred's earliest recording efforts were done with a variety of Chicago-based post-rock/jazz-flecked combos (The Exciting Trio, HIM, etc.) But for the past few years, he has used Moon Bros. to explore contours of more rurally-based sounds. Employing pedal steel, acoustic guitars, harmonica and vocals, Moon Bros. have produced five previous albums (two of them vinyl) on which Fred ponders the mysteries of Chet Atkins, and the other Nashville-based musicians he was drawn to before being sucked into the avant vortex of the Windy City. The music on The Wheel is brilliantly plain-spoken. The songs all possess a quality that feels more like a meditation on country music than country music per se, but this is not to infer they possess ironic distance or anything like it. Rather, they have open structural centers that avoid creating easy hooks, generating sweet atmospheric conditions rather than the tight pop formalism that is Nashville's commercial stock in trade. There is a looseness to their construction that reminds me a bit of Michael Hurley's rambling approach to sonic architecture. The tunes share Hurley's out-of-time quality as well. Listening to The Wheel you'll get no easy clues as to when it was recorded. Could be from any time in the last half a century really. There's no dipping into any trends, just beautifully crafted and deeply atmospheric music that will make you feel like you're sitting on the back porch, in the summer, with the stars blazing in the sky and a sweet snootful of bourbon handy. If that's not a feeling you'd dig, I suspect you're living on the wrong planet." --Byron Coley, 2023 45rpm." - Feeding Tube.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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