"Troth is unknown colours, mist-soaked dreamscapes, strange misshapen cities belonging to forgotten lands. Troth is also a pop duo, though not of the kind nowadays subjugated by the algorithm. Forget the Curse is the group’s best demonstration yet that somewhere in the murky fields between song and sound, there is a lot of untilled soil.
There are elements from previous recordings here: the diaphanous synth-pop of Oak Corridor; the bleary hypnagogic ambience of Flaws in the Glass and Small Movements in Radiance. But what previously clocked as two extremes lock together on Forget the Curse, resulting in a record that skirts the fringes of dour folk, glistening candle-lit pop, sublime atmospherics, and even a haunting dalliance with groggy downtempo mid-’90s trip-hop. The textural palette iswide and often surprising: Looped piano, spectral reverberated saxophone, burnished synth basslines, and a whole lot more that’s unrecognizable.
While intrepid in spirit, Troth is also marked by an intimacy born of the duo’s flair for leaving so much space in their productions. Forget the Curse sounds as if transmitted from a great distance, but like the dream logic it so often resembles, there are moments of startling clarity amid the fug. The flowing pop of Valley of Palms and Amarant offer oblique perspectives on familiar forms, elevated by Amelia Besseny’s celestial vocals. Meanwhile, Nettles Silver Lining and Days Become a Circle feel like waking in the night to a familiar, yet strangely-lit room.
Forget the Curse comes with the mood of a new beginning for Troth. But if the Newcastle group’s history is any indication, the next record will feel like a new beginning too. It’s best to savour this moment while it lasts." - Shaun Prescott
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.