Lovely Music present a reissue of David Behrman's On the Other Ocean, originally issued as one of Lovely Music's first six releases in 1978. This newly-mastered LP is a must-have for Behrman aficionados or a perfect introduction to his work.
"I've been engaged for many years in an exploration of ways to make music and intermedia installations in which software and electronic devices interact with human performers. I've wanted to make works that have personalities, which remain distinct and recognizable, yet are open to surprising changes that can come about when they are performed or exhibited." - David Behrman
"Remarkable achievements on a purely technological level. Behrman's carefully programmed Kim-I system listens to tones played by the live performers, instantly analyzes the situation, and responds by playing back electronic tones of its own. This is undoubtedly the first time that humans and electronic sound equipment have communicated with one another with high degrees of spontaneity and intelligence on both ends of the wire. But the music that results is perhaps even more remarkable. Subtle, sustained, serene, sophisticated, super." --Tom Johnson, The Village Voice, Dec. 18, 1978
Recorded at the Center for Contemporary Music, Mills College, Oakland, California, Sept. 18, 1977, and at the Electronic Music Studio, State University of New York at Albany, June 9, 1977. Personnel: On the Other Ocean: David Behrman - electronics; Maggi Payne - flute; Arthur Stidfole - bassoon Figure in a Clearing: David Behrman - electronics; David Gibson - cello. 180 gram vinyl, Stoughton Old Style sleeve.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.