{"title":"B2B","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis page includes products with wholesale pricing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e$150 minimum for all wholesale orders.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo returns on wholesale orders\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen checking out, please select  \u003cstrong\u003ePAY CHECK OR CASH applicable discounts will be applied and shipping will be calculated \u003c\/strong\u003e(UPS, Media Mail, etc.)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor more questions contact: orders@fusetronsound.com\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"wolf-eyes-black-dice-wolf-eyes-black-dice-1","title":"WOLF EYES \u0026 BLACK DICE - Wolf Eyes \u0026 Black Dice","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"The first young shorty that ever made my preteen heart sweat at night was Brandy Salem. So fine. The stage was set for some serious 8-year-old dating action but I got snaked by this lame dude named Shawn Murphy who won Brandys eye by shuffling baseball cards faster \u0026amp; being a little crazier on his four-wheel green machine. It killed me ... all summer I tried to get faster on the cards \u0026amp; upstage everyone on the street big wheel scene, but alas, no Salem. She moved to Iowa, still think of her when that Im in love with the sea\" song comes on. Fucking Shawn....\\r\\nFast forward 21 years ... in the game of pure electronic hard-core insanity, Wolf Eyes hear rumors of this RI band of PCP chair-throwing HC yahoos who hold the crown on violence \u0026amp; sonic terror. Fuck that. We thought we were the end of the well in electronic napalm. This Black Dice band wanted to play in Detroit ... no one will do it. Fear of violence\/death threats\/general horror left them with no gig. \"Why would I wanna book a band who is gonna beat up my friends?\" was the local consensus. So BD get a Monday gig at Club Olson\/my basement in quiet Ferndale, home to a handful of whacked out electronic misfit gigs. Neighbors of the crib being left side= young couple \/ right side = quiet lesbian couple with child. My cell rings nonstop days before the gig with crazed young HC fiends asking if the gig is true. I start to get nervous, then I hear they need like 30,000 watts for their gig. What the?\\r\\nGig day\/come home from my office job \u0026amp; the Dice dudes are waiting for me. These are the horrible terror junkies who stab people when they play? All I see is smiles, loafers, Bjorn playing with a kid, and starry-eyed-vacant-brain Danny. Weird. Then they load in; mounds of amplifiers, mounds. The whole basement looking like Iron Maiden was gonna play. Wolf Eyes jams, we think it is intense, whatever. Then they play ... starting with solo recorder and then \/ WHOA \/the most violent, insane, Hiroshima tidal roar of basement sonic terror EVER. EVER. We never heard or witnessed anything so massive. We have seen the Merzbows, the Skin Crimes, the Gravitars, Youth In Asia, whatever.. This was in a totally different sound universe where the air is filled with concrete. It was louder in the street than it was in the basement black hole of sound. Imagine Black Dice playing in your fucking basement on a Monday night! Jesus. No neighbor complaints. Changed our view on sound\/terror\/attack. This was our challenge; meet this Dice volume unholiness on the same sonic field before Shawn Murphy \u0026amp; his Outlaw band does it better. Dudes were so cool two of them even slept in the basement. Awesome.\\r\\nSo we became best friends. Nate called me at work the next morning \u0026amp; said \"we are gonna do a record together\" I laughed ... that would rule...\\r\\nSo fast forward another two years. Here is it is. Recorded at a subterranean Chinatown studio in two days. Tons of jacked EQ, no space, cases of brew, clouds of smoke, Guinness record for most times \"Dude\" was said. We met on equal ground here. Total respect\/the record really sounds like the shadow of each band. It was a blast. Play it on 16 rpm in a closet and jam along with the bones of an enemy. Me, it would be playing the remains of that rat fucker Shawn Murphy, dude couldnt shake shit at this horrible eerie black pond sound.\" - John Olson, Wolf Eyes, October 2003. Different recordings than the American Tapes CDRs. Recorded Oct 2001.\u003c\/span\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":15099002257471,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-252467-1107905089_jpg_480x480_8ca13ef6-2148-4283-80c4-c0f7f07a9a14.jpg?v=1571718628"},{"product_id":"excepter-streams-01-copy","title":"EXCEPTER - Streams 01 (WHOLESALE)","description":"\u003cp\u003eA double compact disc retrospective of the first four years of the\\r\\nEXCEPTER live experience, selected, sequenced and edited by band acolyte\\r\\nRobert Girardin from the first thirty-six issues of the STREAMS mp3 series\\r\\nreleased free on the Internet and illustrated with photographs taken from\\r\\nthe same.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"Double CD","offer_id":46361675104475,"sku":"5527-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1673887-1236031957_jpeg.jpg?v=1571717540"},{"product_id":"ascension-lp-copy","title":"ASCENSION - LP (WHOLESALE)","description":"\u003cp\u003e\"Two explosive side-long improvisations by Stefan Jaworzyn (guitar) and Tony Irving (drums), recorded in 94. Hot shit!\"- Eddie Flowers\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382128398555,"sku":null,"price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-593427-1140611599_jpeg.jpg?v=1571717194"},{"product_id":"blues-control-puff-copy","title":"BLUES CONTROL - Puff (WHOLESALE)","description":"\u003cp\u003eFirst album now on CD (vinyl is out of print)! \"...the music of Blues Control, as evidenced on this record, is a master work explodin. It germinates absolutely from the bowels of the Blues but erupts via a postmodern portal; there are gorgeous sheens of rust that fissure throughout, harmonicas smoke in the distance, guitars splatter, keyboards ooze white hot neo psychedelic lava, in the end, like the music emitted from Apollos lyre, it is a devastatingly wondrous experience. And as much as I hear the (non specific) PSF or Akiyama buzz, to me Blues Control seem beget from the prominent clang \u0026amp; snarl of Dead C, who was beget by This Heat, who was beget by Faust, from whose seed it all originated. And thats nothin to sneeze about, unless yous is allergic to greatness. A cd on Holy Mountain is next. Theys on tour right now too, so drop everything \u0026amp; go seeem! I know its early, but Puff seems a shoe-in for one of the years best.\" - Siltblog.\u003c\/p\u003e\n\u003cp\u003e\"Puff is the work of two modern gris gris chefs, and the most righteously authentic stoner gumbo this side of Twin Infinitives or Jungle Rot. Glittery framed sunglasses and dopers remorse. The finest racket of 2007 so far.\" - james jackson toth\/wooden wand. \u003c\/p\u003e\n\u003cp\u003e\"Blues Controls distorted rumblings sound like Mountain or Cream songs emanating from a sunken submarine.\" -- New York Times.\u003c\/p\u003e\n\u003cp\u003e\"Deep in the redundant junk DNA of the blues, between the reptilian throwbacks and vegetable remnants, lurks the mutation that gives life to Blues Control.\" -- Nick Southgate \/ The Wire.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Brute force monstrosity trudge in the cloudsmashing style of the mighty Blue Cheer...and impressionist, introspective space and electronic plant music on that subtle plane visited by Eric Satie and Popul Vuh.\" -- Arthur Magazine.\"Celestial, watery progressive\/psych stuns and beautiful puffs of minimal melody.\" -- Volcanic Tongue.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"I saw Blues Control play a show a couple nights ago and it was totally weird and great. On top of being truly unique retro-futuristic heavy psychedelia (thats the part I expected), the visuals of their setup combined with the sonics to make me think of all kinds of unexpected things, like various beats \u0026amp; rhythms heard from passing cars.....cheap-keyboard entertainment in the neon-lit backs of inner-city restaurants...... all the details you might find inside a pawn shop or bodega.... what can I say, it is definitely some new kind of urban music.\" -- Larry Dolman \/ Blastitude.\u003c\/p\u003e\n\u003cp\u003e\"The music of Blues Control, as evidenced on this record, is a master work explodin. It germinates absolutely from the bowels of the Blues but erupts via a postmodern portal; there are gorgeous sheens of rust that fissure throughout, harmonicas smoke in the distance, guitars splatter, keyboards ooze white hot neo psychedelic lava, in the end, like the music emitted from Apollos lyre, it is a devastatingly wondrous experience.\" -- Roland Woodbe.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":46382130004187,"sku":"6834-FUSETRON","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-946080-1202594630_jpeg.jpg?v=1571717632"},{"product_id":"dislocation-coyotes-call-copy","title":"DISLOCATION - Coyotes Call (WHOLESALE)","description":"\u003cp\u003e\"Way-above-average improv from Japan. Electric strings (guitars?), saxophones, electronics, and samples move with unexpected ease frommeditative passages to intense blow-outs to free scatter. Sax player Yoshinori Yanagawa plays with the same sort of depth and passion as Albert Ayler--no fakin, no academic rendering. But hes only part of a much larger whole. The wash of precision rumble and sound-tweaking that surrounds everything creates chaos from an intensely ordered technology. Strange (not weird\"), exciting music.\"-Eddie Flowers. \"An intensely intriguing IIIrd album from this Japanese guitar\/sax\/electronics trio, ostensibly in four parts; parts 01. \u0026amp; 04. being short nursery soundscapes, the curtain rise \u0026amp; fall for the mammoth central volcanic continent which is itself shattered into a flies-eye multitude of alternately blasting, then conversational fragments. Yoshinori Yanagawas saxophones veer between Brotzmanesque screams and the deep bowel-rumble of a severe high-colonic impaction (especially when played at 33.3rpm - later, at 45, things resumed a more distinctly saxophonic tone). Electronics dominate most of the tectonic mood swinging going on; Toyohiro Okazaki (\u0026amp; guest sample wrangler Syohei Iwasaki) comes on like some demonic incarnation of Ron Grainers BBC Radiophonic Workshop. Fujio Kimuras \"electric strings\" are so convincingly grafted on to electronics wall that they together describe a single, enclosed chunk of improvised airspace, which houses the fluttering horn. Coyotes Call is at times an intense and demanding listen, exploring a kind of electronoise-jazz (sans drums) landmass only hitherto trod by hardy souls (Borbeto\/Voice Crack collabs being the obvious precedent). Definitely worthy of much further investigation.\" -Tim Cornelius; Opprobrium.  Dislocation also had two CDs on PSF.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382130725083,"sku":"330-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-322080-1328120957_jpeg.jpg?v=1571717194"},{"product_id":"doramaar-terra-incognita-copy","title":"DORAMAAR - Terra Incognita (WHOLESALE)","description":"\u003cp\u003e\"Fine free-rock garage-drone from New Zealanders Kim Pieters, Adria Morgan, and Sara Stephenson. Guitars feedback strum clang--drums pound freely--an occasional melody blossoms and quickly wilts--a few other sounds are employed. This music is noisy in its imprecision, but not really noise.\" Its full of focused energy and grace, feels good, a nice play to visit.\"-Eddie Flowers. \u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382131052763,"sku":"331-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-665384-1381775690-4354_jpeg.jpg?v=1571717194"},{"product_id":"excepter-alternation-copy","title":"EXCEPTER - Alternation (WHOLESALE)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Half-recorded in one blizzard, and completed by the next, Alternation is a years-in-the-making, tossed-off-in-a-moment exploration of the difference between EXCEPTER live on stage and EXCEPTER alone at home and the goal to eradicate the distinction between the two. Double the length and twice the depth of past EXCEPTER releases, Alternation is EXCEPTER looking both ways, a geometric expansion around all the territories marked so far in their brief discography: the primal death trips of Ka, the noise pop tropics of Vacation, the long drone goodnight of Throne, the cool electro doom of Self Destruction and the blasted steam cycle of Sunbomber.\" - Excepter. Double LP in heavy duty, full color gatefold jacket. Vinyl issue of the 5RC CD.\u003c\/span\u003e","brand":"Fusetron","offers":[{"title":"Double LP","offer_id":46382131839195,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a0045006334_10.jpg?v=1571718628"},{"product_id":"excepter-ka-copy","title":"EXCEPTER - KA (WHOLESALE)","description":"\u003cp\u003e\"... these eye-bending records make Excepter one of the best bands in an increasingly packed underground.\" - Marc Masters. Also includes the Vacation 12\".\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":46382133379291,"sku":"1481-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-304636-1436955400-5740_jpeg.jpg?v=1571717272"},{"product_id":"excepter-ka-copy-1","title":"EXCEPTER - KA (WHOLESALE)","description":"\u003cp\u003e\"... these eye-bending records make Excepter one of the best bands in an increasingly packed underground.\" - Marc Masters. Also includes the Vacation 12\".\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382134231259,"sku":"1481-FUSETRON","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-304636-1436955400-5740_jpeg_6a83015c-8386-41c8-8ccc-4b1a89ff8328.jpg?v=1571718628"},{"product_id":"excepter-self-destruction-copy","title":"EXCEPTER - Self Destruction (WHOLESALE)","description":"\u003cp\u003ePlayers: John Fell Ryan: Vocals, Programming, Processing, Synth; Dan Hougland: Programming, Synth, Echo; Caitlin Cook: Vocals, Echo; Calder Martin: Vocals, Guitar, Percussion; Nathan Corbin: Synths. \"Self Destruction\" was recorded in the winter of 2004 and mixed, edited and reprocessed mostly in the winter of 2005. Self Destruction is the first Excepter record to be feature multi-track recording and overdubbing. Outside of Dan Houglands drum programming and a few vision directives from producer John Fell Ryan, the playing is entirely improvised by the group. Self Destruction is also the first Excepter record to prominently\\r\\nfeature the polyphonic synthesizer playing of Nathan Corbin. The\\r\\nhusband-wife duo of Caitlin Cook and Calder Martin make the final\\r\\nstatement on the album as they take sole vocal duties on the last track, Your House. This recording has been edited short for maximum sonic\\r\\nimpact on vinyl.\" - Recording Notes. \"First off, Self Destruction is a house record. Perhaps more in spirit than in its realized form, but if that sounds like a joke, stop reading. New Yorks most amorphous five-necked entity (which includes Other Musics own Dan Hougland) have never been strangers to taking the longer, more undulating gravel road, as evidenced by the stretched out subterranean sermons on last years Ka album. On Self Destruction , Excepter crawl out of the cellar and into the warehouse. This is a house record. If Xenakis had made one. It is throbbing mental machine music that (much like the quintets live shows) appears to detour, but often climaxes with the religious fervor of a Wicker Man\/Moodymann ritual. Definitely more Black Mahogani than Black Dice. Excepter just traveled all over New Weird America, and torched it in the process. Incendiary.\" - AK, Other Music.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382135181531,"sku":"2973-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-681296-1426381989-8771_jpeg.jpg?v=1571717361"},{"product_id":"excepter-self-destruction-copy-1","title":"EXCEPTER - Self Destruction (WHOLESALE)","description":"\u003cp\u003ePlayers: John Fell Ryan: Vocals, Programming, Processing, Synth; Dan Hougland: Programming, Synth, Echo; Caitlin Cook: Vocals, Echo; Calder Martin: Vocals, Guitar, Percussion; Nathan Corbin: Synths. \"Self Destruction\" was recorded in the winter of 2004 and mixed, edited and reprocessed mostly in the winter of 2005. Self Destruction is the first Excepter record to be feature multi-track recording and overdubbing. Outside of Dan Houglands drum programming and a few vision directives from producer John Fell Ryan, the playing is entirely improvised by the group. Self Destruction is also the first Excepter record to prominently\\r\\nfeature the polyphonic synthesizer playing of Nathan Corbin. The\\r\\nhusband-wife duo of Caitlin Cook and Calder Martin make the final\\r\\nstatement on the album as they take sole vocal duties on the last track, Your House. This recording has been edited short for maximum sonic\\r\\nimpact on vinyl.\" - Recording Notes. \"First off, Self Destruction is a house record. Perhaps more in spirit than in its realized form, but if that sounds like a joke, stop reading. New Yorks most amorphous five-necked entity (which includes Other Musics own Dan Hougland) have never been strangers to taking the longer, more undulating gravel road, as evidenced by the stretched out subterranean sermons on last years Ka album. On Self Destruction , Excepter crawl out of the cellar and into the warehouse. This is a house record. If Xenakis had made one. It is throbbing mental machine music that (much like the quintets live shows) appears to detour, but often climaxes with the religious fervor of a Wicker Man\/Moodymann ritual. Definitely more Black Mahogani than Black Dice. Excepter just traveled all over New Weird America, and torched it in the process. Incendiary.\" - AK, Other Music.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":46382135607515,"sku":"2974-FUSETRON","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-681296-1426381989-8771_jpeg_1344ee11-51e2-447f-9541-a0582f09726c.jpg?v=1571718628"},{"product_id":"excepter-vacation-forget-me-copy","title":"EXCEPTER - Vacation\/\"Forget Me\" (WHOLESALE)","description":"\u003cp\u003e\"Even though it would be wrong not to consider these protest songs against  the back porch policies of certain undisclosed and secure locations, we shouldn_¢??t let THEM come between us. EXCEPTER says, Yeah, well play\" ... freestyle, the crawl, the butterfly, the breast, the rest. \"How long will you stay?\" Just as expressions and intuitions reflect the oceans \\r\\nunleashed, there is no desert island, dig, just the big, bare teeth of \\r\\nEXCEPTER there, smiling beneath. \"You forgot something?\" To survive the coming weather, you are going to need to know a sailor, a captain, an engineer, a figurehead, as well as a pirate, so SHOW ... A continuous \\r\\nstream of music split into two sides. _Ç Performed and mixed live to stereo. \\r\\nSS EXCEPTER:\"Were only a world away.\" - Excepter. \"For the second time in a row now, one of Brooklyns grandest experimental entourages have presented us with a sonic totem whose jaunty and bright packaging belie an almost certain palpable sense of unease. This new twelve-inch is entitled \"Vacation\", and here Excepter have perhaps crafted a treatise on nothing less than the uncomfortable aspects of having to leave oneshome. \\r\\nOr they may well have been channeling the soundtrack to a particularly bizarre road trip I once went on involving an Indian burial ground, a cross eyed woman Xeroxing chain letters at a supermarket, and an extremely sadistic alligator farm outside of Hot Springs, Arkansas where I witnessed a stuffed Fiji Merman. Unease indeed. But of course, like on any worthy and good vacation, once youve become used to new unsettling sensations like foot blisters and sunburn you realize how sublime the landscape is. And sublimity is what Excepter trades in spades. \\r\\nSide-one positions the moment where you have trouble getting your bearings, trouble putting your surroundings into perspective. The rhythms are all displaced, their center of gravity slackened by synths squiggling all willy-nilly looking for something to latch onto. Side-two, \"Forget Me,\" is where everything comes into focus -- like a photograph that you can spend some time with to chart your inner progress. This track could be Excepters pop moment, their breezy road trip down the Autobahn (and here the Kraut reference is especially apt). Pistons fired, these beats are allowed to lope carefree into the coming summers new season of discontent. Ex-ceptional.\" - Michael Klausman; Other Music.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"12\"","offer_id":46382138228955,"sku":"1122-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-302908-1090996375_jpg.jpg?v=1571717250"},{"product_id":"fine-milo-frequency-etchings-ongoing-celebrations-of-insignificance-copy","title":"FINE, MILO - Frequency Etchings (Ongoing Celebrations of Insignificance) (WHOLESALE)","description":"\u003cp\u003e\"An improvised (and unintentional) rejoinder to such compositions as Rainier Riehns Chants De Maldoror, Cages Cartridge Music and Variations 2 (as realized by David Tudor) and other raw, random electronic music from the late 60s\/early 70s. - Milo Fine. Solo clarinet\/electronics set recorded live Nov 20,1998 at Roadrunner Records in Minneapolis and presented here in its entirety. This is Milos 19th document following the release of the triple CD Surges\/Suspensions Comme Toujours. In the last few years hes been fairly active; a video release on Incus (as the Guttercleaners with partner Susan Sperl), an Ensemble CD on Emanem and participation in 2003s Freedom In The City festival in London where he collaborated with Hugh Davies, Derek Bailey and others. This LP is a numbered edition of 330 with high quality RTI pressing and full color paste-on sleeves.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382139408603,"sku":"333-FUSETRON","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-103561-1141125276_jpeg.jpg?v=1571717194"},{"product_id":"fine-milo-free-jazz-ensemble-another-outbreak-of-iconoclasm-two-eggs-slightly-beaten-copy","title":"FINE, MILO FREE JAZZ ENSEMBLE - Another Outbreak Of Iconoclasm (Two Eggs Slightly Beaten) (WHOLESALE)","description":"","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382139834587,"sku":"334-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1614663-1309569486_jpeg.jpg?v=1571717194"},{"product_id":"hurray-dreams-not-soft-illusion-copy","title":"HURRAY - Dreams, Not Soft Illusion (WHOLESALE)","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHurray is Zak Prekop, Josh Brand, Pete Mandradjieff \u0026amp; Rich Aldrich. They hail from the hidden sectors of New York City, and have released one 7” on the skul record label and recently presented their first art show at the Nicole Klagsbrun Gallery also of New York City. This is their first full length recording and is a must for fans of ambiguous, anomalous, and unobtrusive sound creation whose mystery is not invoked by hyperbole, pseudo-mythology or fake histories, but by giving full allowance to otherness and seeking beauty by allowing it to happen, which often means allowing it not to happen. Mishandled guitars, unknown electronics, amplified percussives and various layers of buzz coagulate and dissipate in measured restraint. I hesitate to use blighted terms like ‘lowercase’ music, as Hurray shys not from some harsher territories and melodic (if emaciated and ghostly) material sometimes drifts into consciousness; two things I think of as contrasting w\/ the more didactic, ‘European’ music associated w\/ said term. So, Ill avoid terminology and just say I’m very glad to know this record.\"\u003c\/span\u003e - Greg Kelley, 12\/27\/05.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382140358875,"sku":"3356-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3615134-1394463142-7916_jpeg.jpg?v=1571717404"},{"product_id":"k-salvatore-ashmadai-copy","title":"K-SALVATORE - Ashmadai (WHOLESALE)","description":"\u003cp\u003e\"Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: ASHMADAI. It is said that Ashmadai is not to be feared. When you say to it: In truth thou art Ashmadai,\" it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inch 45 RPM platters - wide grooves for maximum impact to the ear.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"Double LP","offer_id":46382141178075,"sku":"3542-FUSETRON","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1225706-1202015392_jpeg.jpg?v=1571717414"},{"product_id":"shiraishi-tamio-sean-meehan-in-the-city-copy","title":"SHIRAISHI, TAMIO \u0026 SEAN MEEHAN - In The City (WHOLESALE)","description":"\u003cp\u003e\"each summer tamio shiraishi \u0026amp; sean meehan pair up for a series of outdoor concerts in new york city always in a different location, the concerts explore unwatched and unconsidered sites of the city. (this LP) is the first release of this summer tradition. 12 vinyl with a b-sided etching by knickerbocker.\" - sean meehan.Recorded underneath the West Side Highway at 59th Street, NYC, by Geoff Dugan, 21 july 2001.SEAN MEEHAN - \"Current performances generally find Meehan playing only the snare drum in a manner that sheds conventional usage and reconstructs the conception andfunction of the instrument.\"Meehan has collaborated withSachiko M, Mamoru Fujieda, Michihiro Sato, Edwin Torres, Muigel Algarin, Greg Kelley, Ami Yoshida, Taku Sugimoto, Toshimaru Nakamura, Tetzui Akiyama, Kiyoharu Kuwayama and many others. Additionally he has performed throughout North and South America, Asia and Eastern Europe.TAMIO SHIRAISHI - Shiraishi has been performing since the late 1970s, including playing drums and synthesizer in an early incarnation of Fushitsusha. His first released recordings, consisting of solo sax with broken drum machine, were included on the 1981 Aiyoku Jinmin Juji Gekijo compilation on Pinakotheca (who also released the first Keiji Haino LP). Hes currently living in NYC and occasionally collaborates with the No Neck Blues Band.GEOFF DUGAN - \"Geoff Dugan has been performing, recording, and producing sonic environments since 1983. Recent projects include a binaural psychogeography recording and performance: \"aberto\/fechyado parque serralves\" at the Serralves Foundation in Oporto and an audio psychogeographical report from New York performed at the 2002 Zeppelin Festival of Sound Art in Barcelona. Geoff runs the recording label GD Stereo that has released a series of compilation compact discs organized around psychogeography and the theory of the dérive among the various (the artists): The Architecture of the Incidental (1999) and Psychogeographical Dip (1997). Solo projects include Play in random or shuffle mode. (GD Stereo, 2001), Surface Tension (Open Circuit, 2000) and the Stomach Ache Records release Technical Comfort Formalistic Style Features (7\" vinyl - 1994). Geoff is also an architect and lives in NYC.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"One-Sided LP","offer_id":46382141407451,"sku":"846-FUSETRON","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538794-1335563871_jpeg.jpg?v=1571717225"},{"product_id":"sightings-end-times-copy","title":"SIGHTINGS - End Times (WHOLESALE)","description":"\u003cp\u003e\"Fiery phoenix, four horsemen, or just plain ferocious, Sightings is back with another free rock H-Bomb. Comprised primarily of improvisations and recorded for the price of cassette tape, they leave no doubt western civilization is coming to an end....But seriously folks, this CD is companion to a vinyl release on the EN\/OF label. EN\/OF is a series of releases from the Bottrop-Boy record label. Every release contains a 12 record \u0026amp; an art edition and is limited to 100 copies. Sightings is paired with the German painter Daniel Richter who contributed an exclusive piece, \"Das Schönste Ist Geschichte\", an offset print,30x90 cm, with hand-painted elements. The LP features three tracks from \"End Times\" as well as another exclusive track. Richter was kind enough to lend artwork for the CD as well. \"End Times\" is 56 minutes of head-rinsing to take the millennarian fever to the next level.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":46382142849243,"sku":"3610-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-741560-1154040691_jpeg.jpg?v=1571717416"},{"product_id":"youngs-richard-andrew-paine-mauve-dawn-copy","title":"YOUNGS, RICHARD \u0026 ANDREW PAINE - Mauve Dawn (WHOLESALE)","description":"\u003cp\u003e\"For the past eight years Andrew Paine and Richard Youngs have met on almost every Sunday and recorded music. Mauve Dawn is the result of ten meetings during 2004. Its nine tracks feature processed epinette des vosges, glockenspiel, vintage keyboards and guitars alongside granularly synthesised household objects hacked together with resonated voices and filtered bells in a stereo field heavy on ring modulation. One part of the Mauve trilogy, this is an instrumental album of classic length. - Richard Youngs \u0026amp; Andrew Paine.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":46382143209691,"sku":"2451-FUSETRON","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-655790-1144005942_jpeg.jpg?v=1571717328"},{"product_id":"bride-forsaken-emblems-please-survive-with-me-in-it-copy","title":"BRIDE - Forsaken Emblems\/Please Survive With Me In It (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eEdition of 400. \"UK-born, Berlin-based musician Bride offers two tracks' worth of gorgeous, harrowing noise. Nature recordings and assaultive feedback give way to angelic melodic motifs buried beneath heaps of grime. A formidable release from an artist with plenty more where that came from.\"\u003c\/span\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=41371297\/size=small\/bgcol=ffffff\/linkcol=2ebd35\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"7\"","offer_id":46382145110235,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1973810017_10.jpg?v=1729276833"},{"product_id":"chronowerx-mysterious-guy-hardcore-junglist-copy","title":"CHRONOWERX - Mysterious Guy Hardcore Junglist (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eEdition of 65 green cassettes with no labels for the truly mysterious.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003cspan\u003e\"New York's Chronowerx serves up a slab of jungle as refracted through Americanoise and Jerkbooth arguments on 'Mysterious Guy Hardcore Junglist,' No Holiday's first cassette release. Breaks are chopped into chthonic new forms beyond easy classifiers like \"power noise.\" Jungle's form is exploded and reassembled over and over again on each of these four tracks, familiar and unrecognizable at once.\"\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856454772\/size=small\/bgcol=333333\/linkcol=ffffff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"Cassette","offer_id":46382145831131,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1410673435_16.jpg?v=1729275285"},{"product_id":"chvrch-street-misanthology-volume-one-two-copy","title":"CHVRCH STREET - MISANTHOLOGY Volume One \u0026 Two (WHOLESALE)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003eEdition of 50.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\"Both volumes of MISANTHOLOGY are presented here in two slipcases, each containing 5 cassettes. Box 1 contains REBREATHER, EARTHMOVER, MILKGRASS, LOCKWELD and DEADCENTER in black slipcase with clear and black cassette boxes. Box 2 contains WOODLICE, BONESCULPTOR, ROSEWATER, SUNGLACIER and SERPENTGAZE in white slipcase with clear and white cassette boxes.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003eSince January 2024, New Jersey's CHVRCH STREET has released 14 digital releases and counting. With stark titles composed of sinister compound words, these releases span dark ambient, death industrial and pure noise with a surprising degree of emotional complexity. Here, No Holiday is releasing the first ten EPs in two packages, showcasing the evolution of the project while allowing each one to tell its own story. Best listened in one marathon session, MISANTHOLOGY VOL. 1 \u0026amp; 2 is ready to swallow you whole.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4030624245\/size=small\/bgcol=333333\/linkcol=ffffff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"10 Cassette Box Set","offer_id":46382146093275,"sku":null,"price":64.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a3172731331_10.jpg?v=1729276185"},{"product_id":"merzbow-circular-reference-copy-1","title":"MERZBOW - Circular Reference (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eDouble LP with black and white\/white and red splatter. Deluxe spot gloss varnish on textured sleeve with booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Masami Akita continues his work as the world's premiere extreme dynamicist on 'Circular Reference,' his latest full-length and first for No Holiday. It's a torrent of synthesized tones colliding against punishing layers of feedback and midrange noise. But there are also snatches of lurching rhythms to be found, as well as moments of relative uneasy calm. More than anything, it's distinctly Merzbow. The latest from this titan of noise is sure to please longtime listeners and new disciples. We recommend playing this one especially loud.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1025234633\/size=small\/bgcol=ffffff\/linkcol=de270f\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"No Holiday","offers":[{"title":"Double LP","offer_id":46382146158811,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1431895789_10.jpg?v=1729274235"},{"product_id":"merzbow-circular-reference-copy-2","title":"MERZBOW - Circular Reference (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003e4-panel digipak CD edition of 'Circular Reference' for the optical media enthusiasts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Masami Akita continues his work as the world's premiere extreme dynamicist on 'Circular Reference,' his latest full-length and first for No Holiday. It's a torrent of synthesized tones colliding against punishing layers of feedback and midrange noise. But there are also snatches of lurching rhythms to be found, as well as moments of relative uneasy calm. More than anything, it's distinctly Merzbow. The latest from this titan of noise is sure to please longtime listeners and new disciples. We recommend playing this one especially loud.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1025234633\/size=small\/bgcol=ffffff\/linkcol=de270f\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"No Holiday","offers":[{"title":"CD","offer_id":46382146355419,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/0036621711_10.jpg?v=1729274756"},{"product_id":"merzbow-mukudori-copy","title":"MERZBOW - Mukudori (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eClear and black splatter 7\" in sleeve with art by Mike Sniper. Limited to 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The third offering in No Holiday's September 7-inch batch comes courtesy of Merzbow, offering up twin bursts of total electronic punishment that could have been made by no one else. Avian electronics for white-cheeked starlings the world over.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"7\"","offer_id":46382146519259,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1798189799_10.jpg?v=1729277757"},{"product_id":"mouths-agape-the-twitching-clot-copy","title":"MOUTHS AGAPE - The Twitching Clot (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eCD in metal tin with art on matte sticker affixed to the front and back. Six-panel booklet with text.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Brooklyn's Mouths Agape offers 23 minutes of suffocating power electronics exploring dreams, child abuse and the possibility of violence. An outpouring of contempt in the spirit of the contemptible.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"CD","offer_id":46382146552027,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1217296684_10.jpg?v=1729277966"},{"product_id":"nocturnal-emissions-cathedral-copy","title":"NOCTURNAL EMISSIONS - Cathedral (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eEdition of 600 on red \u0026amp; black marble\/blue \u0026amp; black marble in deluxe jacket with silver foil and 12-page booklet featuring many of Nigel Ayers' visual works from the same era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\"Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's \"Cathedral\" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, \"Cathedral\" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"Double LP","offer_id":46382146748635,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a1496245186_10.jpg?v=1729275652"},{"product_id":"nocturnal-emissions-invocation-of-the-beast-gods-copy","title":"NOCTURNAL EMISSIONS - Invocation of the Beast Gods (WHOLESALE)","description":"\u003cp\u003eDeluxe black and clear marble LP in reverse board jacket with glossy 12-page booklet featuring art and text by Nigel Ayers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"INVOCATIO BEASTIA DEI (Invocation of the Beast Gods) is a well-paced and deftly layered collage based on location recordings of night creatures – bats, owls, foxes, insects and sea animals. Like many of Nocturnal Emissions’ previous recordings, it combines natural with synthetic sounds in a wholly musical blend. The key to the success of this disc is its rhythm. Every sound has its own looped pattern (many of the sounds are looped), and when these different but complimentary patterns are combined, a dense and enticing aural landscape emerges. This is not empty new age music, meandering, slapdash sound collage, or low-budget field recording, but a meticulously laid out and painstakingly arranged musical environment\" (Neil Strauss, Ear Magazine). Originally released January 1, 1989.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"LP","offer_id":46382152024283,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a3083522756_10.jpg?v=1735587838"},{"product_id":"respirator-tantric-death-respirator-tantric-death-copy","title":"RESPIRATOR \u0026 TANTRIC DEATH - Respirator \u0026 Tantric Death (WHOLESALE)","description":"\u003cp\u003e\u003cspan\u003eLimited edition of 400 copies. Pressed on transparent red vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Tribe Tapes wunderkind Max Julian Eastman brings his harsh noise project Tantric Death to a remarkable collaboration with Texas phenomenon (and former Black Leather Jesus conspirator) Respirator for 10-and-a-half minutes of crumbling, organic wonder. Warm, ominous sounds for the rapidly cooling air.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3458216551\/size=small\/bgcol=ffffff\/linkcol=f171a2\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"No Holiday","offers":[{"title":"7\"","offer_id":46382152351963,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a4189757725_10.jpg?v=1729277532"},{"product_id":"kudo-reiko-hito-copy","title":"KUDO, REIKO - Hito (WHOLESALE)","description":"\u003cp\u003e\"The use of amateurism and error as a compositional device characterize the music of Tori Kudo, particularly in his group Maher Shalal Hash Baz. His wife, Reiko, is nowhere near as prolific (just two short albums in the last ten years) but her interests lead her more towards the pursuit of spontaneity and a considered naturalness. Both share a desire to jolt the experience of playing and listening to music out of stale routines and atrophied sensibilities, but through play and a haiku-esque close attention to daily life, rather than with a gun to the head. The albums are suffused with a warm, almost alchemical domesticity, rooted in the familiar rhythms of home, community and the seasons. Hito was recorded from summer through to early autumn 2005 and the drowsy heat of the season lies over it like a mosquito net. The hesitant vocals and piano that open its first track are underpinned by what initially sounds like the faint wow and flutter of a cheap tape recorder. Suddenly, as though a window has been flung open, the distortion is revealed to be the pylon-buzz of cicadas in the garden outside. As the sound rises to fill the room, the senses are beguiled, place, time and sensation evoked with the most minimal of means. Kusa sounds slightly stiffer as it takes us from autumn through winter, but on both albums the spare instrumentation is enjoyably creative, with kitchen-cupboard percussion, a vacuum cleaner, the sound of the rain and a gang of local kids on recorders melded effortlessly around the romantic flourishes of Toris piano playing. Reikos albums are always song-based, miniature wisps of melody that sound like something composed over the washing-up, the words perfectly balanced between observation and signification. Her voice has that childlike upper register of many Japanese female singers, but with a definite strength in the low notes. Most striking is her enunciation the slightest tremor of hesitation, a lack of demonstrativeness that makes Vashti Bunyan sound like Whitney Houston, the voice pitched uncannily into an area where the exhaled breath seems to shimmer naturally into song. This is captivating and at times heartbreakingly emotive work.- Alan Cummings, The Wire June 2006\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OxOgXlMGn1Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Hyotan","offers":[{"title":"CD","offer_id":46382186660059,"sku":"4145-HYOTAN","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/c62cbf51498edd94b43ca137b7da9f29.jpg?v=1627935704"},{"product_id":"kudo-reiko-kusa-copy","title":"KUDO, REIKO - Kusa (WHOLESALE)","description":"\u003cp\u003e\"The use of amateurism and error as a compositional device characterizes the music of Tori Kudo, particularly in his group Maher Shalal Hash Baz. His wife, Reiko, is nowhere near as prolific (just two short albums in the last ten years) but her interests lead her more towards the pursuit of spontaneity and a considered naturalness. Both share a desire to jolt the experience of playing and listening to music out of stale routines and atrophied sensibilities, but through play and haiku-esque close attention to daily life, rather than with a gun to the head. The albums are suffused with a warm, almost alchemical domesticity, rooted in the familiar rhythms of home, community, and the seasons. Hito was recorded from summer through to early autumn 2005 and the drowsy heat of the season lies over it like a mosquito net. The hesitant vocals and piano that opens its first track are underpinned by what initially sounds like the faint wow and flutter of a cheap tape recorder. Suddenly, as though a window has been flung open, the distortion is revealed to be the pylon-buzz of cicadas in the garden outside. As the sound rises to fill the room, the senses are beguiled, place, time, and sensation evoked with the most minimal of means. Kusa sounds slightly stiffer as it takes us from autumn through winter, but on both albums the spare instrumentation is enjoyably creative, with kitchen-cupboard percussion, a vacuum cleaner, the sound of the rain and a gang of local kids on recorders melded effortlessly around the romantic flourishes of Tori's piano playing. Reiko's albums are always song-based, miniature wisps of melody that sound like something composed over the washing-up, the words perfectly balanced between observation and signification. Her voice has that childlike upper register of many Japanese female singers, but with a definite strength in the low notes. Most striking is her enunciation the slightest tremor of hesitation, a lack of demonstrativeness that makes Vashti Bunyan sound like Whitney Houston, the voice pitched uncannily into an area where the exhaled breath seems to shimmer naturally into song. This is captivating and at times heartbreakingly emotive work\". - Alan Cummings, The Wire June 2006\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8jrhE5eOoOw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Hyotan","offers":[{"title":"CD","offer_id":46382186758363,"sku":"4146-HYOTAN","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1036626-1338648730-1416_jpeg.jpg?v=1627935536"},{"product_id":"kudo-reiko-licking-up-dust-copy","title":"KUDO, REIKO - Licking Up Dust (WHOLESALE)","description":"\u003cp\u003eNewest release on Tori and Reiko Kudos (Maher Shalal Hash Baz\/Noise\/etc..) inhouse label. Backing Reiko this time around are TORI KUDO (organ, guitar), TERUKI TAMAYANAGI (bass) and KEIJI HAINO (guitar, drums and vocals!). \"there are two songs about a mountain, a song about butterfly and chestnut and loquat and so on..\" - Reiko Kudo.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wnNLYT1bdhw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Hyotan","offers":[{"title":"CD","offer_id":46382186791131,"sku":"6808-HYOTAN","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1187504-1199371895_jpeg.jpg?v=1571717632"},{"product_id":"lapointe-gatien-corps-de-linstant-anthologie-1956-1982-wholesale","title":"LAPOINTE, GATIEN - Corps De L'Instant \/ Anthologie 1956-1982 (WHOLESALE)","description":"\u003ch6 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cb\u003e\u003ci\u003e\u003cmeta charset=\"utf-8\"\u003e++ $25 IF PURCHASED ON ITS OWN - $20\u003cspan\u003e \u003c\/span\u003eWITH THE PURCHASE OF AT LEAST $20 IN OTHER ITEMS (DISCOUNT APPLIED AUTOMATICALLY AT CHECKOUT) ++\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSealed, original copies of this 1983 release.\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\"\u003cspan\u003eQC Avant-Electronic oddity (something like a Montreal version of \"Love Life of the Octopus\" getting into Terminator\/Liquid Sky zones) for the curious! \" - Keith Whitman\/Alpha State Music.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Very interesting \u0026amp; scarce French spoken word LP by noted Quebec poet, Gatien Lapointe, accompanied throughout by a fascinatingly subtle \u0026amp; shifting sound design. An extremely intimate reading of works written between 1956-1982, Lapointe’s soft yet deep speaking voice seemingly rests near your ear as a background of electronic sound effects, synths, and field recordings reminiscent of the work then coming out of IRCAM map the landscape of the poems. Every element in the production of this LP is in perfect balance. Comes with large, oversized booklet.\" - Michael Klausman (check his instagram \u003ca href=\"https:\/\/www.instagram.com\/driftinglament\/\"\u003ehere\u003c\/a\u003e  - one of the best sound\/art\/text scroungers out there).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Gatien Lapointe, poet, professor, publisher (b. 18 Dec. 1931, d. 15 Sept 1983). He studied at the Petit Séminaire de Québec, the École des arts graphiques in Montréal, Université de Montréal (MA), the Collège de France and the Sorbonne. He published \u003cem\u003eJour malaisé\u003c\/em\u003e in 1953 and \u003cem\u003eOtages de la joie\u003c\/em\u003e 2 years later. In 1962 he won the award of the Club des poètes for \u003cem\u003eLe Temps premier\u003c\/em\u003e. He received the Prix du Maurier, the Prix du Québec and the Governor General's Award for \u003cem\u003eOde au Saint-Laurent\u003c\/em\u003e, which appeared in 1963. He again won the Prix du Québec in 1967 for \u003cem\u003eLe Premier Mot\u003c\/em\u003e.\u003cbr\u003eHe taught at the military college in Saint-Jean-sur-Richelieu and became a professor at U du Québec à Trois-Rivières in 1969. While teaching, he also started and ran Écrits des Forges, a publishing house almost exclusively devoted to poetry. In 1980, after 13 years of silence, he again began publishing his work, bringing out, in order, \u003cem\u003eArbre-radar\u003c\/em\u003e, \u003cem\u003eBarbare inouï\u003c\/em\u003e, \u003cem\u003eCorps et Graphies\u003c\/em\u003e, \u003cem\u003eCorps de l'instant\u003c\/em\u003e and \u003cem\u003eLe Premier Paysage\u003c\/em\u003e. In these later collections, he moved away from lyricism and themes of the land to an entirely modern focus on the body and the moment. But his writings always had the same intensity and sensitivity which provided the unity and value of his work, one of the richest of all Québec poetry.\" - The Canadian Encyclopedia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUn atelier c’est un alambic,\u003cbr\u003eon ajoute, on retranche, et puis\u003cbr\u003eon écoute cela germer et éclore\u003cbr\u003e— Gatien Lapointe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eSound Sample:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KHfK6Gpkrzk?si=uQbqDtm8_VfVubNs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Ecrits Des Forges","offers":[{"title":"LP","offer_id":47395452190939,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image_38da4484-70fd-4e14-a73f-40ce6efda599.jpg?v=1639764692"},{"product_id":"maher-shalal-hash-baz-live-aoiheya-january-2003-wholesale","title":"MAHER SHALAL HASH BAZ - Live Aoiheya January 2003 (WHOLESALE)","description":"\u003cp\u003eMaher Shalal Hash Baz is the oddly-named band for Japanese cult figure Tori Kudo and his wife Reiko (the name is apparently a Hebrew biblical phrase that Tori translates as -¢??be quick if you mean to steal something-¢?¬ù). Since the late 1970s, Tori has been a pioneering figure in Japanese punk, post-punk and avant-garde circles, beginning with bands such as GuysnDolls, Cock CNell, Noise and Tokyo Suicide (a cover band dedicated to New York synth-punk pioneers Suicide).Tori formed Maher Shalal Hash Baz in the mid 80s with neighbours who could not play any instruments, and for the better part of 20 years has been pursuing a single-minded vision of music as simple, spontaneous and unpredictable. The bands always changing lineup of anywhere from three to thirty people features mostly untrained musicians playing music often shown to them on the day of its performance, expressing the innate beauty of failure as much as of success. The band began releasing records in 1989, but did not come to worldwide attention until a decade later, when their marvelously ambitious triple album Return Visit To Rock Mass was released. MSHB were invited to tour outside of Japan for the first time. In 1999, when UK label Geographic released From A Summer To Another Summer, a compilation of Maher recordings. Soon the band were touring the US and Europe regularly, and Geographic released their most recent album Blues Du Jour in 2003.Live Aoiheya January 2003 documents an entire brief performance by this unique band, incidentally the first Maher show that Chapter boss Guy Blackman saw after moving to live in Japan in 2002 (he returned to Melbourne in 2004). It captures the band in a variety of guises unusual even for them, including an extended abstract instrumental, songs based on conversations between band members, passages by Japanese composers, vocal relays and a Brahms Waltz. In the EPs 26 minutes Maher Shalal Hash Baz manage to cover more ground than most bands do in their whole career, all the while maintaining a spirit and idiosyncracy that is idenitifiably their own. - Chapter Music.\u003c\/p\u003e","brand":"Chapter Music","offers":[{"title":"CD EP","offer_id":47395456549083,"sku":"3380-CHAPTER MUSIC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-706234-1287737204_jpeg.jpg?v=1571717405"},{"product_id":"tsa-home-of-the-green-wave-wholesale","title":"TSA - Home Of the Green Wave (WHOLESALE)","description":"...recent private press out of Chicago by a shadowy figure who has been working anonymously for damn near two decades. His records trace the outline of a truth never fully revealed. Past releases include Terry Rojvi, Jim Collins Music Performed by the High Mass, Tommy Roundtree Jungle Blood and many others. Due to the artists bizarre distribution methods (packages with no return address, Goodwill dumps, etc), copies of previous titles have changed hands right off the bat for over $100... so dont hesitate. Vinyl record in black jacket with tiny paste-on - Deep Thoughts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eHere are a few testimonials on past releases by the artist:\u003cbr\u003e\"Yeah, I pretty much love everything the guy does unreservedly.  Big hand in me starting Wooden Wand - for better or worse. Ha! I must confess I dont listen to any of this stuff a whole lot - it seeps in too readily, too much potential for osmosis. I tend to avoid repeated listens to any music I know I would subconsciously try to emulate. Like I said, there may not have ever been a \"Wooden Wand \u0026amp; The Vanishing Voice\" if I hadnt found those first two LPs. I loved everything about them (and still do). It inspired a lot of what I was doing early on - the aesthetic, the sound, as well as the avoidance of any sort of scene (that last part didnt work out too well).  Heres to the artist for maintaining some true anonymity (speculative blog posts notwithstanding) in a world of ubiquitous everything! And his music has always been way better than Jandeks! ;) - JJ Toth (Wooden Wand).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"I was recently sent two records from an address in Chicago, in plain brown sleeves with the artists name stamped using a rubber stamp, one by Tommy Roundtree called \"Jungle Blood\" and the other by Arian Sample which appears to be untitled. There was no letter with the package and no return address. Both records are very haunting and moving, reminding me of Simon Finns \"Pass the Distance\" and a couple of other beautiful and obscure albums which usually get lazily classified as loner folk. I havent been able to find anything out about them at all from the internet or from record collectors. But thank you to whoever sent them. I was touched and intrigued.\" - David Tibet (Current 93).","brand":"Natural Law","offers":[{"title":"LP","offer_id":47395456942299,"sku":"20291-NATURAL LAW","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10881787-1505874458-2829_jpeg.jpg?v=1571718481"},{"product_id":"grippe-ragnar-symphonic-songs-wholesale","title":"GRIPPE, RAGNAR - Symphonic Songs (WHOLESALE)","description":"\"Recorded between the release of Sand (1977) and Lost Secrets (1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer Ragnar Grippe’s canon. \u003cbr\u003e\u003cbr\u003eFollowing his seminal release Sand in 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was there at the famed EMS Studios where he began employing the Buchla synthesizer and the facilities multi-tracking capabilities as new instruments to map his mining of sound and movement.\u003cbr\u003e\u003cbr\u003eDuring the late 1970’s, Grippe formed a creative collaboration with choreographer Susan Buirge, specifically writing compositions for her works “Restes” and “Tamis”, thus pushing Grippe to start working in a more intricate studio environment. These passages inspired Grippe into a more complex layering process that focused more on placement and structure, rather than the aural floods and flourishes of his previous Sand album, eventually germinating in his first full 24-track composition entitled “Orchestra.”\u003cbr\u003e\u003cbr\u003eAfter debuting “Orchestra” in 1980 at the Electronic Music Festival in Stockholm, Grippe holed up at EMS Studios with those lessons and the fussy Buchla synthesizer, in which Grippe affectionately recalls “needed to be tuned and calibrated every 20-30 minutes.” He emerged with a new commission for Susan Buirge later formally titled Symphonic Songs and used in her avant-garde theater piece “Ci-Déla” which debuted in Paris in 1981. Symphonic Songs showcased Grippe’s sound au courant, pushing dense against sparse, calm into cacophonous, using each track as its own intersecting plane. Using the machinations of studio and structure to drive Symphonic Songs’ voice, Grippe culled a haunting, often cinematic electronic work that dots and darts into unexpected corners with curious aplomb.\u003cbr\u003e\u003cbr\u003e“Listen to the words, both terms have their root in classical music, but not in its form but because now I had so many more stems or voices that could be played simultaneously compared to my earlier pieces. Coming from a classical background, but with big nostrils for pop and jazz music, I can now see a thread in which classical got a new costume, dressed up in Buchla synthesizer and real bass sounds” Grippe says.\u003cbr\u003e\u003cbr\u003eSince its live theater debut over 37 years ago, Dais Records releases for the first time Symphonic Songs, one of Grippe’s most ambitious compositions, as a deluxe double vinyl LP (with limited edition color variants) and on digital formats. Artwork packaging by artist J.S. Aurelius (Ascetic House) with reflective linear notes by Ragnar Grippe. Comes on standard black vinyl, as well as limited editions on 300 clear vinyl and 100 transparent blue vinyl.\"","brand":"Dais","offers":[{"title":"Double LP","offer_id":47395458121947,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Ragnar_Grippe_-_Symphonic_Songs_-_DIAS126_-_cover_packshot.jpg?v=1571718598"},{"product_id":"wright-jack-free-life-singing-wholesale","title":"WRIGHT, JACK - Free Life, Singing (WHOLESALE)","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" style=\"font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.fusetronsound.com\/products\/3lp-bundle\"\u003e3LP BUNDLE DEAL\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\n\u003cspan face=\"Arial, Helvetica, sans-serif\"\u003e BUY THIS RECORD + PATE,DAVID – Soliloquies + IDIO,SAVANT– Shakers In A Tantrum Landscape \u003c\/span\u003e as a bundle\u003c\/h2\u003e\n\u003cp\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" style=\"font-family: Arial, Helvetica, sans-serif;\"\u003eOriginal sealed LP copies of Wright's first self released 1982 release, featuring long-active, under-the-radar improvisor Wright, on alto and piano, and Marv Frank on drums. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Described thirty years ago as an 'undergrounder by design,' Jack Wright is a veteran saxophone improviser based mainly in Philadelphia and living in Easton PA. In 1979, after an academic career teaching at Temple University (European History) and activist politics, he returned to the instrument of his youth. Almost immediately he discovered free improv, virtually unknown at the time and still obscure. He is one of the few who have played this exclusively since then, one of the originals of the 80s era. He plays mostly on tour through the US and Europe in search of interesting partners and playing situations. Now at 78 he is still the \"Johnny Appleseed of Free Improvisation,\" as the late guitarist Davey Williams called him back in the 80s, continuing to inspire musicians, playing and organizing sessions and gigs with visiting and resident players old and new. His Spring Garden Music House has been around since 1977, for the past sixteen years housing only improvisers and providing space for sessions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" style=\"font-family: Arial, Helvetica, sans-serif;\"\u003eHe has been able to avoid the standard career aimed at visibility and prestige, seeing it as a hindrance to musical growth. The partners he's preferred over the years have also been mostly unknown to the music press, and too numerous to list here..\". - Spring Garden Music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" style=\"font-family: Arial, Helvetica, sans-serif;\"\u003eWright has released music on Last Visible Dog, Public Eyesore, Bug Incision and Relative Pitch and collaborated with Reuben Radding, Nate Wooley, Jacob Felix Heule, Matt Samolis, Bhob Rainey and Fred Lonberg-Holm among many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHere is his first recorded live performance from 1988:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rnJRVcza6Lw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Spring Garden Music","offers":[{"title":"LP","offer_id":47395458580699,"sku":"2664-SPRING GARDEN MUSIC","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FREELIFE_dragged.jpg?v=1651683042"},{"product_id":"thomas-jefferson-slave-apartments-you-lookin-for-treble-wholesale","title":"THOMAS JEFFERSON SLAVE APARTMENTS - You Lookin For Treble? (WHOLESALE)","description":"\u003cp\u003eComprised of material recorded between 1989 and 1994, You Lookin for Treble? is the musical equivalent of Thomas Jefferson Slave Apartments junior-high yearbook. A document of the bands early, occasionally awkward stages, the album is marked by lineup shifts (detailed in the liner notes) and the usual trappings of a new band trying to find its sound. Over the course of Treble?s 20 tracks, the band gels into an abrasive, yet danceable, noisy punk outfit (fittingly heavy on the treble all the way around) led by vocalist Ron House who was quite clearly trying to distance himself musically from his recently disbanded bouncy rock\/new wave outfit Great Plains. With the rhythm section in an almost constant state of turnover, the bands sound is defined by Houses snide tirades and Bob Petricks nimble guitar work characterized by a winning balance of barred chords and false harmonics (also present in Petricks other first-rate outfit, Girly Machine). Of the songs included on You Lookin for Treble?, only one, You Cant Kill Stupid,\" ever found its way on to a proper Thomas Jefferson Slave Apartments studio effort (a cleaned up take appears on 1995s Bait \u0026amp; Switch), though several others can be found on the bands impossible-to-find early singles and their infamous promo-only 10\", as well as various compilation records (at least half a dozen of the songs are available on volumes one and two of Datapanik Records Greatest Hits). You Lookin for Treble? serves nicely as the missing link between Houses exit from Great Plains and Thomas Jefferson Slave Apartments 1995 major-label debut, Bait \u0026amp; Switch, on the American\/Onion imprint.\" - AllMusic. Sorta tough to find, not very well distributed, 1997 release from Ron House and crew. 500 pressed.\u003c\/p\u003e","brand":"Year Zero","offers":[{"title":"CD","offer_id":47395460907227,"sku":"10895-YEAR ZERO","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2339055-1278026183_jpeg.jpg?v=1571717914"},{"product_id":"cohen-ira-live-knitting-factory-nyc-january-23-1991-wholesale","title":"COHEN, IRA - Live Knitting Factory NYC January 23, 1991 (WHOLESALE)","description":"\u003cp\u003e\"Ira Cohen was born in New York, NY on February 3rd, 1935. He is the son of the late Lester Cohen and the late Faye Cohen. Mr. Cohen was an innovative and original poet, photographer, filmmaker, publisher, and editor. A self-described Electronic Multimedia Shaman\", he was an active humanist from the 1960s to the present. Mr. Cohen was educated at Horace Mann, Cornell and Columbia. He spent the early 1960s in Tangier, Morocco, where he lived and worked with William S. Burroughs, Brion Gysin, and Paul Bowles. While there, he prepared his first major work; editing and publishing the anthology Gnaoua (1964). This volume contained work by William S. Burroughs, Brion Gysin, Jack Smith, and others.\\r\\nIn the late 1960s, along with Bill Devore he developed and perfected a photography process in his \"Mylar Chamber\", producing distorted, iconic photographic portraits of Jimi Hendrix, Jack Smith, Robert LaVigne, Angus MacLise, Pharaoh Sanders, and William S. Burroughs, among others. In 1968 he made his first film, The Invasion of Thunderbolt Pagoda, a baroque, underground experimental film. The following year he produced the experimental film Paradise Now in Amerika, documenting the Living Theatres 1968 tour. In the 1970s he lived in Kathmandu, Nepal, and operated the publishing house Bardo Matrix, publishing books and broadsheets on handmade rice paper by authors including Gregory Corso, Charles Henri Ford, Paul Bowles and Angus MacLise, as well as several books of his own such as Gilded Splinters and The Cosmic Crypt, illustrated by Petra Vogt.\\r\\nAfter returning to New York City in the early 1980s, he continued to write and publish poetry as well as stage exhibitions of his photography. In 1986, he directed the film Kings With Straw Mats, a documentary about the Kumbh Mela festival, Indias annual pilgrimage and gathering of sadhus and holy men, which premiered in 1996. His primary work since the early 1990s was as a poet and editor; he edited numerous books (Jack Smiths Historical Treasures, Gustav Meyrinks Petroleum Petroleum, and poetry anthologies Shamanic Warriors and Celestial Graffiti) and periodicals (Ins \u0026amp; Outs, Third Rail, Nexus, and 15 Minutes). Mr. Cohen was a participating artist in the Whitney Biennial 2006, Day for Night, which included his photographs of Jack Smith. In the last years of his life, in increasingly declining health, Mr. Cohen gave local poetry readings and received a steady stream of visitors to his home on 106th Street, where the widest possible array of friends and admirers would listen for hours as he would tell stories, read poems and cast insights.\" Limited to 100 copies - with silkscreened jackets and insert.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"LP","offer_id":47395461955803,"sku":"12828-NO LABEL","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3715076-1342119663-4366_jpeg.jpg?v=1571718035"},{"product_id":"bertholo-rene-um-argentino-no-deserto-copy","title":"BERTHOLO, RENÉ - Um Argentino No Deserto (WHOLESALE)","description":"\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/332851382\u0026amp;color=%23ff0000\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973. In 1973, when tired of repairs I had decided to give up making them, a friend gave me one of those musical boxes with a handle, a drum bristling with prickles and a steel comb. Although I had seen similar ones, that particular one fascinated me and I had an urge to make one like it, but using electronics. That is how my first “Makina” was born – one could describe it as of a digital, programmable type of synthesizer which has gone through different phases since then and taken on various shapes which even today are still ongoing. At first it was a machine which produced sounds, but I inevitably became more and more interested in its musical possibilities. Not having had any musical training, and knowing little of electronics I wanted to learn by “trial and error” and had doubts as to whether the sounds I produced could be considered as music. For this reason I calledit “Mosik”. I wanted to “play” a different kind of music from what we hear on records and tapes. I am not trying to imitate sounds made by the instruments we are familiar with today, but, if similarity does exist, I am not going to turn my back on it. This “Makina” which plays by itself is made up two parts: one that allows the programming of a fixed electronic memory which we refer to as the program, and one that plays and contains the “instruments”. Only this part is present when we give a “disconcert” in public. It is composed of three melodic units, two of them with eight octaves and three voices, and one with eight octaves and two voices. Three units consist of noises made by birds, frogs and other sounds of nature and 3 mini-samplers, two 16 seconds long and two lasting one minute. There are also 3 percussion instruments. The melodic units may produce very different sounds which make it difficult to hear how many are involved. The same could be said about the percussion elements because they have filters which may modify the basic sounds, and so on. The animal noises have twenty four basic sounds. These are modified by variations in the frequency of the oscillation which produces them. Finally there is a unit where the usual commands of a pre-amplifier: flats, sharps, balance and volume are programmed. The different sounds made by the “instruments” are programmed in this unit to come out up to six loud-speakers, thus enabling the sound to “travel” from one side to another around the room. Except for the integrated microcircuits, transistors, capacitors, etc, that have to be produced industrially, all the other elements, taht make up this “Makina” were created, designed and built by me. René Bertholo \" - .\u003c\/p\u003e","brand":"Grama","offers":[{"title":"LP","offer_id":47926486630619,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/capa.jpg?v=1587585618"},{"product_id":"wolf-eyes-black-dice-wolf-eyes-black-dice-copy","title":"WOLF EYES \u0026 BLACK DICE - Wolf Eyes \u0026 Black Dice (WHOLESALE)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"The first young shorty that ever made my preteen heart sweat at night was Brandy Salem. So fine. The stage was set for some serious 8-year-old dating action but I got snaked by this lame dude named Shawn Murphy who won Brandys eye by shuffling baseball cards faster \u0026amp; being a little crazier on his four-wheel green machine. It killed me ... all summer I tried to get faster on the cards \u0026amp; upstage everyone on the street big wheel scene, but alas, no Salem. She moved to Iowa, still think of her when that Im in love with the sea\" song comes on. Fucking Shawn....\\r\\nFast forward 21 years ... in the game of pure electronic hard-core insanity, Wolf Eyes hear rumors of this RI band of PCP chair-throwing HC yahoos who hold the crown on violence \u0026amp; sonic terror. Fuck that. We thought we were the end of the well in electronic napalm. This Black Dice band wanted to play in Detroit ... no one will do it. Fear of violence\/death threats\/general horror left them with no gig. \"Why would I wanna book a band who is gonna beat up my friends?\" was the local consensus. So BD get a Monday gig at Club Olson\/my basement in quiet Ferndale, home to a handful of whacked out electronic misfit gigs. Neighbors of the crib being left side= young couple \/ right side = quiet lesbian couple with child. My cell rings nonstop days before the gig with crazed young HC fiends asking if the gig is true. I start to get nervous, then I hear they need like 30,000 watts for their gig. What the?\\r\\nGig day\/come home from my office job \u0026amp; the Dice dudes are waiting for me. These are the horrible terror junkies who stab people when they play? All I see is smiles, loafers, Bjorn playing with a kid, and starry-eyed-vacant-brain Danny. Weird. Then they load in; mounds of amplifiers, mounds. The whole basement looking like Iron Maiden was gonna play. Wolf Eyes jams, we think it is intense, whatever. Then they play ... starting with solo recorder and then \/ WHOA \/the most violent, insane, Hiroshima tidal roar of basement sonic terror EVER. EVER. We never heard or witnessed anything so massive. We have seen the Merzbows, the Skin Crimes, the Gravitars, Youth In Asia, whatever.. This was in a totally different sound universe where the air is filled with concrete. It was louder in the street than it was in the basement black hole of sound. Imagine Black Dice playing in your fucking basement on a Monday night! Jesus. No neighbor complaints. Changed our view on sound\/terror\/attack. This was our challenge; meet this Dice volume unholiness on the same sonic field before Shawn Murphy \u0026amp; his Outlaw band does it better. Dudes were so cool two of them even slept in the basement. Awesome.\\r\\nSo we became best friends. Nate called me at work the next morning \u0026amp; said \"we are gonna do a record together\" I laughed ... that would rule...\\r\\nSo fast forward another two years. Here is it is. Recorded at a subterranean Chinatown studio in two days. Tons of jacked EQ, no space, cases of brew, clouds of smoke, Guinness record for most times \"Dude\" was said. We met on equal ground here. Total respect\/the record really sounds like the shadow of each band. It was a blast. Play it on 16 rpm in a closet and jam along with the bones of an enemy. Me, it would be playing the remains of that rat fucker Shawn Murphy, dude couldnt shake shit at this horrible eerie black pond sound.\" - John Olson, Wolf Eyes, October 2003. Different recordings than the American Tapes CDRs. Recorded Oct 2001.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"CD","offer_id":47926488924379,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-252467-1107905089_jpg_480x480_8ca13ef6-2148-4283-80c4-c0f7f07a9a14.jpg?v=1571718628"},{"product_id":"1-3-octave-band-tarakohe-ritual-of-gravity-wholesale","title":"1\/3 OCTAVE BAND - Tarakohe\/Ritual Of Gravity (WHOLESALE)","description":"\u003cp\u003e\"If youve ever heard of New Zealand musician Bill Wood, chances are that it was related to his work with Campbell Kneales Birchville Cat Motel. But Bill has his own line of space rock\/guitar drone\/massive atmopsherics as well, and he records them as 1\/3 Octave Band. Woods music is new to my ears but its highly impressive. He takes a very maxist approach to drones, filling the pulses of his endless frontiers with shifting arrays of instrumental intrigue and ominously pulsing lights. A great thing, and on that thick Czech vinyl that weighs about a pound. What more could you want? - Byron Coley, WIRE. Edition of 250.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"7\"","offer_id":47926521430235,"sku":null,"price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538033-1367413729-6128_jpeg.jpg?v=1571717223"},{"product_id":"k-group-omit-storage-wholesale","title":"K-GROUP\/OMIT - Storage (WHOLESALE)","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eReduced price due to slightly dinged corners\/storage wear. \"Not a split release by these two New Zealand artists, but a collaboration, carrying on from their 1997 single on Colorful Clouds for Acoustics. The weapons of choice are analogue synthesizers and the approach is slowly unfolding drones and drifting veils of sound that part and close across the listeners third ear like storms on the surface of Jupiter. K-Group is Paul Toohey, previously of noted NZ geological drone ensemble Surface of the Earth, who also has a solo album under this name on Corpus Hermeticum. Omit is Clinton Williams, who has also recorded for that notorious NZ un-easy listening label, as well as extensively on his own Deep Skin imprint. During 2000 and 2001, having failed to bring down the global economy with their now-forgotten Y2K scam [remember Y2K? - I thought not], this pair of Hidden Masters turned their efforts towards late-night kitchen jam sessions during their holiday moments. In these each would fire up an antiquated analogue synth and the resulting aural collisions would be recorded on a handy hard drive, then tweaked, inverted, eqd and edited to produce the immaculate slabs of sound contained within the tiny grooves of this ludicrously out-dated analogue sound-reproducing format.These seven tracks simulate the calm of the newly sedated patient about to undergo a surgical procedure, just as he or she is starting to slip into unconsciousness. You can listen, but just when you think youre hearing something, you realise that 12 hours have gone by and you have a new and inexplicable scar on some unlikely part of your anatomy. Too late you realise that the sound you can hear at the very edge of audition is not this recording, but the sound of forty metal robotic insects starting to eat their way out through your still-sedated navel. Waking with a start in time to flip the album over on your turntable, you notice that subsonic frequencies have begun to rearrange the contents of your mantlepiece into a veritable Morris Dance of inanimate objects, when you thought the audio had not yet begun to play back. A vestigial bass throb starts up in the back of your cranium, as very slow-moving if not actually stationary spacecraft begin to land in the garden. Three days later they are still hovering as the seventh and final track of thr album begins to play, and infinitesimally subtle stereo effects start panning in impossible permutations audible only between your shoulder blades.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eApparent suspension of time, delirious interludes, interference with the basic laws of physics, all of these effects are possible results of listening to the beautifully poised, finely polished and unutterably beautiful sounds contained in this simultaneously forbidding and inviting artifact. If, like me, these are all the things you look for in a sound recording, then look no further. If its merely music you require, then I suggest you meddle not in the affairs of your betters and proceed directly to the nearest chain CD store and stock up big time. -Bruce Russell [Noise Legend], Lyttelton, NZ, May 2002.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Heres a piece of wax that came out back in 2002, and its a title that we thought was long discontinued by Fusetron. But, luckily, somehow, a handful of copies still exist, and if youre keen on the stun-drone \/ brain-zonk electronics currently blasted by the EMERALDS axis, you NEED to investigate everything that Omit has ever released. Our words from way back when... Both K-Group and Omit have been longtime aQuarius favorites from the New Zealand experimental noise scene; but unfortunately, theyve been pretty quiet in their respective outputs during the past couple of years. K-Group is the solo project for Paul Toohey, who has also worked in the (defunct?) Surface Of The Earth, both of which centered around low-frequency tectonic drones coaxed from abused amplifiers. Clinton Williams has taken up the Omit moniker for his creepy, tape loop compositions loaded with bleak sci-fi \/ psychotic imagery. This collaboration between Williams and Toohey is actually their second, if you count a 7\" which came out ages ago. In running Williams battery of analog synths through Tooheys cabinets, theyve constructed an eerie album of deep rumblings that are on par with anything that Coleclough, Koner, or Troum have managed to release. As the K-Group \/ Omit drones ripple with a gritty amplifier buzz often lacking in the driftwork of those aforementioned artists, \"Storage\" pulses with a subterranean heaviness, pushing this closer towards the Earth \/ SUNNO))) terrain. A really wonderful album!!!\" - Aquarius.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":47926522511579,"sku":"335-FUSETRON","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-344192-1266815951_jpeg.jpg?v=1571717194"}],"url":"https:\/\/www.fusetronsound.com\/collections\/b2b.oembed?page=2","provider":"fusetron","version":"1.0","type":"link"}