{"title":"printed matter","description":"","products":[{"product_id":"muckraker-6","title":"MUCKRAKER - #6","description":"\u003cp\u003eLate 90s issue with Shaking Ray Levis, LaDonna Smith \u0026amp; Davey Williams, Milo Fine, Ecstatic Peace discog by Thurston Moore, tons of reviews, etc. Does not include the 7\".\u003c\/p\u003e","brand":"Muckraker","offers":[{"title":"Mag","offer_id":51850122119,"sku":"113-MUCKRAKER","price":2.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_de9efe6c-c6f6-4a59-a8ad-4b8ab910b93c.png?v=1571717172"},{"product_id":"muckraker-9","title":"MUCKRAKER - #9","description":"\u003cp\u003e\"Mammoth final issue, featuring interviews with legendary improvisor Derek Bailey, mental-health rockers Ceramic Hobs, laundry room satanist Eddy Detroit, AMM percussionist Eddie Prevost, Argentenian weirdos Reynols, trombonist Roswell Rudd, squeaky wheel Tamio Shiraishi, Majora Records boss Nick Shultz, E.S.P.-Disk alum Alan Sondheim, silence\\r\\nenthusiast Sukora, and family values man Diz Willis, as well as an overview of Very Good Records by John Olson (which includes interviews with Metabolismus, Coits, and Phonophobia). The CD includes exclusive tracks by Bailey, Hobs, Damaged Life(Sondheims mid-80s outfit), Eddy Detroit (supported by the Sun City Girls), Reynols, Shiraishi, and Willis.\" - Muckraker. 2000 publication.\u003c\/p\u003e","brand":"Muckraker\/Giardia","offers":[{"title":"Mag + CD","offer_id":51850122759,"sku":"115-MUCKRAKER\/GIARDIA","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1010839-1183838287_jpeg.jpg?v=1571717172"},{"product_id":"potts-charles-little-lord-shiva","title":"POTTS, CHARLES - Little Lord Shiva","description":"\u003cp\u003e\"Charles Potts has been a cyclonic poetry force for 35 years. As a writer, editor, publisher and polemicist he has hit many high points over that time, but few people have had access to some of his highest moments, those achieved in Berkeley, CA in the late 1960s. Originally published in an edition of 475 copies by Richard Krech and John Oliver Simons Noh Directions Press, Little Lord Shiva is one of the eras defining documents of personal and social apocalypse. Half of the text presented here is a straight reprise of Shivas hard-hitting poetic critique of the underground, the other half is contemporary material that was unavailable to Noh Directions at the time. Combined at last, these two halves form a most perfect union; one instilled equally with dread for the dawn of the Age of Nixon, and acceptance of the cracked visionary beauty that resulted from attempts to dodge societys bullets. - Glass Eye. 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Other features include: an interview w\/ Boyd Rice, long novel excerpt by Richard Meltzer on San Diego peep shows, fiction by Charlie Goucher Jr. (of the Sun City Girls), fiction by Scott Mulrane, and a very extensive review section (of records, books, videos, etc). - FE.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Mag","offer_id":51854223303,"sku":"412-FORCED EXPOSURE","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FE18_PROD.jpg?v=1586897139"},{"product_id":"forced-exposure-17","title":"FORCED EXPOSURE - #17","description":"\u003cp\u003e1991 issue. 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And when you read the section of the book entitled Record Shop Skulkers,\" youll know whyThe City Is Ablaze! and Record Store Day are a perfect match. Ablaze! fanzine was published in Manchester and Leeds in the late 80s and early 90s by Karren Ablaze!. The best bits of this notorious and outspokenly passionately zine are now available in book format. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox),Dave Haslam (Debris), and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement, and an epilogue by Gary Jarman. This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something. Youll be able to read original interviews with the following bands (in chronological order). Eyeless In Gaza, The Membranes, The Stone Roses, The Inca Babies, Tools You Can Trust, The Bodines,Inspiral Carpets, The Pastels, The Janitors,Happy Mondays, King Of The Slums, The Dust Devils, The Shamen, Cud, Sonic Youth, Dinosaur Jr., The Pixies, Throwing Muses, The Sundays,Thrilled Skinny, Rapeman, UT, Dog Faced Hermans, Edsel Auctioneer, Mudhoney, AC Temple, fIREHOSE, Band Of Susans, Henry Rollins, Live Skull, Kilgore Trout, The Sun And The Moon, The Breeders, Happy Flowers,Silverfish, The Keatons, The Stretchheads,Pregnant Neck, Mayomberos Alive, Fluff,Archbishop Kebab, Nirvana, Pale Saints, Mercury Rev, The Heart Throbs, Babes In Toyland,American Music Club, Hole, Pavement, My Bloody Valentine, Shudder To Think, The Wedding Present, Leatherface, Nation Of Ulysses,Tsunami, Poster Children, Sugar, Moonshake,Hood, and Polvo. 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On the CD: Universal Mutant Repertory Company \"Iras Theater (NYC)\"  Lara Allen The exploits of a high school bad girl and the deprogramming subsequently inflicted upon her, problematic theatrical experiences, her series of consistently eerie paintings of old family photos, acting, and filmmaking. On the CD: The Ragtime Germs \"Im Gonna Kill Myself\" (audio) and Allens The Nightshade Family animation (MPEG)  Jazzkammer Lasse Marhaug chats with David Cotner about mainstream Hollywood flicks, cult films, the Nordic singles scene (both 45s and dating), Norwegian culture, Viking blood, and communication through music and abstract sound with John Hegre, Tore Böe, Del, and Origami Republika. On the CD: Jazzkammer \"Take Me Off Yr Mailing List\"  Astro Hiroshi Hasegawa instructs Dylan Nyoukis in the ways of reaching \"final paradise\" and achieving \"freedom from everything\" via Moog synthesizer, field recordings and computers. He also discusses soundtrack work, collaborations with a whos who of Japanese space noise huffers, and the shocking truth about C.C.C.C. On the CD: Astro \"Inamura Beach\"  The Towne Dandies Geoff Ellsworths homemade, props-heavy musical theater, the history of the band, paying the rent (which can involve processing ham), life under a microscope in a small town, and fledging jingle-writing venture Barefoot Hockey Goalie. On the CD: Towne Dandies \"Underpants Road\" (audio) and \"Welcome Wranglers\" (MPEG)  Paul Dutton Canadian soundsinger and author talks about his work with 70s sound poets The Four Horsemen and free improv trio CCMC, literary efforts and visual poems, the nature of expression through sound, and various giants in the gibberish tradition, from Schwitters and the dadaists through Bob Cobbing. On the CD: Paul Dutton \"Two Due\" and \"May Dues,\" Paul Dutton, Jaap Blonk, Koichi Makigami, Phil Minton, and David Moss \"Esprit dEncore\"  Fake Party Carla Bozulichs Sound.-produced event at the Schindler House, self-described as \"new music dressed up like a party meets a social event disguised as art,\" reimagined as comics. On the CD: \"Fake Fake Excerpt\"  And the usuals-جø¬-?-جø¬- Reviews by Alesandro Moreschi III, Roland Woodbe, Stanley Zappa, Fred Rinne, and S. 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It isnt quite ready yet, and I dont know the price, but dont buy the one on Freedom From. Almost all unreleased material. Y Front, Red Light, Stabat Mater, XX Committee, Story of Failure, Anschluss, IFCO, The Red Disk, New Peculiars, Tart, The Motor of History. 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We also got a chance to visit the frank and humorous, informed and loose world of Pengo, the textural, languid and open landscapes of the Necks, Italian space\/psychedelia explorer Dario Antonetti and Texan Crevices mysterious and atmospheric drones crossed with a puckish sense of humor. 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King (Coachmen, comix) plus one with guitarist Lou Rone, who would probably be best known to you as leader of the early CBGB-era band Cross as well as one-time guitarist for both Kongress and VON LMO, the Screamin Mee-Mees, CRETINOUS CONTENTIONS, Simply Saucer rare photos, family tree and gigography, rare fanzines of the Golden Age (and more), tons of book and record reviews (which make up the bulk of this ish!), plus a CD with live Simply Saucer 1975, the Coachmen, The Battleship, Ethel with David Nelson Byers and Ruby and the Rednecks. I think its the best issue so far.. - Chris Stigliano. With the return of one of the most informative and longest running fanzines out there, editor Chris Stigliano continues his obsession with the arcane minutia of the pre-punk obscuro-underground (musicians AND writers), sub-No New York no wave (more often than not pertaining to Von Lmo) and other high energy sounds. All issues are very highly recommended! Restocked (#25 is from 2003).\u003c\/p\u003e","brand":"Black To Comm","offers":[{"title":"Mag\/CD","offer_id":51856082759,"sku":"742-BLACK TO COMM","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/black_20to_20comm_20_2325.jpg?v=1571717223"},{"product_id":"black-to-comm-24","title":"BLACK TO COMM - #24","description":"\u003cp\u003e2001 issue. \"This issues cover features a nice interview with Doug Snyder of not only Sick Dick and the Volkswagens fame (the NYC no wave band from the late-seventies lower-Manhattan ka-BOOM!, not the nineties group with the same moniker!) but the Doug Snyder\/Bob Thompson DAILY DANCE album which has achieved legendary status long ago, plus theres an interview with the Dogs (Detroit) and Greg Shaw, a piece on the old CANT BUY A THRILL fanzine and the usual feature-length reviews and the like.\" - Chris Stigliano. 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He declined, calculating that he was more likely to get shot than get the money.) to being spat upon by human beings who could not tolerate the disrespect that Dingulation represented to the Hamster Hierarchy of Respectable Entertainment.\\r\\nCharlie Nothing has had many art shows in very established galleries which are no longer in existence. One of the first canvases he ever produced was purchased by the San Francisco Museum of Modern Art circa 1963, after being featured in a show called New York Artists. He has performed in many places and times. Written many songs which were anthologized in the Big Dingulator Song Book,\" which is unavailable. He composed and produced records and tapes as far back as the late 60s. 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Each book, categorized geographically (as in all have sections on the UK, US, NZ, Japan, Peru, Mexico, France, etc, etc.. ), features 1000+ images plus a bit of info on each release (label, year, catalog number, rarity and style). Due to weight each book counts as 3 items when calculating postage. Restocked..\u003c\/p\u003e","brand":"Hans Pokora","offers":[{"title":"Hardcover Book","offer_id":51856230919,"sku":"794-HANS POKORA","price":62.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/A1Hlv2HA24L.jpg?v=1571717225"},{"product_id":"v-a-sound-poetry-a-catalogue","title":"V\/A - Sound Poetry: A Catalogue","description":"\u003cp\u003eRestocked after 2+ years... \"A historic assemblage of texts, essays, statements, biographies, discographies, photos and more. Published in 1978, and still an informative document on some key practitioners of this 20th century art form.\" Edited by BP Nichol and Steve McCaffery. Includes Greta Monach, Paula Claire, Jackson Maclow, Bob Cobbing, Bernard Heidsieck, Paul Dutton, Sten Hanson, Henry Chopin, R. Murray Schafer, Owen Sound, Dick Higgins, Larry Wendt, Arrigo Lora-Totino, Ake Hodell and many more. Original 1978 edition of 1500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eToronto: \u003c\/span\u003e\u003cspan itemprop=\"publisher\"\u003eUnderwhich Editions,\u003c\/span\u003e\u003cspan\u003e 1978. Softcover 8vo in yellow wrappers printed in red and black, with pages printed in black and white. Unpaginated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCatalog compiled and edited by Steve McCaffery and bpNichol for the Eleventh International Sound Poetry Festival held in Toronto October 14 – 21, 1978. Featuring essays and sound and concrete poetry contributions by Henri Chopin, Michael Gibbs, Bob Sobbing, Sten Hanson, Arrigo Lora-Totino, Åke Hodell, Jackson MacLow, and Dick Higgins among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eUnderwhich Editions was a literary publisher of destinctive editions: books, chapbooks, hand-made editions, and unusual formats, as well as audiocassettes of sound poetry, spoken word, and contemporary electroacoustic music.\" - Discogs\u003c\/span\u003e\u003c\/p\u003e","brand":"Underwhich Editions","offers":[{"title":"Book","offer_id":51856240711,"sku":"825-UNDERWHICH EDITIONS","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/442.jpg?v=1668015656"},{"product_id":"palestine-charlemagne-sacred-bordello","title":"PALESTINE, CHARLEMAGNE - Sacred Bordello","description":"\u003cp\u003e\"As one of the most influential figures of experimental music and performance Charlemagne Palestine has remained an enigma. Unlike his illustrious contemporaries Terry Riley, John Cale, Steve Reich and Phillip Glass little has been written on Palestine and his continuing influence. In his own right, he was and remains today a pivotal personality whose research in musical composition and performance has been characterized over the years by its incantatory repetitiveness, its flamboyance and its mysticism, but also by its violence. Born in Brooklyn in 1947 his first musical experiences were as a cantorial singer in the synagogues of New York. Through his contact with Tony Conrad Palestine was soon introduced to the thriving experimental art scene of the late 1960s. The circles around Andy Warhol and La Monte Young provided a crucial backdrop for Palestines work which increasingly extended beyond the scope of music. His groundbreaking appearances, which combined violent piano playing, performance, video and installation, were considered to be amongst the most radical musical experiences, leaving a lasting impression on followers such as Arto Lindsay, Glenn Branca, Sonic Youth, and the Sex Pistols as well as Tintin creator Herge. His musical oeuvre escapes any ready categorisation Brooklyn, is a synthesised drone mixed with field recordings of a festival.-Ç Palestines epic durations, microtonal trembles and dense overtones are reoccurring features in contemporary industrial and electronic music. Palestines unique style of singing, Indian singer Prandit Pran Nath Charleworld, were crucial influences on artists such as Mike Kelley and Paul McCarthy. Through recent collaborations with Barcelona based techno duo Pan Sonic and David Coulter (Kronos Quartet) Palestine remains a crucial contributor to todays experimental music scene. -Ç A wonderful full colour book (size cm. 23,50x18,50), with flexicover, 192 pages including essays, scores, original photos of-Ç both performances and installation. The most complete documentation on Charlemagne Palestine art. The compact disc will feature the 60 minutes recordings of a lecture that Charlemagne Palestine gave on March 7th, 1975 at ArtNow Centre in Canada. After the performance of a strumming music concert, the author freely speaks about his music, the philosophy beyond his composition techniques-Ç and art involving the students in some kind of magic ritual. Starting as a question and answer conversation, the lecture develops into an intimate speech in which particularly private subjects are discussed. The lecture ends-Ç with a particularly touching suspended atmosphere showing how real communication in universities should be. The compact disc also includes a breathtaking multi-layer voice study of the early 1960s never published before on record, very similar in sound and structure to the electronic music studies just issued by Alga Marghen. - Alga Marghen.\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"Book\/CD","offer_id":51856413639,"sku":"910-ALGA MARGHEN","price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/ALGA017BK_CU.jpg?v=1694399495"},{"product_id":"adverse-effect-volume-iii-1","title":"ADVERSE EFFECT - Volume III, #1","description":"\u003cp\u003eLate Summer 2003 Edition + CD. \"Featuring interviews with Pimmon, Cornucopia, Sonic Youth, Co. 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Towers are left in the static and chemical predictions take form. Circles have been baptized with dog liver oil, crosses inverted. Strange masked men gather around the lake to metamorphose into minstrels and troubadours of uncanny spiritual heights, striving for a high heaven. Pengo runs, pushes and smashes ice while moving its way through an iceblock field filled with icey critters. An intruiging unearthly presence that promises to make the dead slumber the earth again. The third track explodes into a brutal reign of thunderous guitar mayhem, pleasing your skull with the force of Thors Hammer. Full speed ahead psychedelic razorblade aimings for the sixth sense, after all youre right in the middle of a sandpaper storm. What remains are the smoking ruins and laughing demons pondering on the borders of hookah transpiration and incomprehensible somatology. Where did the legs go. Coughing up blood in the Tibetan prayer bowl-جø¬-?-جø¬- 24 page book drawn and designed by outsider art geek Dennis Tyfus (covers for Trumans Water, Cassini Division, Bohrbug, Monno, Autistik Youth, Sickboy, Doom and endless work for publications, flyers, books and exhibitions)and silkscreened by Iris Rombouts and Carlo Steegen. This item is massive !!!\" - Audiobot.\u003c\/p\u003e","brand":"Audiobot","offers":[{"title":"CDR\/Book","offer_id":51860101703,"sku":"1265-AUDIOBOT","price":17.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538883-1169617062_jpeg.jpg?v=1571717255"},{"product_id":"hototogisu-s-t","title":"HOTOTOGISU - s\/t","description":"\u003cp\u003e\"Twenty full color images produced by Marica Bassett and Matthew Bower from 2003 to 2005. Recommended for late night viewings when the windows are lit and the television is off. 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Body Music I\" (1973) and \"Body Music II\" (1974) were Palestines first incursions into the video medium. They were followed, from 1974 until 1979, by a series of works that together form one of the seminal and most distinctive bodies of conceptual, performance-driven video of that decade. As a composer, performer and visual artist, Palestine has gained international recognition for his influential music, sound compositions and performances across six decades. His psychodramatic video works of the 1970s, which are less well known, transform and extend his sound and performance art into the electronic medium. Throughout these pieces, Palestine activates ritualistic movements and vocal expressions (hypnotic chants, screams, keening wails) as outward articulations of interior states. The very titles of these fervent enactments suggest extreme physical and psychological catharses, release and escape. Palestines video works of the 1970s are visceral, raw, urgent. While his video works must be seen in dialogue with Palestines music and performances (his signature objects like stuffed animals, cognac, and scarves appear across media), they also speak to the specific conditions of early video art practices and the wider alternative art scene and countercultural sensibility of the era. Palestines unruly, unpredictable performance videos emerged in the context of an equally unruly and unpredictable landscape of art-making in the 1970s. As art practices moved away from object-making towards an emphasis on process, the prevailing discourses of conceptual art and post-Minimalism were manifested in the dematerialized gestures of Body Art and performance, and in hybrid forms such as installation, experimental music, expanded cinema, intermedia art, and video. The nascent video art scene was further cross-pollinated with generative ideas and influences that ranged from technology and television to cybernetic theory and political activism. The presiding spirit was one of experimentation, ad hoc and collective processes, and improvisation, a renegade ethos tracked in the decades underground art from counterculture to punk. The book includes an essay by Lori Zippay titled Body Music: Charlemagne Palestines Video Rituals, a long interview by Serpentine Gallery directorHans Ulrich Obrist as well as a CD with the full soundtracks of \"Body Music I,\" \"Body Music II,\" \"Island Song,\" \"Running Outburst\" and \"Tying Myself Up.\" 254 color pages, A4 size. Co-release with Filipson Editions.\" - Alga Marghen.\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"CD\/Book","offer_id":51861344903,"sku":"15214-ALGA MARGHEN","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5227839-1388139235-6554_png.jpg?v=1571717289"},{"product_id":"wire-the-250-december-2004","title":"WIRE, THE - #250 December 2004","description":"\u003cp\u003e\"The December 2004 edition of The Wire will be the magazines 250th issue. Over the course of those 250 issues, The Wire has developed from a quarterly fanzine covering avant garde jazz and modern composition into an award-winning and widely influential international monthly, with a total average monthly circulation of just under 20,000, that covers a vast array of underground, experimental and alternative music and culture. The December issue of The Wire will carry a special 40 track double CD cover mount, The Wire Tapper 12, the latest volume in The Wires ongoing series of exclusive new music compilations. The CD will be mounted on the cover and given away free with every copy of the issue worldwide. Cover story: The 100 Greatest Riffs Of All Time. From the repetitive, bass driven trance music of North Africa (birthed thousands of years ago, appropriately, in Moroccos Rif Mountains), to the world famous symphonic themes of Beethoven, to the blues hook, jazz head and rock lick, the riff has been a primary tool for injecting music into the memory. 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He introduced elements of popular culture \\r\\ninto his work early on and made substantial contributions to a \\r\\ncritical assessment of the medialisation of art. In this, the most \\r\\nextensive book about Oyvind Fahlstrom to date, Teddy Hultberg charts \\r\\nthe artists predominant lines of creative development and shows how \\r\\nhis cross-genre endeavors were based on a few central ideas: \\r\\ncharacter forms, signs, games and life materials. The present study \\r\\nfocuses on two innovative and extraordinary compositions for radio: \\r\\nBirds in Sweden (1963) and The Holy Torsten Nilsson (1966). These \\r\\nworks can be heard on the two accompanying CD records and are also \\r\\nincluded here in written form. 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He studied under Hiroshi Shiotani\\r\\n (please see below) at Osaka Art Collage. He carries 1 day exhibition series\\r\\n at Otani Memoriam Museum every year since 1997 in Nishinomiya city (between\\r\\n Osaka and Kobe). This CD made for the exhibition and is his first release as\\r\\n sound issue. The sound is made from field sound through 2 vinyl pipes. Their\\r\\n pipes transforms sounds drone, and sometime real sound mixes in it.\\r\\n duration: 12 minutes. - Omega Point. 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Cobbing practiced both visual and sound poetry, and has made more effort than most concrete poets to liberate the text from the page into performance contexts. The unity of the creative project of Cobbing was guaranteed by his division of labour between self-publishing and performance. Cobbing said the ‘the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eABC of Sound\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e made him believe that he could become a professional’. Cobbing made a series of 17 pamphlets and sheets called ‘Processual’ between 1982 and 1985 using his photocopier as a new poetic tool and as the latest mode of production of Writers Forum. Cobbing wrote the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThird ABC in Sound\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e during his 80th year in 2000.\" - Robert Sheppard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"less\"\u003e\"Cobbing describes the first time he used words in a non-semantic way (1959). Now does no belive that there are any distinction beween music and art and poetry and dance. He indicates that he does not notate his sound poems because \"every shape one sees on a page, conjures up a sound - any sound one hears conjures up a pattern, a mark on the page. Ross asks Cobbing about his sound scores [abstract markings] and how he reads these marks. He cites Norman\u003cspan class=\"elipses\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"more\"\u003e McLaren who drew a sound track on film. McLaren stated that \"a thin line will give you a high sound, a thicker line will give you a lower sound. If you make a little tiny point it'll give you a high 'ping,' if you make it a rounder blob, a biggr blob, it'll give you a 'boom'...\" Cobbing indicates than when he makes marks on paper, he writes in sound. Cobbing tells about a painting he made that was exhibited in a library entitled \"Integration alone is not enough\" (1962\/1963) in which Margaret Thatcher, then a local representative saw and pronounce it obscene. She told the librairian that it was obscene because it was full of sperm!\" - Marvin Ruth Sackner\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"more\"\u003e\u003cmeta charset=\"utf-8\"\u003eUnderwhich Editions was a literary publisher of destinctive editions: books, chapbooks, hand-made editions, and unusual formats, as well as audiocassettes of sound poetry, spoken word, and contemporary electroacoustic music.\" - Discogs\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Underwhich Editions","offers":[{"title":"Book","offer_id":51864780103,"sku":"3406-UNDERWHICH EDITIONS","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ScreenShot2022-11-09at12.19.33PM.png?v=1668014383"},{"product_id":"fencott-clive-non-hysteron-proteron","title":"FENCOTT, CLIVE - Non Hysteron Proteron","description":"\u003cp\u003e\"Clive Fencott (born 1952) is a writer and sound poet, a performer associated with the British Poetry Revival,[1] and an academic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFencott was born in Lydney and began writing poetry in the mid-sixties while studying at art college. In 1974 he attended experimental poetry workshops at the Poetry Society organised by Bob Cobbing. From this he developed an interest in improvised vocal performance and went on to perform around Britain, Europe and the USA, particularly at sound poetry festivals. He later worked with Bob Cobbing, and also with cris cheek and Lawrence Upton in the performance group JGJGJG, of which he was a founder member.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the 1970s and 1980s his work was published by small press companies such as: Writers Forum, Pirate Press, Underwich Editions and Bluff Books; and magazines Rawz, Poetry Information, words worth, and Pod. In the early 1990s he began an association with Bill Griffiths, producing two co-written pieces for performance: The Dinosaur Park and Variations on the Life of Cuthbert. Since then his writing has concerned extended poetic prose pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1987 he moved to the North East of England to take up an academic post at Teesside Polytechnic (later Teesside University), where he has remained as a lecturer and a researcher in digital media and video game theory in the School of Computing. He received a PhD in virtual reality theory in 2003 and has over forty academic publications to his name.\"\u003c\/p\u003e","brand":"Underwhich Editions","offers":[{"title":"Book","offer_id":51864780167,"sku":"3407-UNDERWHICH EDITIONS","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ScreenShot2022-11-09at12.36.43PM.png?v=1668015417"},{"product_id":"no-neck-blues-band-qvaris-west-coast-tour-poster","title":"NO NECK BLUES BAND - Qvaris West Coast Tour Poster","description":"NNCK poster package: Qvaris West Coast Tour Poster, designed by Arik Roper ( see his amazing work at http:\/\/www.arikroper.com ), printed by Arthur magazine on heavy poster stock (11x17) plus a free promo poster for Qvaris (9x13). Important note:  includes US media mail shipping and handling (the poster must be shipped individually, in a mailing tube).\u003cimg src=\"\/\/drive.google.com\/uc?export=view\u0026amp;id=0Bw1GqCj0jZ69OGdUcHNyQW5KcUU\" width=\"600\" height=\"883\"\u003e\u003cimg src=\"\/\/drive.google.com\/uc?export=view\u0026amp;id=0Bw1GqCj0jZ69SUdVVFVSWjIxSEk\" width=\"402\" height=\"587\"\u003e","brand":"Sound@One","offers":[{"title":"Poster","offer_id":51864985735,"sku":"3576-SOUND@ONE","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image_cdf1ebb8-3ed7-4c20-8c19-8fe1e059c6d8.jpg?v=1598301529"},{"product_id":"sound-projector-13","title":"SOUND PROJECTOR - #13","description":"\u003cp\u003e\"MY CAT IS AN ALIEN Outer-space guitar duo from Turin, Italy. THE VITAMIN B12 Mysterious art music project based in Brighton UK. RHODRI DAVIES Classically trained Welsh harpist, pioneer of quiet improvisation. RONNIE SUNDIN Ultra-quiet electronicist from Sweden. EDWARD RUCHALSKI Very idiosyncratic and isolationist approach. LEAP-SECONDS Duo of UK minimalist players. MURMER From experimental theatre to field recording assemblage records.\" - Sound Projector.\u003c\/p\u003e","brand":"Sound Projector","offers":[{"title":"Mag","offer_id":51865461703,"sku":"3797-SOUND PROJECTOR","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/sp13_cover2.jpg?v=1571717421"},{"product_id":"sound-projector-12","title":"SOUND PROJECTOR - #12","description":"\u003cp\u003e\"PETER STAMPFEL - the veteran USA songster PHILIP JECK - modern UK master of the avant-turntable, LASSE MARHAUG - The Norwegian God of Roaring Noise, GREG KELLEY - American underground trumpet nose-blaster and all-around longhair, GUILTY CONNECTOR - the young, well-meaning but strangely ineffectual Japanese obnoxio-noise merchant, JEAN-MARC FOUSSAT - shy Algerian makes good with his lips, and through mastery of the VCS3, PAUL WINSTANLEY - murmuring vaguely about his obscure solo electronic \/ improv projects in New Zealand.\" - Sound Projector.\u003c\/p\u003e","brand":"Sound Projector","offers":[{"title":"Mag","offer_id":51865461959,"sku":"3798-SOUND PROJECTOR","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/sp12_cover.gif?v=1571717421"},{"product_id":"destroy-all-monsters-geisha-this","title":"DESTROY ALL MONSTERS - Geisha This","description":"","brand":"Book Beat","offers":[{"title":"Book","offer_id":51868448071,"sku":"4292-BOOK BEAT","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6385034-1417941755-9793_jpeg.jpg?v=1571717461"},{"product_id":"hallock-hill-the-union-a-hem-of-evening","title":"HALLOCK HILL - The Union\/A Hem of Evening","description":"\u003cp\u003e\"TOM LECKY stacks and layers acoustic, electric and lap steel guitars, delivering a new kind of studio improvisation-spontaneously made, yet feeling composed, gliding from harmonious to dissonant. MIE Musics vinyl reissue of his debut CD (Hundred Acre 2012) sweetens the deal with A Hem of Evening: six interlocking acoustic pieces that extend the structural themes of The Unions central acoustic tracks. Lecky again works with a range of overlapping improvisations and twisted melodic weavings, but here within a more naked and spare atmosphere. The Union is structured by continually stacking great density of sound and involutions, but A Hem of Evening works with a different geometry. 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Die Todliche Doris are still widely considered one of the most radical, intelligent and influential German avantgarde bands of the last two decades. Now this DVD brings the music of the legendary, long unavailable LP Geh_ɬ_rlose Musik from 1981 back to life -- in the guise of gestures, signs, interaction and movement. Each DVD is hand-numbered and available only in a limited edition of 1,000 -- once gone, will be gone forever. In November 1998, Wolfgang M_ɬºller, founder of Die T_ɬ_dliche Doris, decided to re-release the bands sought-after and long unavailable first vinyl LP. However, not as sound, but as a gesture: sign language interpreters Dina Tabbert and Andrea Schulz translated and reshaped the lyrics and music of the album using nothing but signs and gestures. The result of this transmutation is a \"soundless\" music, expressed entirely within and through the body. Many hearing-impaired people -- and an equal amount of those who could hear just fine -- made their way to the Prater at the Berliner Volksb_ɬºhne to witness this process as part of a series of events called Geh_ɬ_rlose Musik (music for the deaf or \"soundless music\"), initiated by \"Freunde guter Musik\" (friends of good music). And the result is no dance, no performance, no music -- it constitutes a new form of art defying conventional definition. The DVD can be played in sign language option, or music option and also contains an interview with Wolfgang M_ɬºller as well as a 24-page booklet with writing and photographs. Comes encased in a slip-lid box with banderole. Format: DVD 5; Language: German; Subtitle: German\/English; Format: NTSC, 4:3, Region: 0; Time: ca. 60 min. Booklet: 48 pages, German\/English.\" - Edition Krothenhayn. 2006 release.\u003c\/p\u003e","brand":"Edition Krothenhayn","offers":[{"title":"DVD\/Book Box Set","offer_id":51869319687,"sku":"4462-EDITION KROTHENHAYN","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EK001DVD_PROD.jpg?v=1576668666"},{"product_id":"v-a-wooden-octopus-skull-2006-pfestival","title":"V\/A - Wooden Octopus Skull 2006 pFestival","description":"\u003cp\u003eOriginally these program guides were given to the ticket purchasers for the pFest in Sep.\\r\\n10x10\" pro printed magazine, 32 pages, full color cover with art by Santos. Magazine contains info\/bios\/interviews\/photos of the 2006 Wooden Octopus Skull artists line up including:\\r\\nJapanese New Music Festival (Acid Mothers Temple SWR, Ruins Alone, Zubi Zuva X, Zoffy, Akaten, Scikazoku, Shrinp Wark)\\r\\nMidmight (of Hans Grusels Krankinkabinet), MV Carbon (of Metallux), Dialing In, Tovah Olson (of Dead Machines, Wooden Wand \u0026amp; the Vanishing Voice), Laticia Casteneda, Replicock (Jackie of Smegma teamed up with Angie Sharkieface), 16 Bitch Pile-Up, Amber Asylum, irr.app.(ext.), Ear Venom, Soriah, Waldteufel (members of Crash Worship). Magazine also contains the most up to date and complete discographies of the Noise night artists + a pro pressed CD with exclusive tracks by these artists as well: Wolf Eyes (2 pages worth of discog!!!), Dead Machines, Double Leopards, Yellow Swans, Hive Mind, Cherry Point.\" - Enterruption.\u003c\/p\u003e","brand":"Enterruption","offers":[{"title":"CD\/Book","offer_id":51869757191,"sku":"4602-ENTERRUPTION","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_0f4e6042-f3e7-4f7e-9716-0cc2911e8a36.png?v=1571717484"},{"product_id":"200lb-underground-1","title":"200LB UNDERGROUND - #1","description":"\u003cp\u003e\"Limited re-print of the first issue from way back in Novermber of 96 done up to celebrate the ten year anniversary of the mag. Interviews with Brian McMahon of The Electric Eels, Ed Flowers of Crawlspace, Moosheart Faith plus fiction by Jim Shepard, a Brother Love tour diary and a buttload of reviews.\" - 200lb Underground.\u003c\/p\u003e","brand":"200lb Underground","offers":[{"title":"Mag","offer_id":51870410375,"sku":"","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_923eb95f-a9c0-4a0c-af43-1d43429effe3.png?v=1571717490"},{"product_id":"5001-record-collector-dreams-5001-record-collector-dreams","title":"5001 RECORD COLLECTOR DREAMS - 5001 Record Collector Dreams","description":"\u003cp\u003eHardbound, full color depictions of ULTRA-rare, upper echelon 60s \u0026amp; 70s (some 80s) private press psych, folk, prog, garage, underground and experimental LP jackets. Each book, categorized geographically (as in all have sections on the UK, US, NZ, Japan, Peru, Mexico, France, etc, etc.. ), features 1000+ images plus a bit of info on each release (label, year, catalog number, rarity and style). Restocked (all earlier volumes are out of print).\u003c\/p\u003e","brand":"Hans Pokora","offers":[{"title":"Hardcover Book","offer_id":51871930759,"sku":"","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_4f01054b-0efd-4aef-b9e9-eba2dd0ed5fc.png?v=1571717514"},{"product_id":"wandering-archive-one","title":"WANDERING ARCHIVE - One","description":"\u003cp\u003eBeautiful soft-bound fiction journal published in 1998. \\r\\n100+ pages of writing, art, and color photos by the community surrounding NNCK and its Hinthouse\\r\\nenvirons, including members of the band as well as Graham Lambkin (SHADOW RING), John Godbert, Daniel Carter. \\r\\nPreface by Bryon Coley, and full color cover art by Rob Thomas of Sunburned Hand. Previously\\r\\nthought sold out, a few copies were recently unearthed. - S@1.\\r\\n\"Somehow these Wandering Archive folks have managed to condense what reads like one big cut-up\\r\\nbetween The Ticket That Exploded by William S. Burroughs, The Atrocity Exhibition by J.G. Ballard,\\r\\nsome of the more wacked-out Faulkner (Absalom, Absalom or Oxford Pigeon), poetry from the back\\r\\ncovers of random free jazz albums, and the manifestos and memoirs of convicted serial killers.\"\\r\\n-Tony Rettman, Blastitude.\u003c\/p\u003e","brand":"Sound@One","offers":[{"title":"Book","offer_id":51872883143,"sku":"5352-SOUND@ONE","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_35d7c408-33ea-46e0-a603-033e7defd38f.png?v=1571717521"}],"url":"https:\/\/www.fusetronsound.com\/collections\/books-etc.oembed?page=3","provider":"fusetron","version":"1.0","type":"link"}