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Sonoris

BOKANOWSKI, MICHELE - Musiques De Concert

"This four-CD box edition collects all concert music by Michèle Bokanowski, a composer of electroacoustic music living in Paris, France. Passionate about music from childhood, it wasn't until later, at the age of 22, after reading À la recherche d'une musique concrète by Pierre Schaeffer, that she decided to study composition. After classical training in harmony, she met Michel Puig, a pupil of René Leibowitz, who taught her writing and analysis upon Schönberg Theory. In 1970, she began a two-year internship at the Research Department of the ORTF under the direction of Pierre Schaeffer. Between 1973 and 1975, she took part in a research group on sound synthesis, studied computer music at the University of Vincennes as well as electronic music with Éliane Radigue. She mainly composes for concert and for cinema (music for Patrick Bokanowski's short films and for his feature films L'Ange and Un Rêve solaire). She has also composed for television, theater and dance. In her music, often infused with a mysterious atmosphere, she uses evocative and poetic concrete sounds, with a mastery of looping and feedback techniques and with an art of cinematic editing. "Why musique concrète is so attractive to me, as opposed to written music? To write music implies that an idea or a thought is at the origins of the composition and that the final thing is the sound rendering of this thought. The sound is at the end of the line, in other words. Musique concrète is the exact reverse of this process: you start from sounds... sounds that will perhaps lead you to a constructive thought. Here, it's the material that induces the thought, or the writing. The possibilities of finding or inventing new sounds and, therefore, new forms are tremendous, infinite... Moreover you can use chance to a much greater extent." (Excerpt of an interview with Michael Karman for Asymmetry Music Magazine, 2007)
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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