"K2 is the personal noise project by Kimihide Kusafuka, originally came onto the scene in 1981, in order to explore the possibility of noise. Along with Hijokaidan, Merzbow, and Incapacitants is one of the most notorious and seminal Japanese noise artists. Widely known in the community as the king of metal junk his work consists in amazing assemblage of crashing, creaking, and scraping sounds made with pieces of junk metal plus concrete music and voice, edited in a jarring, unpredictable style and often accompanied by the sounds of MTR, Monotron, and other analog electronics. On the other hand, he is also a surgical pathologist and has been writing many medical papers, especially about salivary gland tumors. K2 perceives no alteration between the act of making noise and the act of science and he practices a kind of alchemy through his noise. He sets one's sights of metamorphosize himself with both the awareness he gets from his scientific experiments and the emotional strength he obtains from performing and listening to noise. Kusafuka also ran his own record label from initial period of his activity and released a lot of amazing and terrific tapes. Burst After Burst collects the recordings of six cassettes made over six years and all released during the first part of '90s on Kinky Music Institute label, apart from Destruction For Model Citizens released on Self Abuse Records (1996). The tapes reissued are Materia Informis (1998), Autopsy Soundtrakks (1993), Souls Are Kontroled By Molekules (1993), De Novo (1994), Rusty Tongue (1996), and the previously revealed Destruction For Model Citizens. All audio was taken directly from the original DAT masters held by the artist and released in six CD wallet, with artwork got from original tapes cover and tailored for wallet, enclosed in an elegant blue wooden box with laser engraving on the top (with artist and title lettering) and inside (with Kinky Music Institute pussycat logo). Box include an A4 size foldable from original '90s era made by K2 and a numbered certificate in 300 copies." - Urashima .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.