The Tapeworm


Sabina is a suite of improvised music about nature and magic. About the kind of traces one leaves or want to leave on Earth. All music on this tape (except Heavy Sand") was improvised and recorded in one take in Corbeil-Essonnes, France, during the last week of October 2015. Recorded, mixed, and mastered by Richard Francés. Cover art by Simon Scott. Francés is a French composer and musician born in Alicante, Spain, in 1981 and based in Paris at the time of this release. His Acid Fountain project seeks to bring together abstract and representational art, improvisation and composition, and experimental and dance musics. Other projects by Francés include Juju, his "électronique libre" duo with Adrien Kanter. He also composes, arranges, and tours with French pop artists such as Owlle and Adrien Soleiman, to name but two. . . . As a live performer, he has worked on Julien Lheuilliers kosmische musik project Pointe du Lac and in 2015 he collaborated with the French art dance collective (LA)HORDE. Previously, Francés played drums and synthesizers with French underground psych/kraut/drone band The New Reformed Church of Napalm Katia. In January 2015 Francés founded Hylé Tapes, an experimental electronic music label releasing limited-edition cassettes by international artists like Takahiro Mukai, Raphaël Leray, D. Burke Mahoney, Jay Glass Dubs, and Mortuus Auris & The Black Hand." - The Tapeworm.

  • Sale
  • Regular price $8.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out