Adam Basanta is a Montréal-based sound artist and experimental music composer. His sound installations investigate intersections between sound reproduction, consumer technologies, and the activity of listening. To create A Room Listening to Itself, the artist produced sound exclusively through amplification techniques that make audible the physical relationships between microphones and reclaimed speaker cones within a gallerys surrounding acoustic environment. In this work, eight iconic SM58 microphones and eight reclaimed speaker cones are dispersed throughout the gallery space, arranged in a manner that produces complex computer-controlled feedback and recursive amplification networks. Using these acoustic phenomena, the gallery space is turned into a giant resonator that amplifies acoustic space as a product of spatial relationships. Custom-built software algorithms constantly recalibrate the room to ever-changing acoustic situations, aiming for a sonic equilibrium that remains out of reach. The result is an ever-changing spatial composition encompassing ambient passages, resonant chords, and rhythmic activities -- created solely using feedback -- through which gallery visitors can navigate. Finally, a mention should be made that the album was recorded live at the Center for Contemporary Arts, Santa Fe, NM, in August 2015. - Cassauna.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
++ EMAIL SUBSCRIBERS GET FREE MEDIA POSTAGE ON ORDERS OF $100 AND UP THROUGH JUNE 23++