>
<

Vitrine

BENTLEY, MEL - Red Green Blue

Algorithmic language detritus. Tape devolution. Queasy string work and pescatarian poetry. Vitrine closes out its Fall batch with the first audio publication from Philadelphia-based writer and artist Mel Bentley. This follows such strong showings as 2013-¢‚Ǩ‚Ѣs & parts, released as a chapbook through Damask Press. Red Green Blue collects a wide berth of live performances and stray discomfort. Bentley-¢‚Ǩ‚Ѣs writing evokes Black Tarantula-era Kathy Acker bisected by Ron Silliman and the panoply of Nathaniel Mackay. Aggregate Internet waste and epistolary diversion. Red Green Blue-¢‚Ǩ‚Ѣs melange of text, field recordings, free improv intersections and tape manipulation harkens back to the openness of cassette magazines such as Underwhich Audiographics or Edition S Press. The Dundee Telegrams by the Paxton Group and Paula Claire is a somewhat probable touchstone, though there is a palpable vitality to these sonic extensions unfettered by reference or deference. Recitation ranges from the languid to the deadpan to a heated stumble of apprehension. There-¢‚Ǩ‚Ѣs a freeness to these live recordings, as Bentley presents a variety of perspectives to approach the writing. The latent air within the performance space, the shuffle and cough of the audience and a torrent of rain fall on Baltimore Avenue are all given their opportunity alongside the character of Bentley-¢‚Ǩ‚Ѣs formidable poetry. -¢‚Ǩ-ìWhy can-¢‚Ǩ‚Ѣt I dig my way out of a personality.-¢‚Ǩ¬ù Limited to 100 copies. - Vitrine.
  • Sale
  • Regular price $8.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms