"Ung Dansk Kunst's Tapeserie [Young Danish Art's Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each. The 10 works were published all at once and were announced in the leaflet Ta' Information, where five advertisement-like descriptions, designed by the artists themselves, presented five of the works in the series. The work consists of a two-hour recording of Bjorn Norgaard humming. Non stop and with no edits. The recording is rough, it crackles and distorts and bears the marks of being made without consideration for sound quality or microphone technique. It sounds like Norgaard is humming "“ as one does "“ anything that comes to mind. Everything he can think of. Phrases by Vivaldi, Beethoven and bits of Aida and several children's songs pop up in the course of the two hours. 'Indtil doden udfrier mig' can be considered a performance "“ or action, which was Norgaard's preferred term "“ on tape. Not as a documentation, but as a mediated performance which takes place in real time as one listens to the tape. The recording time is reflected in the listening time, the work's time directly mirrors the listener's. 'Indtil doden udfrier mig' utilizes the same strategy as many of the happenings of the time: Simple, more or less unmotivated actions performed consistently and mechanically by the performer, who does not act in a fiction, but performs as themself in the same reality as the observer "“ with the difference that the tape piece transposes the listening experience from the performance in time and place. Transferred from an original edition from the sound archive at Museum of Contemporary Art, Roskilde, Denmark." - Institut for Dansk Lydarkæologi.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.