"Controlled Death is a new project by the Japanese noise legend Maso Yamazaki, aka Masonna. In April 2018, he decided to make a shudder debut with first album, Symphony For The Black Murder. In this release, Maso Yamazaki tried to commit to the dark side of psychedelia deepest in his own projects history and surprised the fans, but as soon as it gets excited, it is the second work the wooden black box Journey Through A Dead Body (LP) and Deathwish Tapes 1-3(CD + two cassettes). Cracked minimal electronic sound by Korg MS-20, unclear and disturbing voice, corroded drone effect, with the influence of primitive black metal and dark ritual in Journey Through A Dead Body LP which developed a moisturized doom world while wearing a raw material texture. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting: a perfect journey through a dead body. And the sound contained in the CD and two cassettes called Deathwish Tapes 1-3 are direct feeling which developed the idea at the time to making Journey Through A Dead Body. In order to record it, it is said to be connected to a microphone at the input of the Korg MS-20 and recorded on a cassette tape with a single recording. It is nothing to call it mindfuck, its freshness is only fear. The activities of Controlled Death are like archaic revival to the music experience before Masonna. You will also find the pathology image of the early industrial period and the shadows of Vienna activism, such as Hermann Nitsch. The existence and art that pierces through conspicuous consciousness and dives to areas of unconsciousness due to death and pleasure. While taking death as the strongest drug, the season of second summer of death industrial is coming. About two hours and 30 minutes of astonishing storm of echoes that bangs it into your head. The wooden black box comes with LP, CD digipack, and two cassettes plus postcard, insert, business card, and sheet with notes in Japanese by Tamotsu Mochida(noise/industrial music critic in Japan, the organizer of "Anatano Kikanai Sekai" connect spiritualism and occultism to music and the author of Industrial Music for Industrial People). Edition of 199" - Urashima.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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