Very small stash of original printed boxes from the long out of print 1986 release found by Jan Slowscan in storage so he put together a few more of these w newly dubbed cassettes. "Blurred Genres is a cycle of pieces composed for the dance by Susan Foster. The pieces are all concerned with either just tuning systems or polyphony with complex (often times unpitched) timbres. Stylistically the first, third and fifth pieces are devoted to the sustained, unfolding sonorities only possible with electronic sound, while the others subject various musical conventions to stylistic abuse" - Ron Kuivila.
"Ron Kuivila is a sound artist and composer. He creates instruments of his own design for performances as well as installations. Kuivilas work challenges what one can hear simultaneously. He samples sounds from many different situations, and he is influenced by nature as well as artifice. Prior to receiving his 2008 Grants to Artists award, Kuivila had shown his sound installation work at MASS MoCA (1999-2007); V2 Organization, Holland (2000); and Donaueschinger Musiktage, Germany (2000); WDR Spring Festival, Germany (2002); DeCordova Museum, Massachusetts (2003-2004); and the Moyland Museum, Germany (2007); among others. He had also performed at BYOL Festival, Italy (2003); Center for Contemporary Music at Mills College (2004); Diapason Gallery, New York (2006); and the HFG Karlsruhe, Germany (2006)."
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.