SCHNEIDER & STEFAN GOLDMANN, TOM - Strictures, Livres I & II
"The works on this cassette are based on a historic recording of "Structures I" by Pierre Boulez. Tom Schneider cut it into shreds -- samples which he then mapped onto a MIDI keyboard, ready to be played freely while pulverizing any overarching structure. In addition to improvisational reshuffles, acts of sock-puppetry join the resulting collection: The thinking behind other seminal works for piano such as John Cage's "4'33" and Helmut Lachenmann's "Guero" are linked to the audio or parametric content of "Structures". "0.433" takes the original recording's pauses and sequences them into a bumpy stretch of silence. For "Boulero", temporal and tonal properties of one of the underlying works drive the shape of the other. Further pathways open up through MIDI data-extraction, generating new layers, organized into musical units which then can be played on a keyboard: Authentically serialist extensions of the limited parameters available to the pen and paper of the original composer. Stefan Goldmann's remixes of Schneider's work are based on different types of MIDI data-extraction, with the results being routed to FM synthesizer presets. Further historic concepts and techniques are filled with the shreds of "Structures" -- one of Schneider's selective loops is "phased" with two different durations rubbing against each other. The focus however is on spontaneous order and emergent phenomena. Different MIDI-fication methods escalate from solo piano to robotic fusion trio in three steps. "Str_ct_r_s" is driven by multiple layers of the same material, slightly trimmed back into half-coherent shape by broad-brush deletion of MIDI notes. Most extremely, Schneider's "0.433" is restored to Cage's original duration by plain time stretching. The detected MIDI information is thus entirely accidental, with automation conjuring content out of the void. Tom Schneider is a pianist and composer. As a member of the trio KUF, he has released three albums and performed extensively across Europe and East Asia. Sampling is integral to his work, which he applies to band interaction in multiple ways. Stefan Goldmann is a composer and DJ of electronic music. His work offers close re-examinations of the aesthetic and technological foundations of techno, from shifting meters and designing tuning systems to re-imagining the technological fundamentals of storing music. Cassette only in an edition of 100. Illustration: venoztks." - The Tapeworm.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.