Bobby Brown exists beyond being. Bobbys documented music covers a dynamic emotional and spiritual terrain, his vocals, ever prominent, traverse six octaves of sound. Bobbys understanding of — and unbending faith — in physics and technology manifest in unbelievable instrumental and intellectual innovations. Bobbys dedication to the fundaments of peace and love radiate across time and space.
Operating at the fringe of the early 70s psychedelic and folk spheres, his 1972 self-funded and released debut album, The Enlightening Beam of Axonda, demonstrates the many cosmic qualities of Bobby Brown. Beyond Bobbys voice and message, the most beguiling aspect of Enlightening is “The Universal One Man Orchestra,” a 311 stringed instrument implementing aspects of the Irish harp, koto, sitar, thumb piano, dulcimer, drums and flute and “designed to be as small as possible and placed on racks so as to be be played from one spot.”
Bobbys description of the instrument (“primitive, contemporary, and futuristic”) may also serve as a description of the album itself. At once an intimate invocation and a universal journey of earthly and otherworldly proportions, the album ruminates on the vacillating cultural climate of its time and a prayer for a more peaceful place and existence, Axonda. The following two albums, Live, which was performed solely to his dog Mom and recorded after Bobby opened in concert for Fleetwood Mac 1978, and 1982s Prayers of a One Man Band, which added hints of popular flavor with a more outward social commentary and comedy, continue along Browns illuminated path, spinning tales of his spiritual home in Hawaii, of love, and of total religious unity.
Almost thirty years later, Bobby and RVNGs Matt Werth struck up a friendship on the back of an e-mail introduction from Douglas Mcgowan of Yoga Records. After years of correspondence, Bobby and Matt revisited some of the many stories theyve exchanged at the Berkeley Art Museum on an invitation from David Wilson to participate in a multi-dimensional residency, The Possible. Bay Area artists Kaitlyn Aurelia Smith and Austin Cesear complimented the discussion with new musical interpretations of Bobbys work. A recording of Smith and Cesears performances alongside Bobby and Matts talk and a compassionate array of photos taken by Aubrey Trinnaman have been collected as a limited cassette and art book edition available now from RVNG Intl.. - Rvng International.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.