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Black Truffle

AMBARCHI/FENNESZ/PIMMON/REHBERG/ROWE - Afternoon Tea

"It's the people involved in Afternoon Tea -- originally released in 2000 on German label Ritornell and now reissued on Black Truffle with a new master, bonus tracks and newly discovered live recordings after years of being out of print -- that ensured it was more than a happy accident. The twin guitar presence of AMM's Keith Rowe and Oren Ambarchi and kindred spirits of the laptop -- Sydney's Pimmon, Vienna's Christian Fennesz and Peter Rehberg -- made it a momentous day. With all the players coming together during the 2000 What Is Music? Festival (co-curated by Ambarchi), Afternoon Tea stands as a highpoint of the then-emerging intersection between Powerbook performance and guitar improvisation. All subtlety, nuance and detail, it is a revelation of restraint. Built on a steadying flow of burbling rhythm, the quintet slowly weave around each others' sonics in layers, creating a tonal palette immersive in its atmosphere and magnetic in its compulsion. Hindsight clearly reveals the heart of these pieces -- important to note considering they were recorded at a time when laptop performance was an alien concept to many in experimental music, suffering controversy and backlash as well as an over-abundance of pale approaches from many who took it on as novelty as opposed to serious musical pursuit. Those involved in the Afternoon Tea session left their Australian tour inspired, citing their performances as a direct influence on their following work. Many great live recordings were spawned from the tour itself, including Rehberg & Ramon Bauer's passt and Fennesz's Live At Revolver (both on Touch), as well as Fennesz's collaboration with New Zealand's Rosy Parlane (released on Synaesthesia). Additionally, the seeds were sown for the Fennesz classic Endless Summer from 2001 (Mego). Afternoon Tea remains one of the quiet and real achievers for experimental music of the past decade." - Black Truffle .
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  • Regular price $9.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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