"First published as a vinyl LP in 2011 (Tochnit Aleph) this extraordinary work by Polish conceptual artist Artur Żmijewski is available on CD. Eight-panel digipak; edition of 300.
From the liner notes: "In 2001, Artur Żmijewski created the first part of the project 'Singing Lesson' in the Augsburg Evangelical Holy Trinity church in Warsaw. Accompanied by an organ a choir of 'deaf-mute' children sang the 'Kyrie' from the 'Polish Mass' by Jan Maklakiewicz (1899-1954). Among the cacophony of sounds uttered by them you can hear the words of the confession of faith: 'In this holy place, in this holiest place, our voice rises to you and erupts as the sea roars from the deep abyss. O Christ, hear us! O Christ, listen to us!' The second part of the project ('Deaf Bach') was realized in 2002 in St. Thomas Church in Leipzig, in which Johann Sebastian Bach for many years was a cantor and where he was buried. 'Deaf-mute' or severely hearing-impaired children sang Bach's cantata 'Herz und Mund und Tat und Leben' (Heart and Lips and Deed and Life)."
Violetta Sajkiewicz: "Along with admiration for the efforts of the deaf we feel an uneasiness caused by our deeply hidden aversion towards that which -- like cripplehood -- was removed from our consciousness: fear of ourselves, which is an inner mold of repulsion projected onto outside phenomena. Żmijewski's works convince us that neither suffering nor different kinds of physical dysfunction or social norms are able to kill the joy of life. The children singing Bach every so often snort with laughter as if they were trying to accustom themselves to the situation in which they found themselves, thus making it 'normal'. They whoop it up, forgetting the fact that the lesson in which they participate is beyond the social role ascribed to them, that it is an anomaly, a freaky idea. It is also a musical hybrid, a mix of the sounds uttered by the deaf children and the voice of a professional singer, a negation of all the rules, a mixture of the evenly-tempered baroque system and elements of modal and atonal music."" -Tochnit Aleph.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.