BLECHDOM, KEVIN & EUGENE CHADBOURNE - The Chaddom Blechbourne Experience
"On the final day of the Festival, Eugene Chadbourne, the unique North Carolina advocate of hillbilly anarcho-improv, took the stage with Florida-born techno-conceptualist Kevin Blechdom (born Kristin Erickson) -- with long hair and gender-ambiguous coveralls, she might have been an adolescent male of the rural American South -- in a program devoted largely to banjo duets and country-fried vocals. The performance by The Chaddom Blechbourne Experience was very funny. Blechdom sang vacuous material with real passion, while Chadbourne fragmented idiomatic five-string banjo with chaotic runs. The whole event was genuinely strange (Chadbourne popped helium balloons and inhaled the escaping contents for instant falsetto) and immensely entertaining."--Stuart Broomer, Musicworks, Winter 2007. "New, surprising ideas still sneak into the mix. Take, for example, the (mostly) banjo duo of Eugene Chadbourne and Kevin Blechdom: closing a set which swerved deliriously from tipsy Americana to Syd Barrett-era Pink Floyd covers, the pair goofballed 'Dueling Banjos.' Kevin (actually a woman) humped her banjo, and the pair enacted an onstage, starter pistol gunfight. Voila, a double whammy FIMAV first, with gunplay and sex with instruments!"--Josef Woodard, Santa Barbara Independent, June 2007." - Victo.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.