"In 2013, Claire Chase instigated a project designed to cultivate an entirely new body of work for flute. A MacArthur Fellow, Harvard professor, and indomitable musical force who cofounded the International Contemporary Ensemble, Chase began commissioning work, with the idea of doing so until the centennial of Edgard Varèse's seminal flute solo "Density 21.5," in 2036. This deluxe four-CD set is the first fruit of these commissions, realized in the first three years of the project, featuring 18 works by 16 composers, including the multi-part album-long composition "Pan" by Brazilian-born Marcos Balter. Composers wrote for all members of Chase's flute family, from piccolo to "Big Bertha" (her contrabass flute), as well as electronics, voice, and a handful of other instruments. Tyshawn Sorey performed percussion on his contribution and Suzanne Farrin played Ondes Martenot on hers; Roomful of Teeth collaborate with Chase on one piece, and sound designer Levy Lorenzo handles electronics throughout. Participants come from a wide range of creative contemporary music circles; they include Richard Beaudoin, Nathan Davis, Jason Eckardt, Dai Fujikura, Vijay Iyer, Felipe Lara, Mario Diaz de Leon, George Lewis, Pauline Oliveros, Pauchi Sasaki, Francesca Verunelli, and Du Yun, as well as the historical work by Varèse. The exquisitely detailed recordings of Density 2036 were made at the Meyer Sound Laboratories in Berkeley and session-produced by Matias Tarnopolsky over the course of four years, with no overdubbing or corrections, presenting Chase's incredible musicality in all its glory. This monumental program comes packaged as two double-CDs, sporting cover art by German artist Jorinde Voigt (with whom Chase has collaborated) and liner note essays by Suzannah Clark, John Corbett, Jennifer Judge, and Steven Schick." - Corbett Vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.