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Macro Recordings

CHAVEZ, MARIA - Plays (Stefan Goldmann's 'Ghost Hemiola')

"Turntablist and sound artist Maria Chavez turns in her first continuous full-length audio work. Plays is a DJ mix CD that doesn't feature any tracks. It is a remix of a work whose original doesn't feature recorded sound. It is a minimalistic yet complex electroacoustic work, literally built from scratch, bootstrapping sound out of sheer silence: creatio ex nihilio. The story of this album starts with a record given to Chavez as a birthday present. It is Stefan Goldmann's Ghost Hemiola (MACROM 022R-EP, 2013), a double vinyl set of empty locked grooves. The record contains no sound whatsoever other than the vinyl's own surface noise. Chavez's work with records and turntables usually features a rich layer of recorded audio which is transformed, cut up and rearranged by a wide range of fearless physical manipulations. By contrast Ghost Hemiola is a blank canvas, unveiling her craft in its purest form, unobstructed by any audio content other than the sounds of the medium itself. Breaking up the medium is happening both ways here, literally as well as figuratively. Unlike with her live performances, for Plays Chavez employs digital processes extensively, zooming into minute details of sound and the artefacts of both mediums, the tangible vinyl record and disembodied digital audio. Narrowing down shards of sound to extremely short frames creates metallic timbres, reverberating quasi-spaces, and percussive layers. Slowing down the tempo until sound halts at one sample of its digital representation brings forth emergent frequencies, which Chavez then uses to play melodies -- vaguely resembling her analog technique of playing melodies by skipping a stylus back and forth across a test tone record. This thorough investigation of the unobstructed vinyl medium with digital means is distilled into a one-hour composition on this album. By the way -- Chavez and Goldmann share the same birthdate." - Macro Recordings .
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  • Regular price $16.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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