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XI

CHILDS, MARY ELLEN - Kilter

1999 release. "Kilter is significant as a title because it displays Mary Ellen's habit of insisting we remember what, if left to ourselves, we'd be quite happy to forget. She's moved on, compelled like the rest of us to negotiate a strange, often lovely land, in an oddly menacing time. What she writes are signposts in that land, or lanterns which led the way home one night" --Bill Morelock, NPR. "In 'Parterre' transformation works as an almost psychedelic fantasy. Childs juggles a kaleidoscopic assortment of musical colors that are presented as layer upon layer of energized pulsations. These colors later develop and mutate with a wonderfully rich and warm sense of expansion. Childs creates a world where we feel anything could happen -- a truly universal world that's primordial in its understanding of humanity. In the work of Minneapolis composer Mary Ellen Childs, transformation is used to guide carefully and interpret the combined emotional and intellectual experience" --Bunita Marcus, Elle. "An enveloping and entrancing audio quilt composed of organic reeds, sylvan accordion, timepiece xylophone, seductive polyrhythms, and somewhat histrionic wordless vocals. 'Parterre' is an altogether surprising, accomplished, beautiful work that creates its own little universe" --Tom Surowicz, Twin Cities Reader. Performed by Guy Klucevsek (accordion), the SoHo Quartet (Mary Rowell, Mark Feldman, Lois Martin, Erik Friedlander), Relâche (clarinets, saxophones, bassoon, accordion, voice, perc.), Anthony de Mare (piano), Kathy Suprov (soprano), Dora Ohrenstein (soprano), Phillip Bush (piano).

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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