"Japanese version, regular jewel box packaging (please note, this is also out in the US on Impulse!). Japanese version features one exclusive track not found on the US version: "Part 1: Acknowledgement"(as written by John Coltrane, for the first section of Love Supreme). With Charlie Haden, Jack DeJohnette and Ravi Coltrane. "Translinear Light is Alice Coltrane's first recording in 26 years, since she withdrew from active performing and recording in the late '70s to open an ashram and devote herself primarily to spiritual pursuits. The astonishing fact of Translinear Light is that Alice Coltrane's artistry is as fresh, complete, and compelling as in any of her celebrated works of thirty years ago or more. Her rigorously inventive approach to the music overflows with richly harmonized, exquisitely embellished ideas. Playing acoustic piano on tracks like her own 'Translinear Light' and John Coltrane's 'Crescent' she shows all the dexterous and imaginative powers at her command, from shimmering arpeggios to powerful thrusting chords. She authoritatively exploits all of the instrument's tonal and harmonic possibilities from the rumbling bass to the tinkling top wind chime notes. Though she doesn't play the harp on this recording, she often makes the piano sound like a harp. In her idiosyncratic voicings on the Wurlitzer organ, the profound influence of Indian and Eastern music can be heard, with bent notes and a raga-like approach to improvisation, as on her arrangement of the traditional Hindu hymn 'Sita Ram' which opens the album. For Alice Coltrane, it is clear that all music is devotional music. Translinear Light is a logical extension of the spiritual and musical path that John and Alice Coltrane began together. It is radiant, cosmic, psycho-active music, which, despite its depth and complexity, has a timeless and universal appeal. This is one for the history books."- Universal.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.