"Double-CD version of Mike Cooper's now classic 2018 release Tropical Gothic -- now released with a bonus live performance recorded at London's Café Oto. On Tropical Gothic, Mike Cooper studies different approaches to his method of uniting guitar and field recordings into a constant stream of sound, where he delivers chaos and melody -- not necessarily in that order. A series of shorter pieces open the album. Each of them offering a myriad of images and sensations, between the enigmatic and terror ("The Pit"), joy, happiness, and freedom ("Running Naked"), or pure contemplation ("Onibaba"). The album closes with its 18th minute magical piece "Lelong & Gods Of Bali". A mix of ambient exotica music, silent film soundtrack, and distorted rhythms that dance around Mike's guitar. It keeps reinventing and transforming itself throughout those eighteen minutes, summing up the dexterity and muscle of Mike Cooper's music of the last two decades. Tropical Gothic - Live At Cafe Oto was performed as a live improvised version of Mike's release of the same name. Joined on stage by Clive Bell and Sylvia Hallet and performed alongside three of Mike's videos -- "Ko Lanta", "Walking In Ubin", and a mash up containing excerpts from some of Mike's favorite "tropical gothic" films -- Onibaba (1964), Opera Jawa (2006), Kwaidan (1964), Tabu (2012), and White Shadows In The South Seas (1928). Both Clive and Sylvia play an array of Asian and "exotic" instruments; both are improvisers and have been playing together on and off over many years. Sylvia had collaborated with David Toop on his opera Star Shaped Biscuit, a work that might also be considered tropical gothic and Clive Bell, an international traveler, writer, and expert player of the Japanese shakuhachi flute, as well as other Asian blown instruments, is very familiar with Mike Cooper's musical excursions into ambient/electronic/exotica. Personnel: Mike Cooper - lap steel guitar, iPhone, Zoom sampletrack, Kaos Pad, Mini Kaos Pad, Mini Disc, Pitch Shifter Delay, Video; Sylvia Hallett - violin, bowed bicycle wheel, saw, sawn-off lampshade, jaws harp, mbira, delay pedal, pitch shift pedal, looper pedal; Clive Bell - shinobue, shakuhachi, khene, pi saw flute, Cretan pipes. Recorded Live by James Dunn at Cafe Oto on September 28th, 2018. Disc 1 mastered by Rashad Becker. Disc 2 mastered by Emmet O'Donnel." - Discrepant .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.