""Divine Horsemen were a band formed & led by Chris D between the years 1983 and 1988, while he was on hiatus from the Flesh Eaters. Divine Horsemen (taking their name from one of the Flesh Eaters' most powerful stompers) emerged as a byproduct of Chris' gorgeous solo album, Time Stands Still. He met singer Julie Christensen a few months before the recording, and the mix of their voices was such a perfect pairing of honey and gravel, they knew they had to keep working together. Taking a more measured rock tone (as compared to the raging word-zonk of the Flesh Eaters), Divine Horsemen recorded three great LPs and one EP for SST. They were also an amazingly solid live band, combining Chris' gonzo pulp imagery with those incredible twinned vocals, massive guitar riffs and a truly locked-in rhythm section. The two shows from which this album is harvested were recorded just before the Devil's River album came out in '85, and close on the heels of '87's Middle of the Night. It seems wild to me, listening to this disk for the umpteenth time, how together these songs are as rock-qua-rock monsters. I realize I'm biased and all, but I'd say half of the tunes are nothing less than goddamn classics. I somewhat prefer the later version of the band with Peter Andrus on guitar (he replaced Wayne James, Cam King and Marshall Rohner), but that's just picking nits. The core of the line-up was stable -- Julie and Chris singing, the late Robyn Jameson (the sole holdover from the Flesh Eaters) on bass, Rex Roberts on drums -- and they always sounded real damn good. Sadly, the band didn't last as long as hoped. Chris and Julie got married, but that was a collaboration that burned too hot to last. The band split when the couple did, which ended a truly ecstatic vocal pair-up. Julie went on to work for almost a decade as Leonard Cohen's angelic foil, but I was more excited to hear she was guesting on 2019's boss Flesh Eaters' album, I Used to be Pretty. And her vocal spots at a few of their live shows were spine-tingling. But there's nothing quite like the sound of Divine Horsemen. From the hot rod thuggery of 'Mother's Worry' to the sweet massage of 'Middle of the Night,' their music will take you where you want to go. So, lay back and dig this disk, while you wait for their new studio LP, Hot Rise of an Ice Cream Phoenix, on In the Red. There is also talk of a live tour, which would be fan-fucking-tastic. More than that I cannot say. Selah." --Byron Coley, 2020" - Feeding Tube Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.