Bureau B


"Barely pausing for breath after 1983's Colours And Soul, Dunkelziffer delivered In The Night the following year, their revolving line-up prompting an evolving sound. Though the playful elements of their debut remained through a trio of sun-blushed dubbers, the album also housed the ensemble's most dense, intense and serious tracks to date. The core septet of Zerlett, Linke, Krachten, Von Senger, Keul, Gelba and Schubert returned as well as the new bassist Rike Gratt, each in their own flow state on this seven track LP. But it was all change behind the mic for In The Night, as Coco Claus and Josefa Martens moved on, while Rebop Kwaku Baah, whose deep and rhythmic vocals decorated most of their debut, had sadly passed away while on tour with Jimmy Cliff the previous year. Luckily a perfect reinforcement was waiting in the wings, and the unmistakable Damo Suzuki led the charge with Helmut Zerlett taking double duties on backing vocals. The loose-limbed reggae of 'Watch On My Head' offers the warmest of welcomes on the A1, a swaying bassline underpinning breezy woodwind and synthetic fanfares with Suzuki's treated vocals forming the final instrumental layer. Things take a jazzier turn on 'Sunday Morning', in which cascading harps and glistening arps clearing the way for a snaking rhythm piano to take the lead . . . Shifting through the gears as we approach the midpoint, Dunkelziffer drop into 'Retrospection', thirteen whole minutes of pulsating and powerful psych-rock retooled for the new wave era. Leaving the fuzzbox back in Haight-Ashbury, the group layer chorus-drenched guitars and bright keyboards into a sky-scraping groove. Yelped mantras and untamed horns add a new found intensity balanced by the limber bassline and nuanced percussion which steals the spotlight during the final quarter. The B-side brings a moment of breezy beachfront cool via 'Q', a sun-kissed stroll from Methaniac fusion into ska-tinged art rock before plunging headfirst into the abrasive psychobilly of '(Do Watch What You Can) Prof.', a sub three-minute headfuck of atonal horns, off kilter percussion and overlapping vocals from Suzuki and Zerlett. Invigorated after that short sharp shock, the group lay a love song on us, the sweet nothings of 'I See Your Smile' bobbing on a Caribbean tide. Pure, playful and hard to resist, this moment of pop perfection was the ideal candidate for the album's single. There's room for one more mood swing as we reach the finale, closing cut 'Oriental Cafe' upping the intensity to deliver ten minutes of tribal percussion and Eastern influence in the same vein as 'Still Der Neuen Zeit' on their debut." --Patrick Ryder" - Bureau B .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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