GOLDSTEIN, MALCOLM - Because a Circle is not Enough: Music for Bowed String Instruments
"music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein's experience as a teacher and performer of Béla Bartók's 44 Duos for Two Violins (1931). Whereas Bartók's series features a clear progression to the pieces, gradually increasing in technical and musical complexity from beginning to end, music for bowed string instruments has no such sequence. The compositions do not build toward a particular way of playing or specific kind of technical virtuosity. Even so, Goldstein envisions these pieces to be used as both teaching material for improvisation as well as concert pieces. Each of the eleven pieces defines a narrow set of parameters -- musical, physical, conceptual, etc. -- to explore the sounding possibilities of stringed instruments. Goldstein uses the term structured improvisation composition to describe this kind of piece. He explains that concept as 'improvisation as a process of discovery enacted within the structures of the particular performance activities specified for each piece.' In other words, the musicians are not free to play anything at all, but they are free to explore everything within the constraints laid out in the score. Goldstein's aim is not for the musicians to produce the same music each time, nor to try and play a piece the way he would do it. Rather the philosophy is centered on the process of 'each individual unfolding, the breath expanding in gestures of becoming sound.' Goldstein relishes the possibilities inherent to improvisation: 'Anything can happen starting from nothing ? so that music is a process of discovery filled with surprises.' All of the musicians on this recording are part of the Montréal improvisation scene and there is a deep mutual trust between composer and performers developed over many years. A keen ear will recognize both the unique constraints of each piece's structure and the subtle, individualized ways the different musicians improvise the material." - New World Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.