HARNIK, ELISABETH - Superstructure - Holding Up A Bridge

"Austria pianist and composer Elisabeth Harnik has created a multi-faceted body of work by crossing genre boundaries through various collaborations in the field of improvised music, composition and sound art. Superstructure was written in 2006 and was recorded and produced live in concert by the Austrian Broadcasting Corporation ORF-Ö1 with "Jeunesse -- Musikalische Jugend Österreichs" at Radio Kulturhaus Vienna in 2007 and performed by All Ears Area Ensemble with Elisabeth Harnik (piano), Petra Stump (clarinets), Krassimir Sterev (accordion), Michael Moser (violoncello), Christian Wolfarth (percussion), Josef Novotny (electronics), Klaus Janek (double bass). Holding Up A Bridge was commissioned and performed by the up-and-coming Viennese ensemble Studio Dan in 2018. Studio Dan is Thomas Frey (flute), Viola Falb (alto saxophone), Dominik Fuss (trumpet), Daniel Riegler (trombone), Michael Tiefenbacher (piano), Hubert Bründlmayer (drums), Sophia Goidinger-Koch (violin), Maiken Beer (violincello), Philipp Kienberger (double bass). Cover artwork by Heidi M. Richter. Design by Federico Peñalva. Liner notes by Richard Barrett." - Trost.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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