"A note from Jeph Jerman: "What I remember... a car on fire alongside the highway in the middle of the night. Waking in someone else's bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast . . . The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set... smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim's car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel, and our entire train loaded onto a ferry to cross the Baltic Sea. Spending a lot of time together, without ever running out of things to talk about. It was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn't talk about in any detailed way, was what it would sound like. Lounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other's reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold. Every tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a mélange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted . . . Here then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand." - Room40 .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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