"Kadef Abgi came together in a serendipitous way. Devin Brahja Waldman was walking up St. Laurent borough in Montreal when he heard an otherworldly voice emanating from the venue Divan Orange. He walked in and listened to the singer on stage. When he was done, Devin walked over to him. After a short exchange about playing a house show in a couple of days, Ziad Qoulaii told Devin that he was available for all his projects. Shortly thereafter, Devin and Ziad met up at Mathieu Pelletier-Gagnon's studio with Anas Jellouf and Hamza Lahmadi. Later on, Anas Hejam, Vicky Mettler, and guitarist Sam Shalabi (Shalabi Effect, The Dwarfs Of East Agouza, Karkhana, Land Of Kush) joined. The music materialized in a natural, collectively improvised way, without any compositions or ideas discussed beforehand -- and without second takes. From there, Waldman began editing and mixing. Ala Dehghan painted the album's great artwork. A single composer's imagination would not have produced Diva Of Deva Loka as it is music created from a collective consciousness unfolding in real time. The album has its roots in each musician's sonic experience: this includes Arabic music including most notably Moroccan Gnawa -- as well as rock n' roll, jazz, and the avant-garde. Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer. He has performed with Patti Smith, Thurston Moore, Lydia Lunch, along many other artists. He has also accompanied his aunt, the poet Anne Waldman, since the age of ten. He leads a NYC/Montreal-based band, B R A H J A, performs in Heroes Are Gang Leaders and is a member of Artists For A Free World Marching Band. Along with Anne Waldman and his cousin Ambrose Bye, Waldman co-directs Fast Speaking Music -- a still-active music and poetry label which has released the works of Amiri Baraka, Meredith Monk, CA Conrad, and many others. Vinyl replica style CD." - Akuphone .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.