"For a number of years now, Fourth Dimension has been responsible for releasing most of Gary Mundy of Ramleh's solo works under his Kleistwahr guise. Each of these albums is possessed of a thematic approach harboring some of his obsessions, passions and explorations into both pure, unadulterated sonic expression and many of the concerns driving it. Although traces of Gary's longstanding interest in unforgiving and uncompromising music can often be found threaded throughout Kleistwahr's work, it is (rather like Ramleh's own recordings) far more nuanced and subtle. Contorted layers of psychedelic noise converge with tormented vocals, ghostly organ sounds wafting in from a derelict church, life beat pulses, rhythms that fall in on themselves and an avant-garde sensibility apparently drawing from minimalist composition and a crushing feeling of unease itself jarred into all manner of surprising shapes. This is music to fall backwards into whilst understanding vipers lurk somewhere close by. In the Reign of Dying Embers, however, is not entirely wracked by the kind of primal despair best reserved for daily coverage of leading world events, though. There are flecks of light in the mix, some held on to and nurtured more than others, that suggest a reaching out to better things. More than this, Kleistwahr proffers a somewhat more personal take on matters, harnessing a sound that embodies the sheer paradox of existential crises converging with meaning as the world around crumbles and burns. Each and every Kleistwahr album appears akin to Gary's taking another step towards curling into a quiet corner with one defiant fist still raised. Being itself founded on the idea of addiction in all its forms and the colossal pressure upon us to "escape" by varied means, In the Reign of Dying Embers underlines the hope in hopelessness so boldly it might well constitute the strongest statement thus far." - Fourth Dimension .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.