"Dutch bassist Luc Klaasen was an original member of the legendary avantgarde/punk band The Ex, later played with Tom Cora and today is very active as sound artist and composer with big ensembles. Luc Ex uses this project to explore the liminal zone where sound and music overlap or merge. Driven by a passion for both, he has created work for a medium-sized ensemble that is based on specific environmental sounds. Our entire world is brimming with sound; an omnipresent phenomenon that is hard to escape in many spheres of modern society. Each piece springs from a specific sound e.g. ventilators, concrete mixers, people talking loudly into their phones, building sites, robots. These elements add up to a beautiful musical painting, which straddles the middle ground between contemporary music and urban soundscapes while giving a knowing wink to the oeuvres of people like John Cage, Harry Partch, or Luigi Russolo. Personnel: Joost Buis - trombone; Saartje van Camp - cello; Luc Ex - acoustic bass; Renato Ferierra - bass/tenor sax; Pepe Garcia - percussion; Yedo Gibson -reeds; Nora Mulder - piano; Mika Szafrowski - guitar; Veryan Weston - piano/keystation; Nina Hitz - cello; Vladislav Psaruk - trombone. Recorded in Bologna/ Teatro San Leonardo and Den Haag, Korzo, 2018. Mixed by Mika Szafrowski. Mastered by Martin Siewert." - Trost .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.