"2013 release. "There is no argument; Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita has appeared on over four hundred albums since 1979. The name comes from German artist Kurt Schwitters' famous work Merzbau, in which he transformed the interior of his house with found objects. This is reflected in Akita's junk art / collage aesthetic. Other influences on the Merzbow philosophy range from ritualized eroticism (fetishism and bondage), surrealism to extreme metal and animal rights. Since the early 2000s Akita has been a vegan and dedicated animal rights activist. Many of his releases are dedicated to or about particular animals. Kookaburra documents a rare live appearance of Merzbow down-under, capturing his solo performance in Sydney, Australia, May 2012. Following a slew of archival boxset releases and a relative scarcity in new recordings, Kookaburra comes at an opportune time to showcase the current solo Merzbow live sound. Leaving aside the more melodic and ambient touches heard on recent studio albums, Kookaburra cuts straight to the chase with 60 minutes of blissfully dense noise, brimming with endless detail. Differing from previous Merzbow live albums, the trademark loops are now buried deep within a monolithic torrent of black noise, characterized by both analog and digital flavors. The world of Kookaburra is built upon impenetrably thick walls of low-end oomph and filled with relentlessly caustic textures from which distorted howls, wild oscillations and inexorable pulsations rear their monstrous heads. This monolithic single track is remarkable for its incredibly hypnotic journey along an enormous arc of sonic strata that is both glacial in its pacing and molten in its unyielding force. This is Merzbow at his most elemental and Kookaburra boldly displays the king of noise's most focused exploration of stunningly powerful noise in recent years." - Alex Pozniak.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.