MORRIS, JOE/SIMON H FELL/ALEX WARD - The Necessary And The Possible
"Performed by Joe Morris : guitare acoustique; Simon H Fell : contrebasse; Alex Ward : clarinette. "The Necessary and the Possible applied to the context of this group -- and what we reach for with our music -- says so much about the subject that I could just type the title enough times to fill this page, not write anything else and leave the rest for the reader to imagine. That might be sinister and apathetic. Seriously though, Simon, Alex and I are indeed equals. There is a balance of content between us. It is rendered in shared ideas about articulation, timbre, and methods of interaction. The group vocabulary feels limitless. We listen to one another carefully, with a willingness to play in unison, to complement and or juxtapose whatever idea comes to us. Perhaps it's a coincidence that we share this set of things. We live in different countries (me in the U.S., Alex in the U.K., Simon in France) and up to the date of this recording had only worked together as a group for a week. Knowing as I do that there are many U.K. musicians who share a similar degree of technique and versatility, perhaps the real coincidence here pertains to me. Regardless, the complex set of materials we share makes it possible to achieve what I feel is a rare combination of things. For instance, we freely decide to connect to a kind of narrative flow, a stated or implied pulse or linear progression, then instantly disconnect from it separately or together. This single musical decision gives us an amazing amount of freedom in our performance. It expands our ability to use pitches that can be manipulated with timbre and extended techniques as singular sonic statements, to construct intervallic templates, or to use melodic ideas that ride the flow. Like every part of our music, our collective creation of form requires no planning or discussion. The sequence of events, beginnings and endings occur through trust and confidence in each other."-- Joe Morris, March 2009" - Victo.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.