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Touch

NOVAK, YANN - The Future is a Forward Escape Into the Past

The Future is a Forward Escape Into the Past is the latest album by Los Angeles-based multidisciplinary artist and composer Yann Novak, and his second for Touch. It considers the relationships between memory, time, and context through four vibrantly constructed tracks that push Novaks work in a new direction while simultaneously exploring his sonic past. The Future is a Forward Escape Into the Past is composed as a sonata -- a single gesture broken into four parts -- that meditates on the inevitable progression of time. The albums conceptual roots stem from The Archaic Revival (1991) by American ethnobotanist and psychonaut Terence McKenna. In it, McKenna theorizes that when a culture becomes dysfunctional it attempts to revert back to a saner moment in its own history. He suggested that abstract expressionism, body piercing and tattooing, psychedelic drug use, sexual permissiveness, and rave culture were proof of this default to a more primal time. The texts idealism was influential to Novak in the 90s, but the theory bears a darkly-veiled resemblance to the modern rise of nostalgia-driven nationalism. Novak on the release: For this album I was interested in expanding into a more emotive compositional style and palette. In doing so, I was reminded that this was territory I had covered early on in my career -- the whole process became a way to reconnect with my own past and history." The albums four tracks dynamically shift and surge, where time is rendered as material and momentum compels it into movement. Subtle distortion throughout the album ties the tracks together and echoes techniques explored in Novaks Meadowsweet (2006). Tension gives way to a halcyon vision of place in "Radical Transparency", immediately followed by the austere swells of "The Inertia of Time", a piece that captures the twin impulse of generating optimistic beauty in harshly muted tones. Both tracks introduce subtle bass swells and stabs reminiscent of In Residence (2008). From there, the album grows darker with "Casting Ourselves Back into the Past" and "Nothing Ever Transcends its Immediate Environment", two icier tracks that preserve the albums core. The latter introduces a processed vocal sample of Geneva Skeen, similar to Novaks collaborative work with Marc Manning on Pairings (2007). The album is a study in perception and alteration, manipulation, and awareness, effectively capturing Novaks command of emotional texturing. Artwork & photography: Jon Wozencroft. Mastered by Lawrence English. Edition of 500." - Touch.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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