"Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in August, 1964, and January, 1965, respectively. Both sessions took place under casual circumstances at Prehn's summer cottage outside Aarhus, but the music was dead serious -- some of the most adventurous improvising yet made by a group on the continent. These tapes have been the stuff of legend. Only a couple copies of them exist, and they're spoken of in hushed tones by folks in the know, most of whom have never heard what they sound like. The earlier recording, which consists of a single magnificent 44-minute track, is one of the group's free jazz pinnacles, with Slumstrup featured as a soloist, playing in top form, with the band building structures around his propulsive and sensitive kit-work. On Sohlverv, which translates as "solstice," the band enters completely unknown terrain, working through a series of four sections with solos featured by each bandmember. Here Krogh reveals his incredible force as an idea generator. As Mats Gustafsson says in his liner notes: "Close-miked percussive sax-pad treatments that swing like mad and give the music a VERY radical profile and color. I have NEVER heard anything like it." This reissue is the product of a long process, working Prehn and with the generous and patient Center for Swedish Folk Music and Jazz Research. Mastered directly from the original reels, with notes by Gustafsson and facsimile reproductions of both tape covers. Never reissued in any form until now. Seriously, as the old adage goes, this is music that needs to be heard to be believed." - Corbett Vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.