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Reel Recordings

RENDELL, DON - IAN CARR QUINTET - Live At The Union 1966

Reel Recordings presents the Don Rendell-Ian Carr Quintet, Live At The Union 1966 in affiliation with the February 23, 2010 Queen Elizabeth Hall concert, Ian Carr: A Celebration Of His Life And Music." All proceeds from this CD to benefit Britains Alzheimers Research Trust. 
Jazz in Britain during the 1960s found many musical voices speaking uniquely beyond their American inspiration, but few spoke as eloquently as the Don Rendell - Ian Carr Quintet. Formed in 1964 by modernists Don Rendell (saxes/flutes) and the late Ian Carr (trumpet/flugelhorn), their quintet was perfected by the tremendous rhythm section of composer Michael Garrick (piano), Dave Green (double bass) and Trevor Tompkins (drums). While a handful of classic records made for EMI/Columbia UK between 1964 and 1969 remain among the most sought-after missing discs in many a British jazz record collection, it was on the bandstand where the Quintets music found its greatest expression. What a revelation then, to discover this lost private recording, which captured six chapters, played from the stylistically expansive book of compositions penned by Don Rendell, Ian Carr, and Michael Garrick. The Quintets concert took place at the Students Union Hall at Londons University College on December 12, 1966, among an intimate and enthusiastic audience of friends, and remarkably, recorded by George Foster. Deputizing for bassist Dave Green, who left early due to a double booking at Ronnie Scotts Old Place, was New Jazz Orchestras bassist Tony Reeves, who plays beautifully throughout. From the exhilarating, and hitherto unreleased "Tranes Mood," through the lyrical "Websters Mood," the quintets performance overflows with emotion and beauty." - Reel Recordings.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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