"Polar Force is a new collaborative work from Australian field recordist Philip Samartzis and percussionist Eugene Ughetti. The work, which draws on Samartzis's time at Casey Station (one of Australia's primary research outposts on the Antarctic continent), is a powerful merging of environmental acoustics and extended approaches to percussion. Much of the sound heard on this edition is created through custom made percussion devices utilizing ice, water, and wind. When matched against the field recordings they create a blurry line between the natural and the synthetic, Samartzis and Ughetti prompting you to listen deeply into their emergent sound world.
From Eugene Ughetti: "As Philip was preparing to leave for his second Australian Antarctic Division residency, he invited me to lunch to discuss the possibility of collaborating on a new work. He recounted his first experience on the ice, where the surrounding landscapes seemed to articulate avant-garde percussion works of an epic scale. On this visit, he wanted his field work to explicitly shape the formation of a new performance work with a particular focus on katabatic winds in and around Casey Base station. Intrigued, I accepted the challenge provided I could create a live performance utilizing the same recorded materials of ice, air, and water. We undertook an ambitious collaboration with sound, instrument, lighting and industrial designers, a dramaturg and percussionist. For Polar Force we built an environment, a white inflatable structure reminiscent of a remote re-search station on the ice. Emanating from outside the space come the complex and foreboding sounds of the natural environment, inside, a live event akin to scientific research in sound occurs. This hour-long performance installation work gives rise to a hyper-realistic sensing of Antarctica, bursting with natural beauty, power and the audible evidence of human impact." - Room40 .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.